%s1 / %s2

Playlist: Matt "The Cat" Baldassarri's Portfolio

Caption: PRX default Portfolio image
No text

Featured

Juke In The Back #032 - R&B Christmas

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:59

The entire "Juke In The Back" is loaded with the greatest R&B Christmas records from the late 1940s and 1950s. It's the yuletide soul that came before rock n' roll. So grab some 'nog and get groovin'.

Jitbtitlemedium_small R&B ChristmasRhythm & Blues Christmas

The entire "Juke In The Back" is loaded with the greatest R&B Christmas records from the late 1940s and 1950s.  It's the yuletide soul that came before rock n' roll.  From the all-time classics by Clyde McPhatter & The Drifters and The Orioles to some rarer Christmas plattahs from Amos Milburn, JB Summers and The Five Keys.  So grab some 'nog and get groovin'.

Juke In The Back #033 - Christmas Leftovers & New Year's Resolutions

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

Matt The Cat has dug up some more R&B Christmas treasures and added a few tunes about New Years for this week’s continuation of the “Juke In The Back” R&B Christmas Special.

Jitbtitlemedium_small

Christmas Leftovers & New Year's ResolutionsChristmas Leftovers & New Year's Resolutions

Matt The Cat has dug up some more R&B Christmas treasures and added a few tunes about New Years for this week’s continuation of the “Juke In The Back” R&B Christmas Special.  The holiday juke is jumpin’ with cool tunes by Big John Greer, Champion Jack Dupree, Lowell Fulson, The Moonglows, Marvin & Johnny and many more.  The range of topics is wide, from dancing Santas to lonely Christmases to making up with your baby on New Year’s Eve.  So get hungry for some Christmas leftovers and plan your New Year’s resolutions this week with Matt The Cat on the “Juke In The Back.”

Juke In The Back #034

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:16

The juke is jumpin' with records focusing on classic R&B songs about cars. Musicologists Billy Vera and Steve Propes drop by the "Juke In The Back" to make their cases that the first rock n' roll song might have been about a car

Jitbtitlemedium_small R&B Car SongsRhythm & Blues Car Songs

The juke is jumpin' with records focusing on classic R&B songs about cars.  The automobile is a "road tested" symbol of the American Dream.  We have all this land and the car gives us the freedom to get from one place to another.  We'll dig on some tunes about Cadillacs, Buicks, Mercurys and Model Ts.  Plus, musicologists Billy Vera and Steve Propes drop by the "Juke In The Back" to make their cases that the first rock n' roll song might have been about a car.  "Juke In The Back" focuses on the "soul that came before rock n' roll," the records that inspired Elvis, Buddy Holly, The Beatles, The Rolling Stones and countless others

Juke In The Back #035

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:11

Drop a nickel in the ol' Rockola Juke for an hour of pre-rock rhythm & blues. This week, we feature the very first recordings made by Jackie Wilson. His first sides, cut as Sonny Wilson as well as leader of Billy Ward & His Dominoes from 1952-3 are in the spotlight. Also, we examine the brief vocal jazz phenomenon known as Vocalese, which top-notch records from King Pleasure and Annie Ross as well as much more.

Jitbtitlemedium_small Early Jackie WilsonEarly Jackie Wilson & The Sound of Vocalese

Drop a nickel in the ol' Rockola Juke for an hour of pre-rock rhythm & blues.  This week, we feature the very first recordings made by Jackie Wilson.  His first sides, cut as Sonny Wilson as well as leader of Billy Ward & His Dominoes from 1952-53 are in the spotlight.  Everyone must start somewhere and these early recordings give us a glimpse of Jackie's amazing power as a singer.  Also, we examine the brief vocal jazz phenomenon known as Vocalese, which top-notch records from King Pleasure, Annie Ross and many more.  Vocalese hit hard in 1952 and then virtually disappeared.  Since many R&B records during this time were made with jazz musicians playing the sessions, it only makes sense to feature some jazz on the "Juke In The Back."

Juke In The Back #036

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:34

Drop a nickel in the ol' Rockola Juke to hear one of the best selling and most influential bluesmen and guitarists of all-time, T-Bone Walker. This week's show looks at how T-Bone's immense guitar talent developed from his first recordings in the early 1940s to his breakthrough after WWII with the now classic, "Call It Stormy Monday (But Tuesday's Just As Bad)" and beyond.

Jitbtitlemedium_small T-Bone WalkerT-Bone Walker

Drop a nickel in the ol' Rockola Juke to hear one of the best selling and most influential bluesmen and guitarists of all-time, T-Bone Walker. This week's show looks at how T-Bone's immense guitar talent developed from his first recordings in the early 1940s to his breakthrough after WWII with the now classic, "Call It Stormy Monday (But Tuesday's Just As Bad)" for Black & White Records. We'll also get a taste of T-Bone's work for the Cornet, Imperial and Atlantic labels. B. B. King, Ray Charles and Chuck Berry have all cited T-Bone Walker as a heavy influence. Find out why on this week's "Juke In The Back" with Matt The Cat.

Juke In The Back #037

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:13

This week, the "Juke In The Back" is full of old records from one of the greatest record labels of all-time, Specialty Records. Art Rupe started the label in 1944 as Juke Box Records and at the age of 93, Rupe is FINALLY being inducted into the Rock Hall this year.

Jitbtitlemedium_small Roy Milton was Specialty Records biggest act of the 1940sSpecialty Records Pt. 1

This week, the "Juke In The Back" is full of old records from one of the greatest record labels of all-time, Specialty Records.  Art Rupe started the label in 1944 as Juke Box Records and at the age of 93, Rupe is FINALLY being inducted into the Rock Hall this year.  Part 1 of this multi-part feature will focus on Specialty's early years, featuring not only the enormous hits from Roy Milton & His Solid Senders, Jimmy Liggins, Camille Howard and Joe Liggins, but also the lesser known releases by The Sepia Tones, The Blues Woman, Big Maceo and more.  Find out how this great label began on this week's "Juke In The Back" with Matt The Cat.

Juke In The Back #038

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:05

This week, the "Juke In The Back" is jumpin' with records all hailing from the Specialty Label out of LA on part 2 of The Specialty Records Story. Matt The Cat digs up some gems from Specialty's golden period of 1950-53.

Jitbtitlemedium_small Specialty Records Pt. 2Specialty Records Pt. 2

This week, the "Juke In The Back" is jumpin' with records all hailing from the Specialty Label out of LA on part 2 of The Specialty Records Story.  Matt The Cat digs up some gems from Specialty's golden period of 1950-53 from Roy Milton & His Solid Senders, Lloyd Price, Jesse & Marvin, Percy Mayfield and gospel group, The Swan Silvertones.  Lloyd Price even drops by the "Juke" to tell us how he first met Specialty owner Art Rupe and how "Lawdy Miss Clawdy" came to be recorded.  Matt The Cat wraps up his series on Specialty Records next week, so dig it while the diggin's good. 

Juke In The Back #039

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:56

This is the third and final part of "Juke In The Back"'s tribute to Specialty Records. This week, host Matt The Cat looks at Specialty's hit-making heyday of 1953-56, featuring Marvin & Johnny, John Lee Hooker, Jesse Belvin and Little Richard! The birth of Rock n' Roll can be traced back to Specialty Records, find out why on the "Juke In The Back."

Jitbtitlemedium_small Specialty Records Pt. 3Specialty Records Pt. 3

This is the third and final part of "Juke In The Back"'s tribute to Specialty Records.  This week, host Matt The Cat looks at Specialty's hit-making heyday of 1953-56, featuring Marvin & Johnny, John Lee Hooker, Jesse Belvin and Little Richard!  The label's founder, Art Rupe is finally getting inducted into the Rock n' Roll Hall Of Fame this year.  Rupe was a major force in presenting rhythm & blues to the masses and introducing the world to Little Richard, who's musical impact is still being felt today.  The birth of Rock n' Roll can be traced back to Specialty Records, find out why on the "Juke In The Back."

Juke In The Back #040

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:04

The "Juke In The Back" is loaded this week with records by one of R&B's greatest and most underrated bandleaders, Lucky Millinder. He worked with vocalists as varied as Sister Rosetta Tharpe, Wynonie Harris and Big John Greer, but Lucky Millinder is mostly forgotten by today's audiences. "Juke In The Back" will change that with this week's show.

Jitbtitlemedium_small Bandleader Lucky MillinderLucky Millinder

The "Juke In The Back" is loaded this week with records by one of R&B's greatest and most underrated bandleaders, Lucky Millinder.  He worked with vocalists as varied as Sister Rosetta Tharpe, Wynonie Harris, Annisteen Allen, Bull Moose Jackson and Big John Greer, but Lucky Millinder is mostly forgotten by today's audiences.  Dizzy Gillespie actually played trumpet in Millinder's Band in the early 1940s for a brief time.  Even though Lucky Millinder is not remembered well today, his records certainly helped lay the foundation that would soon become Rock n' Roll.  Dig on some of greatest records, this week on the "Juke In The Back" with Matt The Cat.

Juke In The Back #041

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:57

This week, the "Juke In The Back" honors one of the greatest blues shouters of all-time, Eddie "Cleanhead" Vinson. Matt The Cat covers Vinson's early period vocalizing with the Cootie Williams' Orchestra to his successful solo sides with both Mercury and King Records.

Jitbtitlemedium_small Eddie VinsonEddie "Cleanhead" Vinson

This week, the "Juke In The Back" honors one of the greatest blues shouters of all-time, Eddie "Cleanhead" Vinson.  He burst on the scene in 1944 with a cover of the Joe Turner classic, "Cherry Red Blues" as the vocalist for the Cootie Williams Orchestra.  He remained with Cootie Williams until 1945, when Vinson cut out and formed his own orchestra.  He signed with Mercury and scored the biggest hit of his career in 1947 with "Old Maid Boogie" and "Kidney Stew Blues."  He entered that R&B charts one more time in 1949 with the sequel to "Cherry Red Blues" with "Somebody Done Stole My Cherry Red."  For those in the know, Eddie "Cleanhead" Vinson is an R&B, jazz and blues shoutin' treasure, but for those who missed the boat, he's forgotten.  Join Matt The Cat as we remember one of the all-time greats on the "Juke In The Back."

Juke In The Back #042

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the "Juke In The Back" features a rhythm & blues vocal group from Winston-Salem, NC that not only influenced James Brown, but quite possibly the entire soul movement of the late '50s into the 1960s; The "5" Royales.

Jitbtitlemedium_small The "5" RoyalesThe "5" Royales

This week, the "Juke In The Back" features a rhythm & blues vocal group from Winston-Salem, NC that not only influenced James Brown, but quite possibly the entire soul movement of the late '50s into the 1960s; The "5" Royales.

They began their career as a six man gospel group called The Royal Sons Quintet.  They kept their six member lineup even after they changed their name to the "5 Royales.  They had legal battles with Hank Ballard's Royals and their own label, Apollo Records, but managed to score two #1 smashes during 1953.  Their sound was unique, their harmonies air-tight and thief chief songwriter was also their guitarist, Lowman Pauling.  His guitar playing influenced Eric Clapton, Steve Cropper and countless other guitar legends.  The "5" Royales were much more than just a '50s R&B vocal group and this week, Matt The Cat & the "Juke In The Back" are going to tell their story.

Juke In The Back #043

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:17

Matt The Cat presents another highly underrated vocal group from the 1950s: The Du-Droppers as part of a full hour of 1940s and '50s rhythm & blues on the "Juke In The Back."

Jitbtitlemedium_small The Du-DroppersThe Du-Droppers

Matt The Cat presents another highly underrated R&B vocal group from the 1950s: The Du-Droppers. They didn't sound like the stereotypical "doo wop" groups of the era and they weren't your standard rhythm group either. The Du-Droppers had a sound that was all their own. Their leader, JC Ginyard began his career in Gospel groups and you can really hear that influence on the Du-Droppers' best material. The group's first single for Bobby Robinson's Red Robin label was a sequa record to the Dominoes' smash, "Sixty Minute Man," called "Can't Do Sixty No More." Once they signed with RCA Victor, they scored two of the biggest smashes of 1953. Dig the sound and get the story behind the Du-Droppers, this week on the "Juke In The Back," the "soul that came BEFORE rock n' roll."

Juke In The Back #044

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:14

The entire "Juke In The Back" focuses on a tiny Chicago R&B record label with a big sound; Parrot Records. The label was started by Chicago DJ Al Benson in late 1952 and it closed its doors in 1956. Get the story behind the story on the history of Parrot Records with Matt The Cat on this week's "Juke In The Back."

Jitbtitlemedium_small The Parrot Records StoryParrot Records

The entire "Juke In The Back" focuses on a tiny Chicago R&B record label with a big sound; Parrot Records.  The label was started by Chicago DJ Al Benson in late 1952 and it closed its doors in 1956.  During its period of operation, Parrot recorded some smokin' R&B and smooth vocal group sounds from Willie Mabon and J.B. Lenoir to The Flamingos and the 5 Thrills.  Matt The Cat highlights both the hits and misses and bring you the story behind the story on this often forgotten R&B label on this week's "Juke In The Back."

Juke In The Back #045

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:05

This week's "Juke In The Back" digs deep into a group that is usually only remembered for one, incredibly influential tune, "Sh-Boom." The Chords cut that tune in 1954, right at the height of America's fear of the Atomic Bomb and this song did more for helping to launch rock n' roll than almost any other. Matt The Cat digs up the story of The Chords and their great recordings on the "Juke In The Back."

Jitbtitlemedium_small The Chords on The Juke In The BackThe Chords

This week's "Juke In The Back" digs deep into a group that is usually only remembered for one, incredibly influential tune, "Sh-Boom."  The Chords cut that tune in 1954, right at the height of America's fear of the Atomic Bomb and this song did more for helping to launch rock n' roll than almost any other.  In fact, the tittle "Sh-Boom" was meant to simulate the sound of an A-Bomb explosion.  Even though their label didn't believe in "Sh-Boom," they just couldn't stop it, but unfortunately, they didn't do much to promote The Chords subsequent releases.  They were forced to change their name to The Chordcats, due to a lawsuit and then dropped that name in favor of The Sh-Booms.   Matt The Cat digs up the story behind the story of The Chords and their great recordings on this episode of the "Juke In The Back."

Juke In The Back #046

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:16

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the first half of 1951. You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Margie Day, Ray Charles and Lloyd Glenn. It's part 1 of the 1951 Rhythm Review on the "Juke In The Back."

Jitbtitlemedium_small 1951: Jukebox Rhythm Review1951: Jukebox Rhythm Review

Part 1

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the first half of 1951.  You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Margie Day, Ray Charles and Lloyd Glenn.  These are the top requested records that were spinning on the jukebox in the back of the establishment.  It's part 1 of 2 on the 1951 Rhythm Review on the "Juke In The Back."

Juke In the Back #047

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the second half of 1951. You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Johnny Hodges, Dinah Washington and Jimmy Nelson. It's part 2 of the 1951 Rhythm Review on the "Juke In The Back."

Jitbtitlemedium_small

1951: Jukebox Rhythm Review1951: Jukebox Rhythm Review

Part 2

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the second half of 1951.  You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Johnny Hodges, Dinah Washington and Jimmy Nelson.  These are the top requested records that were spinning on the jukebox in the back of the establishment.  It's part 2 of 2 on the 1951 Rhythm Review on the "Juke In The Back."

Juke In The Back #048

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:31

The "Juke In The Back" is overflowin' with records by one of R&B's greatest blues shouters and entertainers: Wynonie "Mr. Blues" Harris. Part 1 of this 2 part series focuses on Wynonie's early recordings from 1944-1948.

Jitbtitlemedium_small Wynonie Harris Pt. 1Wynonie Harris

Part 1


The "Juke In The Back" is overflowin' with records by one of R&B's greatest blues shouters and entertainers: Wynonie "Mr. Blues" Harris.  Part 1 of this 2 part series focuses on Wynonie's early recordings from 1944-1948.  Matt The Cat digs deep in his "juke" archives to pull out many of Harris' early records that often get ignored.  We'll dig on Harris' first 2 singles with the Lucky Millinder Orchestra and cover his releases with Philo, Apollo, Aladdin and King.  Three versions of the early rock n' roll anthem, "Good Rockin' Tonight" will also be examined.  So get ready to shout "Hoy! Hoy!" as Mr. Blues is coming to town on this week's "Juke In The Back" with Matt The Cat.

Juke In The Back #049

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

It's part 2 of our 2 part series on Wynonie "Mr. Blues" Harris, one of the greatest blues shouters of all time. Matt The Cat focuses on Harris' hit-making years of 1948-1952, when he ruled the rhythm & blues charts. Drop a nickel in the "Juke In The Back," cause "Mr. Blues" is gonna ROCK!

Jitbtitlemedium_small Wynonie Harris Pt. 2Wynonie Harris

Part 2


It's part 2 of our 2 part series on Wynonie "Mr. Blues" Harris, one of the greatest blues shouters of all time.  This week, Matt The Cat focuses on Harris' hit-making years of 1948-1952, when he ruled the rhythm & blues charts.  "Grandma Plays The Numbers," "All She Wants To Do Is Rock," "Bloodshot Eyes," "Lovin' Machine" and many more Wynonie Harris classics spun in high numbers on the jukeboxes, so drop a nickel in the "Juke In The Back," cause "Mr. Blues" is gonna ROCK!

Juke In The Back #050

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:12

This week, The "Juke In The Back" features the songs of one of R&B's greatest songwriters: Rudy Toombs. This underrated cat wrote some of the most fabulous drinking songs of all-time as well as many other memorable classics. Matt The Cat spins Rudy Toombs best on the "Juke In The Back."

Jitbtitlemedium_small Songwriter Rudy ToombsRudy Toombs: R&B Songwriter

This week, The "Juke In The Back" features the songs of one of R&B's greatest songwriters: Rudy Toombs.  This underrated cat wrote some of the most fabulous drinking songs of all-time for Amos Milburn, The Clovers, The Five Keys and a young Johnny "Guitar" Watson.  Beyond drinking songs, Toombs wrote some mega-hits for Ruth Brown, Varetta Dillard and Little Willie John, just to name a few.  Matt The Cat gives you the story behind the story of one of early rock n' roll's greatest cleffers.  It's Rudy Toombs best songs, this week on the "Juke In The Back."

Juke In The Back #051

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:20

This week, "The Juke In The Back" looks at how one of R&B's greatest voices, Lavern Baker, got her start. Matt The Cat collects ALL of Baker's early records together in one place. Plus, celebrate America's National Pastime with a collection of R&B baseball songs from the time of Jackie Robinson and Larry Doby.

Jukelogolargeapple2_small Lavern BakerEarly Lavern Baker & R&B Baseball Songs

This week, "The Juke In The Back" looks at how one of R&B's greatest voices, Lavern Baker, got her start.  Matt The Cat collects ALL of Baker's early records together in one place.  From her first recordings with the Eddie "Sugarman" Penigar Orch to her breakthrough sides with The Todd Rhodes Orch and all the records in-between.  You can really hear how Baker's sound evolved between 1949 and 1953.  Her true breakthrough wouldn't come until "Tweedlee Dee" became a huge R&B and pop hit in 1955.

Plus, in our "Harlem Hit Parade," celebrate America's National Pastime with a collection of R&B baseball songs.  Soon after Jackie Robinson broke the color barrier and signed with the Brooklyn Dodgers in 1947 and Larry Doby went to the Indians, blues and rhythm artists started singing about a game that could now be enjoyed by everybody.

"The Juke In The Back" features the underground R&B music that directly influenced the birth of rock n' roll, but is seldom heard or respected on the radio.

Grab a nickel and dig on "The Juke In The Back."

Juke In The Back #052

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, we take a look at two of the most famous "characters" from 1940s and '50s R&B: Deacon Jones and Fanny Brown. Sometimes these two were referenced in the same song, as in "Good Rockin' Tonight" and sometimes they got their own songs. Matt The Cat gets the story behind the story on these two R&B mainstays.

Jitbtitlemedium_small Roy BrownDeacon Jones & Fanny Brown In Song

This week, we take a look at two of the most famous "characters" from 1940s and '50s R&B: Deacon Jones and Fanny Brown.  Sometimes these two were referenced in the same song, as in "Good Rockin' Tonight" and sometimes they got their own songs, as in Louis Jordan's "Deacon Jones" and Roy Brown's "Miss Fanny Brown."  Matt The Cat gets the story behind the story on these two R&B mainstays on the Juke In The Back.

Juke In The Back #053

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:30

The "Juke In The Back" is jumpin' this week as we take a look at the history and influence of the Champion Jack Dupree classic, "Junker's Blues." We'll also make some long distance rhythm & blues phone calls. Grab a nickel and dig on the "Juke In The Back."

Jukelogolargeapple2_small Champion Jack DupreeHistory Of “Junker’s Blues” And R&B Telephone Songs

The “Juke In The Back” is jumpin’ this week as we take a look at the history and influence of the Champion Jack Dupree classic, “Junker’s Blues.”  He learned the tune from New Orleans boogie woogie pianist Drive ‘Em Down, but it was Dupree’s recording that influenced Fats Domino, Lloyd Price and Professor Longhair.  We’ll also make some long distance rhythm & blues phone calls from Floyd Dixon, Sonny Terry, Muddy Waters and Big Walter. Grab a nickel and dig on the “Juke In The Back.”

Juke In The Back #054

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:26

Matt The Cat focuses on one of the most influential and important West Coast Doo Wop groups: The Flairs.

Jitbtitlemedium_small The FlairsThe Flairs

This week, the "Juke In The Back" focuses on the beginnings of West Coast Doo Wop.  In the early 1950s, the East Coast had most of the great vocal groups of note, but in 1952, that statistic was about to change.  It took a group of LA teenagers, mostly from Jefferson High, to introduce those great West Coast Harmonies to the world and start a new scene which would eventually include The Platters, The Calvanes, Don Julian & The Meadowlarks, The Penguins and literally hundreds more.  The Flairs talent broke down to three main voices: Cornell Gunter, Richard Berry and Obediah Jessie (Young Jessie).  Matt The Cat presents their story and their influential ballad and jump sides, this week on the "Juke In The Back."

Juke In The Back #055

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:58

The "Juke In The Back" honors one of the greatest, yet more underrated originators of electric blues guitar: Pee Wee Crayton. Matt The Cat presents his story, his music and a whole lot more on the "Juke In The Back."

Jitbtitlemedium_small Pee Wee CraytonPee Wee Crayton

The "Juke In The Back" honors one of the greatest, yet more underrated originators of electric blues guitar: Pee Wee Crayton.  Matt The Cat digs deep into Crayton's musical catalog and dusts off more than just his three charting R&B hits.  You'll also get to hear the fantastic and inspired recordings he cut in New Orleans with bandleader Dave Bartholomew as well as his Vee-Jay Records sides.  Pee Wee Crayton's story comes to life through his music on this week's "Juke In The Back."

Juke In The Back #056

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:54

The "Juke In The Back" takes a look at one of New York's greatest, but almost unheard of R&B vocal groups: The Diamonds. Matt The Cat also features R&B songs about Detroit on this week's show.

Jitbtitlemedium_small The DiamondsThe (original) Diamonds & R&B Songs About Detroit


The "Juke In The Back" takes a look at one of New York's greatest, but almost unheard of R&B vocal groups: The Diamonds.  They only got 3 singles released by Atlantic Records during 1952 and '53 and would fade into history by 1955, but their harmonies are second to none.  "Sonny" Wright's lead baritone remains much admired as does Myles Hardy's tenor.  Hear all six of the Diamond's known songs this week.  Plus, Matt The Cat also features R&B songs about Detroit with Blind Blake, Tampa Red, John Lee Hooker and Fats Domino weighing in on the Motor City and Hastings Street, the cultural center of African-American life during the 20s to the 60s. 

Juke In The Back #057

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:32

The "Juke In The Back" is loaded with records by the 1950s R&B vocal group, The Crickets. They only recorded from late 1952 to 1954, but man did they lay down some sweet harmonies. Matt The Cat shares their story on this week's show.

Jitbtitlemedium_small The CricketsThe Crickets

The "Juke In The Back" is loaded with records by the 1950s R&B vocal group, The Crickets.  They hailed from The Bronx and only recorded from late 1952 to 1954, but man did they lay down some sweet harmonies.  Buddy Holly would take the name to the top of the charts, but these guys had it first.  Grover "Dean" Barlow led the group vocally, but it was record label owner Joe Davis that would ultimately control their fate.  Matt The Cat tells the story of the original Crickets and their 3 group incarnations on this week's "Juke In The Back."

Juke In The Back #058

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:29

This week, the "Juke In The Back" is loaded with nothing but the great recordings of Big Joe Turner, the "Boss Of The Blues." The show also features interview clips with Joe Turner taken from a classic 1982 James Austin interview. This is part one of a two part series on the "greatest blues shouter of all-time."

Jitbtitlemedium_small

Big Joe TurnerBig Joe Turner Pt. 1

This week, the “Juke In The Back” is loaded with nothing but the great recordings of Big Joe Turner, the “Boss Of The Blues.” Part one covers Joe Turner’s early years from his Kansas City beginnings to his big breakthrough in NYC at the first “From Spirituals To Swing” show in 1938 to just before he signed to Atlantic Records in 1951. Turner recorded for many different labels during the 1940s and we’re going to feature the best, including his classics “Roll ‘Em Pete,” “Cherry Red,” “Careless Love,” “SK Blues” and many more. The show also features interview clips with the late Joe Turner taken from a classic 1982 James Austin interview. Next week, we’ll have part two and feature Joe Turner’s highly successful 1950s recordings that led up to the birth of rock n’ roll.

Juke In The Back #059

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:40

This week, we continue our salute to the great blues shouter, Big Joe Turner with part 2 of 2. The show opens in 1951, with Turner's first recording session for his new label, Atlantic and continues through to his cross-over pop success in 1956. Matt The Cat talks to the late Ahmet Ertegun about signing Turner to Atlantic and James Austin talks to the late Joe Turner about signing with that great label.

Jitbtitlemedium_small Big Joe TurnerBig Joe Turner Pt. 2

This week, we continue our salute to the great blues shouter, Big Joe Turner with part 2 of 2. The show opens in 1951, with Turner’s first recording session for his new label, Atlantic and continues through to his cross-over pop success in 1956. This is the most successful stretch in Joe Turner’s long recording career. He would score 19 R&B hits during the 1950s and only 1 of them would ever touch the pop top 50. Matt The Cat talks to the late Ahmet Ertegun about signing Turner to Atlantic and James Austin talks to the late Joe Turner about signing with that great label. Joe Turner’s records almost single-handedly invented rock n’ roll, so don’t miss this great tribute to one of America’s true blues treasures.

Juke In The Back #060 (#008 - 4th Of July)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

What's more American than celebrating America's birthday with some good ol' red, white and Rhythm & Blues about THE Fourth of July staple: food? Dig in on an hour of classic R&B about hot dogs, cole slaw, potato salad, ribs and ice cream sung by the heroes of the "soul that came before rock n' roll" on the Juke In The Back.

Jitbtitlemedium_small

4th Of July Special on R&B Songs About Food

What’s more American than celebrating America’s birthday with some good ol’ red, white and Rhythm & Blues about THE Fourth of July staple: food? Dig in on an hour of classic R&B about hot dogs, cole slaw, potato salad, ribs and ice cream sung by the heroes of the “soul that came before rock n’ roll” on the Juke In The Back.

Juke In The Back #061

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" features another highly underrated R&B vocal group from the 1950s: The Checkers. They never scored a national hit, but they're one of the finnest examples of polished 1950s R&B and their story deserves to be shared.

Jitbtitlemedium_small

The CheckersThe Checkers

The "Juke In The Back" features another highly underrated R&B vocal group from the 1950s: The Checkers.  They never scored a national hit, but they're one of the finest examples of polished 1950s R&B and their story deserves to be shared.  The Checkers were formed after tenor Charlie White and bass Bill Brown split from Bill Ward & His Dominoes.  They had some region success with "House With No Windows," an uptempo version of "White Cliffs Of Dover" and "Don't Stop Dan," the sequel to "Sixty Minute Man."  Matt The Cat digs through a mess of King Records 78s to bring you the best and most influential sides that this great R&B vocal group has to offer on this week's "Juke In The Back."

Juke In The Back #062

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:28

The "Juke In The Back" jumps and grooves this week as Matt The Cat features both sides of all six single releases for The Flamingos on Chance Records in 1953-54. Plus, Matt spins a whole lot more of the "soul that came before rock n' roll," classic 1950s rhythm and blues.

Jukeinthebacklogomedium_small The Flamingos On Chance RecordsEarly Flamingos' Recordings

The "Juke In The Back" jumps and grooves this week as Matt The Cat features both sides of all six single releases for The Flamingos on Chance Records in 1953-54.  These are The Flamingos very first recordings and most of them feature the amazing Sollie McElroy on lead tenor.  The Flamingos would become known as one of the greatest and smoothest sounding R&B vocal groups of the 1950s and would achieve cross-over success by the end of the decade.  You'll hear how it all began, this week on the "Juke In The Back."

Juke In The Back #063

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:04

The "Juke In The Back" with Matt The Cat features Billy "The Kid" Emerson, a talented R&B singer and songwriter who never had a hit record, but his songs were covered by the likes of Elvis Presley and Billy Riley. Matt tells his story on this week's show.

Jitbtitlemedium_small Billy "The Kid" EmersonBilly "The Kid" Emerson

The "Juke In The Back" with Matt The Cat features Billy "The Kid" Emerson, a talented R&B singer and songwriter who never had a hit record, but his songs were covered by the likes of Elvis Presley and Billy Riley.  Originally from Tarpon Springs, FL, Billy Emerson burst on the scene in 1954, with the help of friend Ike Turner.  He released a string of stellar R&B records for Sun, before moving on to Vee-Jay, Chess and many others.  Elvis recorded Emerson's very soulful, "When It Rains It Pours" and Billy Riley made Emerson's "Red Hot" a rockabilly standard.  Billy "The Kid" Emerson's story and music is the feature of this week's "Juke In The Back."

Juke In The Back #064

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" is jumpin' with a whole program dedicated to the short-lived 1950s record label started by songwriters Jerry Leiber & Mike Stoller in 1954. Matt The Cat brings you the story behind the story on Spark Records.

Jitbtitlemedium_small The Spark Records StoryThe Spark Records Story

The "Juke In The Back" is proud to present one of the premiere, short-lived R&B record labels of the 1950s. Started by songwriters Jerry Leiber & Mike Stoller after they were stiffed on royalty payments for Big Mama Thornton's "Hound Dog," Spark records only lasted for a year and a half. In that time they wrote and produced some of early rock's most defining songs like "Riot In Cell Block #9" and "Smokey Joe's Cafe" for The Robins, "Love Me" for Willie & Ruth (Elvis Presley would go on to cut it), "One Bad Stud" for San Francisco's The Honey Bears and many more. Spark was cut short in 1955, when Atlantic Records offered Leiber & Stoller an offer they couldn't refuse. Catch the Spark Records story this week on the "Juke In The Back" with Matt The Cat.

Juke In The Back #065

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The entire "Juke In The Back" this week features Motown's biggest acts, BEFORE there even was a Motown Records and before those acts were household names. Matt The Cat spins the earliest records by The Miracles (1958), The Four Tops (1956), The Supremes (as The Primettes) and many more. Marvin Gaye's first recordings with The Marquees are discussed with fellow group member, Reese Palmer.

Jitbtitlemedium_small The Miracles Before MotownBefore Motown

The entire "Juke In The Back" this week features Motown's biggest acts, BEFORE there even was a Motown Records and before those acts were household names. Matt The Cat spins the earliest records by The Miracles (1958), The Four Tops (1956), The Supremes (as The Primettes) and many more. Marvin Gaye's first recordings with The Marquees are discussed with fellow group member, ReesePalmer. You'll get the real story behind the story as to how DC's Marquees became the "new" Moonglows as well as hear the original Bo Diddley produced version of the Marquees' "Wyatt Earp," which Okeh Records wouldn't release. All this and more on this week's, "Juke In The Back."

Juke In The Back #066

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" pays tribute to the great R&B vocalist, Lil Greenwood, who passed away on July 19, 2011. You'll hear her greatest early recordings from 1950-1954, before she joined Ellington's band.

Jitbtitlemedium_small Lil GreenwoodLil Greenwood

This week, the "Juke In The Back" pays tribute to a very dynamic, soulful and often passed over R&B female vocalist: Lil Greenwood. She died on July 19, 2011 at the age of 86. Today, Lil Greenwood is best remembered as a vocalist for Duke Ellington during the late '50s and early '60s, but it's her R&B recordings from 1950-1954 that are the real standouts. Hear Lil's story and some of her greatest records on the "Juke In The Back" with Matt The Cat.

Juke In The Back #067

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the "Juke In The Back" spotlights one of the most underrated hit-makers of the 1940s and '50s, Ivory Joe Hunter. Today, most people only know a handful of Hunter's hits, but between the years 1945-1958, he scored 21 R&B hits. This week, Matt The Cat plays all of his charting hits from the 1940s.

Jukelogolargeapple2_small Ivory Joe HunterIvory Joe Hunter Part 1

This week, the "Juke In The Back" spotlights one of the most underrated hit-makers of the 1940s and '50s, Ivory Joe Hunter. Today, most people only know a handful of Hunter's hits, but between the years 1945-1958, he scored 21 R&B hits. He was a prolific piano player who constantly blurred the lines between rhythm & blues and country & western music and was very successful for it. This week, Matt The Cat plays all of his charting hits from the 1940s. Next week on part 2, Matt will featuring all of Hunter's hits from the 1950s.

Juke In The Back #068

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:07

The "Juke" continues its feature on Ivory Joe Hunter this week with part 2 of 2. This week's show looks at Hunter's successful run of hits from 1950-1958, including his biggest crossover success with "Since I Met You Baby" and many, many more.

Jukelogolargeapple2_small Ivory Joe HunterIvory Joe Hunter Pt. 2

The "Juke" continues its feature on Ivory Joe Hunter this week with part 2 of 2. On this week's show, Matt The Cat looks at Hunter's successful run of hits from 1950-1958, including his biggest crossover success with "Since I Met You Baby" and "Empty Arms." You'll also get to hear a live performance of "Since I Met You Baby" performed on the Ed Sullivan Show from 1957! Ivory Joe Hunter had 21 hit R&B records from 1945-1958. Last week, you heard all of his charting hits from the 1940s and this week, we complete the series with all of his hits from the 1950s. Finally, this versatile R&B and Country performer gets the recognition that he so rightfully deserves on the "Juke In The Back."

Juke In The Back #069

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:59

Drop a nickel in the ol' Rockola Juke as Matt The Cat dedicates the entire hour to the great little Nashville R&B label, Excello Records. From The Marigolds to Arthur Gunter to Slim Harpo, Excello's fantastic R&B catalog is in the spotlight on the "Juke In The Back."

Jukelogolargeapple2_small The Excello Records StoryThe Excello Records Story

Drop a nickel in the ol' Rockola Juke as Matt The Cat dedicates the entire hour to the great little Nashville R&B label, Excello Records.  Ernie Young started Excello as a sister label to his Nashboro Label and both labels were housed in his Ernie's Record Mart building in Nashville.  For a city mostly known for Country Music, Nashville sure had a lot of great R&B acts and we're going to hear some of 'em this week.  From The Marigolds to Arthur Gunter to Slim Harpo, Excello's fantastic R&B catalog is in the spotlight on the "Juke In The Back."

Juke In The Back #070

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:16

The "Juke In The Back" looks at the very beginnings of one of early R&B's biggest groups, The Midnighters. Before "Work With Me Annie," they were known as The Royals. You'll hear the Royals story and their great music on this week's show.

Jukelogolargeapple2_small The RoyalsThe Royals (Early Midnighters)

This week, the "Juke In The Back" looks at the humble beginnings of The Midnighters, one of early R&B's most successful groups.  Before they topped the R&B charts with "Work With Me Annie" in 1954, The Midnighters were known as The Royals, a rough and ready group from the east side of Detroit.  Charles Sutton, the Royal's first great lead singer, shaped their early recordings (1952-53) in the style of The Orioles' leader Sonny Til.  That influence resulted in the recording of some amazing vocal group records, including the immortal "Moonrise" from 1952.  Matt The Cat explores the Royals great early sides, their lineup changes (Hank Ballard joined in 1953) and their legal battles.  You'll only hear this great early rhythm & blues jumpin' out of the "Juke In The Back."

Juke In The Back #071

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:17

This week, the "Juke In The Back" explores the rhythm and blues phenomenon of the "Annie" song. This is the giant wave of sequel songs and answer records that emerged after the enormous success of The Midnighters' "Work With Me Annie."

Jukelogolargeapple2_small "Annie" Sequel and Answer Songs"Annie" Songs (Sequel Songs & Answer Records to "Work With Me Annie")

This week, the "Juke In The Back" explores the rhythm and blues phenomenon of the "Annie" song.  This is the giant wave of sequel songs and answer records that emerged after the enormous success of The Midnighters' "Work With Me Annie."  Most of the hit "Annie" follow-ups were done by The Midnighters themselves, like "Annie Had A Baby" and "Annie's Aunt Fannie," but there were some notable "Annie" songs by The El Dorados, Linda Hayes, Danny Taylor and of course the "Henry" songs by a very young Etta James.  It may sound odd now, but from 1954-56, the R&B juke boxes were jumpin' to songs about "Annie," her 15 of the best on this week's "Juke In The Back" with Matt The Cat.

Juke In The Back #072

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" focuses on the great Howlin' Wolf's earliest recordings. Before he became a huge star on Chess Records in Chicago, Wolf was a local celebrity in Memphis, recording with Sam Phillips. Matt The Cat spins Wolf's demo acetates and much more.

Jukelogolargeapple2_small Howlin' WolfEarly Howlin' Wolf

This week, the "Juke In The Back" focuses on the great Howlin' Wolf's earliest recordings.  Before he became a huge star on Chess Records in Chicago, Wolf was a local celebrity in Memphis, recording with Sam Phillips (before Phillips started Sun Records).  Matt The Cat spins Wolf's demo acetates and his 1951 recordings, some of which Phillips sold to RPM Records in LA and others he sold to Chess in Chicago.  Howlin' Wolf was a mammoth man in both voice and stature and you'll hear how it all began on the "Juke In The Back."

Juke In The Back #073

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" features The Ravens, an R&B vocal group that set the stage for all the groups that would follow. With Jimmy Ricks' bass lead and some tremendous harmony behind him, The Ravens were the predecessors to the doo wop music that would follow in the 1950s.

Jukelogolargeapple2_small The RavensThe Ravens

The "Juke In The Back" features The Ravens, an R&B vocal group that set the stage for all the groups that would follow.  With Jimmy Ricks' bass lead and some tremendous harmony behind him, The Ravens were the predecessors to the doo wop music that would follow in the 1950s.  They formed in New York City in 1945 and quickly built a solid following, even before they had hits on the radio.  Their "Ol' Man River," and "Write Me A Letter" were instant smashes in 1948, but it was their non-charting "Count Every Star" that proved to be the most influential.  Music historian Billy Vera stops by the "Juke" to discuss the impact of "Count Every Star" while Matt The Cat examines the overall influence of this wonderful group.  The Ravens along with The Orioles moved vocal group singing from its gospel and Ink Spots / Mills Brothers roots into the next phase...rock n' roll.  The Ravens story and star shine bright on this week's "Juke In The Back."

Juke In The Back #074

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" spotlights a true blues legend, Lowell Fulson. From his 1948 breakthrough, "Three O'Clock Blues" to his 1954 legendary smash "Reconsider Baby," Matt The Cat will present the story behind the story on the great Oklahoma bluesman, who became one of the guiding lights of West Coast Blues.

Jukelogolargeapple2_small Lowell FulsonLowell Fulson

This week, the "Juke In The Back" spotlights Lowell Fulson, one of the blues' most versatile and vastly underrated talents. In the late 1940s, Fulson stormed the charts with his first hit "Three O'Clock Blues," a song that B.B. King would take to the top of the charts in 1951. Fulson started the 1950s with a bang, scoring six charted hits for Swingtime Records in 1950 alone. By '54, he was on Checker Records out of Chicago with a song that would be covered by Elvis in 1960, "Reconsider Baby." Fulson wrote many of his own songs and was a major inspiration to both B.B. King and Ray Charles, who played in his touring band in 1950. Get the story behind the story on a true rhythm & blues legend, it's Lowell Folsun, this week on the "Juke In The Back" with Matt The Cat.

Juke In The Back #075

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" features the legendary Ray Charles 1953 rehearsal tapes. This is Ray at his most raw as he learns some new tunes that he will record at his second Atlantic session. Matt The Cat also shares an interview with Ahmet Ertegun, who explains how he came to sign Ray Charles to Atlantic Records in 1952.

Jukelogolargeapple2_small Ray CharlesRay Charles: The 1953 Rehearsal Tapes

The "Juke In The Back" features the legendary Ray Charles 1953 rehearsal tapes.  This is Ray at his most raw as he learns some new tunes that he will soon record at his second Atlantic session.  These rehearsal tapes represent Ray at a crossroads in his early career as he begins to develop his own unique musical style.  Up to this point, Ray had been emulating his idols, Charles Brown and Nat King Cole.  Matt The Cat also shares an interview with Ahmet Ertegun, who explains how he came to sign Ray Charles to Atlantic Records in 1952.  The R&B music featured on the "Juke In The Back" directly effected the birth of rock n' roll and the course of American music history.

Juke In The Back #076

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Matt The Cat & The "Juke In The Back" feature a look at one of most significant little record labels in history: Trumpet Records. Based in Jackson, MS, Trumpet only lasted for 5 years and only scored one national hit (Elmore James' "Dust My Broom," but they recorded some of the greatest delta blues artists

Jukelogolargeapple2_small Trumpet RecordsTrumpet Records

Matt The Cat & The "Juke In The Back" feature a look at one of most significantlittle record labels in history: Trumpet Records. Based in Jackson, MS, Trumpet only lasted for 5 years and only scored one national hit (Elmore James' "Dust My Broom," but they recorded some of the greatest delta blues artists.  Sonny Boy Williamson II (Rice Miller) began his career on Trumpet, while Arthur Crudup's Trumpet sides came after his enormous success on RCA Victor.  Blues legend Big Joe Williams also recorded for Lillian McMurry's little Mississippi label.  So get the "story behind the story" of Trumpet Records on this week's "Juke In The Back."

Juke In The Back #077

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" features the most important and influential vocal group of the post World War II era, The Orioles. Baltimore's finest singing group sparked a movement that would soon turn into Doo Wop during the rock n' roll era with the release of their 1948 smash "It's Too Soon To Know." Matt The Cat shares their story on this week's "Juke In The Back."

Jukelogolargeapple2_small The OriolesThe Orioles

The week, the "Juke In The Back" spotlights the most influential rhythm & blues vocal group of all-time. The Orioles hailed from Baltimore and featured lead vocals by Sonny Til, one of the most talented, dynamic and recognizable voices in history. Their first record, "It's Too Soon To Know" from 1948 ignited a new vocal movement that would develop into doo wop in the rock n' roll era. Til enjoyed tremendous success until he was vocally dethroned in the early 1950s by Clyde McPhatter and the new school of R&B vocal groups. Matt The Cat is joined by Diz Russell, who became an Oriole in the mid-1950s and still leads a group of Orioles today. Russell knew Sonny Til personally and provides some prospective on these historic and influential recordings as the "Juke" focuses on the golden era of Orioles. Their biggest hit, "Crying In The Chapel" would also prove to be the group's undoing. Fly high with the "high flying Orioles" as we celebrate R&B vocal groups in their purest form on this week's "Juke In The Back."

Juke In The Back #078

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Lloyd Price joins Matt The Cat in the "Juke In The Back" this week to discuss his early career on Specialty Records and the recording of "Lawdy Miss Clawdy." Lloyd paints a picture of New Orleans during the early 1950s that you won't hear anywhere else. His greatest records from 1952-3 are also featured on this very special edition of the "Juke In The Back."

Jukelogolargeapple2_small Lloyd PriceLloyd Price

Lloyd Price joins Matt The Cat in the "Juke In The Back" this week to discuss his early career on Specialty Records and the recording of "Lawdy Miss Clawdy." Lloyd paints a picture of New Orleans during the early 1950s that you won't hear anywhere else. Mr. Price also gives us the "story behind the story" on how he wrote "Just Because" and how is cousin Larry Williams tried to take it away from him. His greatest records from 1952-3 are also featured on this very special edition of the "Juke In The Back."

Juke In The Back #079

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week's "Juke In The Back" spotlights the most influential and important record label of all-time, Sun Records. In part 1 of this 2 part series, you'll hear nearly all of Sun's legendary rhythm & blues releases during 1952 and '53 as Matt The Cat gives you the story behind the story on Sun's R&B sides.

Jukelogolargeapple2_small Sam Phillips of Sun RecordsSun Records R&B Story: Pt. 1

This week, the "Juke In The Back" salutes the most influential and important record label of all-time, Sun Records. Sam Phillips started the legendary label in Memphis, TN in March, 1952 after successfully recording the debut sides from B.B. King, Ike Turner, Phineas Newborn and Howlin' Wolf and selling the masters to RPM Records in LA and Chess Records in Chicago. This is part one of a two part feature, leading up to Phillips' groundbreaking, pop culture shifting discovery of Elvis Presley in July, 1954. Matt The Cat examines nearly every rhythm & blues side that Sun Released during 1952 and '53 on this in-depth look into one of America's most treasured music catalogs. That little yellow label from Memphis is in the spotlight all week on the "Juke In The Back," America's showcase for 1940s and '50s Rhythm & Blues.

Juke In The Back #080

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

On Part 2 of the "Juke In The Back"'s tribute to Sun Records' early R&B releases, Matt The Cat features Elvis' first, historic professional recording as well as other great records from Little Milton, James Cotton and many more.

Jukelogolargeapple2_small Sam Phillips & Elvis at Sun RecordsSun Records R&B Story: Pt. 2

On Part 2 of "Juke In The Back"'s 2 part series on Sun Records' early R&B releases, Matt The Cat spotlights 1954 and '55. This was the most important year and a half in Sun's history. In July, 1954, a young former truck driver named Elvis Presley entered 706 Union Avenue in Memphis and laid down the a song that would lead to the rock n' roll explosion of the mid-1950s. Sun founder, the late Sam Phillips recalls that historic recording as Matt The Cat spins classic Sun R&B from the likes of Billy "The Kid" Emerson, Little Milton, James Cotton and Roscoe Gordon. This is the thrilling conclusion to the "Juke In The Back" tribute to the most important and influential label in the history of rock n' roll.

Juke In The Back #081

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Many 1960s soul legends had their start in 1950s R&B and this week, the "Juke In The Back" takes a listen to Billy Stewart's early records. We'll also spend a few days in jail as Matt The Cat spins a few "prison song" 78s

Jukelogolargeapple2_small Billy StewartEarly Billy Stewart

Many 1960s soul legends had their start in 1950s R&B and this week, the "JukeIn The Back" takes a listen to Billy Stewart's early records for the Chess and Okeh labels.  You can really hear Stewart's distinctive singing style develop on his early recordings with Bo Diddley's band providing the musical backing and the DC vocal group The Marquees (Marvin Gaye was a member) singing behind him.  We'll also spend a few days in jail as Matt The Cat spins a few "prison song" 78s.  There are other surprises as well, so don't miss this week's "Juke In The Back."

Juke In The Back #082

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" spotlights two extremely underrated R&B pioneers this week: Titus Turner and saxophonist Buddy Lucas. Matt The Cat tells their stories and plays some of their greatest sides. Hear what you've been missing on this week's "Juke In The Back."

Jukelogolargeapple2_small Titus TurnerTitus Turner & Buddy Lucas

The "Juke In The Back" spotlights two extremely underrated R&B pioneers this week: Titus Turner and saxophonist Buddy Lucas.  Turner recorded some amazing R&B sides for Regal, Okeh, Wing, King and many other top labels, but he just couldn't score a sizable hit on his own.  Today he is mostly remembered as a songwriter and his songs were hits by the likes of Little Willie John ("All Around The World," "Leave My Kitten Alone") and Ray Charles ("Sticks And Stones," "Get On The Right Track").  Buddy Lucas is mostly remembered today as a great session player, but he scored a few hits under his own name in the early 1950s for the Jubilee Label.  Matt The Cat tells their stories and plays some of their greatest sides.  Hear what you've been missing on this week's "Juke In The Back."

Juke In The Back #083

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week's "Juke In The Back" features every record Bo Diddley recorded during his debut year of 1955. You'll hear where it all began with one of rock n' roll's most unique and dynamic personalities, Bo Diddley.

Jukelogolargeapple2_small Bo DiddleyBo Diddley: 1955

This week's "Juke In The Back" takes a look at the breakthrough year of one of rock n' roll's true architects and innovators, Bo Diddley. His first recording session was held at Chess Records in Chicago on March 2nd and 3rd, 1955, where he laid down 4 original tunes. One of those songs, "I'm A Man," would inspire blues great Muddy Waters' "Manish Boy," while the other, "Bo Diddley," would be the igniting spark for rock n' roll. Diddley was a complicated and compelling artist, who's talents go way beyond his signature "hambone" rhythm, his vibrato guitar and his crazy lyrics. Bo's spirit is the spirit of rebellion, the true ingredient for rock music. It all began in 1955 and this week's "Juke In The Back" will explore those roots.

Juke In The Back #084

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

"Juke In The Back" digs deep into New Orleans R&B this week for the highly underrated 1950s vocal group, Bobby Mitchell & The Toppers. Best known for recording the original version of "I'm Gonna Be A Wheel Someday," Matt The Cat presents a wealth of great music on this week's "Juke In The Back."

Jukelogolargeapple2_small Bobby Mitchell & The ToppersBobby Mitchell & The Toppers

The "Juke In The Back" digs deep into New Orleans Rhythm & Blues this week to focus on Bobby Mitchell & The Toppers, one of the few vocal groups to come out of a city best known for its blues, jazz and cajun roots. The Spiders were the best known vocal group to come out of 1950s New Orleans, but Bobby Mitchell & The Toppers were probably more versatile in the sense that they could not only shout the blues, like Roy Brown or Wynonie Harris, but they could also harmonize like a top notch doo wop group. Bobby Mitchell is best remembered today as the cat who originally sang "I'm Gonna Be A Wheel Someday," two years before Fats Domino would cut it, but it was his "Try Rock n' Roll" from 1956 that would be his only charting hit (reaching #14 nationally). That song capitalized on the emerging rock n' roll craze and remains a record of its time. Bobby Mitchell and The Toppers were definitely a vocal group of their time, but they are well worth checking out as Matt The Cat gives them the spotlight treatment on this week's "Juke In The Back."

Juke In The Back #085 - R&B Christmas

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The entire "Juke In The Back" is loaded with the greatest R&B Christmas records from the late 1940s and 1950s. It's the yuletide soul that came before rock n' roll. So grab some 'nog and get groovin'.

Jukelogolargeapple2_small R&B ChristmasRhythm & Blues Christmas

The entire "Juke In The Back" is loaded with the greatest R&B Christmas records from the late 1940s and 1950s. It's the yuletide soul that came before rock n' roll. From the all-time classics by Clyde McPhatter & The Drifters and The Orioles to some rarer Christmas plattahs from Amos Milburn, JB Summers and The Five Keys. So grab some 'nog and get groovin'.

Episode #087 - Early Solomon Burke

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week we solute Solomon Burke, the "King of Rock n' Soul and the "Juke In The Back" is loaded with his very first recordings from 1955 to 1960. Hear how the "Bishop Of Soul" evolved into the giant he became on this week's "Juke In The Back."

Jukelogolargeapple2_small Early Solomon BurkeSolomon Burke: His First Recordings (1955-1960)

This week we solute Solomon Burke, the "King of Rock n' Soul" and the "Juke In The Back" is loaded with his very first recordings from 1955 to 1960.  As a teenager in Philadelphia, Burke was recording for Apollo Records in NYC, but none of his nine Apollo singles charted.  He then cut two singles for the Singular Label before his fortunes turned around and he began recording with Atlantic Records.  You won't hear anything that will blow you mind from Burke's early recordings, but they all have a quality that would stick with him for the rest of his career.  Hear how the "Bishop Of Soul" evolved into the giant he became on this week's "Juke In The Back."

Episode #088 - Duke / Peacock Records Story

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the entire "Juke In The Back" is loaded with records from the catalog of Duke/Peacock Records. Don Robey created one of the great R&B label empires with an artist roster that included Bobby "Blue" Bland, Johnny Ace, Clarence "Gatemouth" Brown, Big Mama Thornton, Junior Parker and more.

Jukelogolargeapple2_small Duke / Peacock Records StoryThe Duke/Peacock Records Story

This week, the entire "Juke In The Back" is loaded with records from the catalog of Duke/Peacock Records.  Don Robey started Peacock in 1949 in order to record Clarence "Gatemouth" Brown, whom he also managed.  In 1953, Robey took over Duke Records (which was owned by David J. Mattis and Bill Fitzgerald) and a R&B empire was born.  Matt The Cat shares the history and music, which features some of the greatest R&B talents of all-time, including: Bobby "Blue" Bland, Johnny Ace, Clarence "Gatemouth" Brown, Big Mama Thornton, Junior Parker and more.

Episode #089 - Hadda Brooks

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" is jumpin' this week with one of the most underrated boogie woogie piano ladies of all-time, Hadda Brooks. You'll hear a lot more than just her three charting hits, so don't miss out on this tribute to an amazing R&B artist.

Jukelogolargeapple2_small Hadda BrooksHadda Brooks

Hadda Brooks is one of the most talented boogie woogie musicians of all-time, yet her name doesn't come up nearly as often as Pete Johnson, Champion Jack Dupree or Professor Longhair. That's a shame! This week, the "Juke In The Back" sets the record straight with a heavy dose of the "Queen Of The Boogie." All three of her R&B hits will be played as well as some of her tunes with Pete Johnson and Smokey Hogg. So grab a nickel, a glass of bourbon and your dancin' shoes, as the "Juke In The Back" spotlights Hadda Brooks.

Episode #090 - Johnny Otis

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Johnny Otis was one of the most important figures in rhythm & blues and contributed greatly to the birth of rock n' roll. He passed away on Tuesday, January 17, 2012 and this week's "Juke In The Back" pays tribute to his legacy.

Jukelogolargeapple2_small

Johnny OtisJohnny Otis

This week, the "Juke In The Back" is proud to honor the late, great Johnny
Otis, who passed away at the age of 90 on January 17, 2012. Johnny Otis was
a true renaissance man. He was a singer, songwriter, drummer, bandleader,
talent scout, record label owner and radio / TV show host and that's not
everything he did. He was the son of Greek immigrants, growing up in a
mostly Black section of Vallejo, CA during the 1920s and '30s. He not only
absorbed Black Culture, he became a part of it, changing his last name to
Otis in order to sound more Black. He went from playing drums at the Club
Alabam on Central Ave. in LA to opening his own Barrelhouse Club in Watts in
1947, creating a scene of his own. His first records were made just as the
big bands were dying off and the jump combos were rising. Johnny Otis did
not interpret rhythm and blues, Johnny Otis WAS rhythm & blues. From his
first recordings for Leon Rene's Excelsior Label in 1945 to his commercial
breakthrough in 1949-50 for Herman Lubinsky's Savoy Label to his great rock
n' roll success with "Willie And The Hand Jive" for Capitol in 1958, Johnny
Otis did more than almost anyone to push Black Music into the mainstream,
creating rock n' roll. "Juke In The Back" highlights the early part of
Otis' amazing career from 1945-1958. It's not an overstatement to say that
the music we enjoy today is here because of what Johnny Otis recorded,
played and produced in the late 1940s and early 1950s. This "Juke" is truly
The Johnny Otis Show.

Episode #091 - Etta James

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:59

Etta James was one of the grittiest and most influential R&B singer of all-time. We lost her on January 20th at the age of 73. This week, Matt The Cat focuses on Etta's early records from 1954-1960 on the "Juke In The Back."

Jukelogolargeapple2_small Etta JamesEtta James

Producer Jerry Wexler called Etta James, "The greatest of all modern blues singers."  That's great praise coming from a guy who worked with the greatest of the greats for 50 years.  Etta James, who passed away at the age of 73 on January 20, 2012 had an amazing talent for mixing a bit of tenderness and heartbreak into her gritty, tough and soulful voice.  She had a style all her own and she played by her own rules.  Her success on record was equally matched by her personal failures off-mic, dealing with drug addiction, bad relationships and financial problems.  On this week's "Juke In The Back," Matt The Cat looks at how this incredible legend got started, focusing on Etta's first recordings from 1954 to her great rise in 1960.  Through these records, you'll hear that even in her early days, Etta's music had great depth and variety.  We honor the late, great Etta James, this week on the "Juke In The Back."

***Please let me know if there is any interest in a 55 minute version of the show as I have that available as well***

Episode #092 - T-Bone Walker

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Drop a nickel in the ol' Rockola Juke to hear one of the best selling and most influential bluesmen and guitarists of all-time, T-Bone Walker. This week's show looks at how T-Bone's immense guitar talent developed from his first recordings in the early 1940s to his breakthrough after WWII with the now classic, "Call It Stormy Monday (But Tuesday's Just As Bad)" and beyond.

Jukelogolargeapple2_small T-Bone WalkerT-Bone Walker

Drop a nickel in the ol' Rockola Juke to hear one of the best selling and most influential bluesmen and guitarists of all-time, T-Bone Walker. This week's show looks at how T-Bone's immense guitar talent developed from his first recordings in the early 1940s to his breakthrough after WWII with the now classic, "Call It Stormy Monday (But Tuesday's Just As Bad)" for Black & White Records. We'll also get a taste of T-Bone's work for the Cornet, Imperial and Atlantic labels. B. B. King, Ray Charles and Chuck Berry have all cited T-Bone Walker as a heavy influence. Find out why on this week's "Juke In The Back" with Matt The Cat.

Episode #093 - 1952: Jukebox Rhythm Review Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the jukebox is in the spotlight as we feature part one of a two part series on the top R&B jukebox hits of 1952.

Jukelogolargeapple2_small 1952: Jukebox Rhythm Review1952: Jukebox Rhythm Review Pt. 1

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the first half of 1952. You’ll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by John Greer & His Rhythm Rockets, Dinah Washington and Marie Adams. These are the top requested records that were spinning on the jukebox in the back of the establishment. It’s part 1 of 2 on the 1952 Rhythm Review on the “Juke In The Back.”

Episode #094 - 1952: Jukebox Rhythm Review Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the jukebox is in the spotlight as the "Juke In The Back" features part 2 of a part series on the biggest R&B jukebox hits of 1952!

Jukelogolargeapple2_small 1952: Jukebox Rhythm Review1952: Jukebox Rhythm Review Pt. 2

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the second half of 1952. You’ll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Illinois Jacquet, Varetta Dillard and Sonny Thompson with Lula Reed. These are the top requested records that were spinning on the jukebox in the back of the establishment. It’s part 2 of 2 on the 1952 Rhythm Review on the “Juke In The Back.”

Episode #095 - Chuck Willis: Part 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:59

This week, the "Juke" features part 1 of a 2 part special on the great and much underrated Chuck Willis. Most cats n' chicks know Chuck's 1957 smash "C. C. Rider," but many are unfamiliar with the great records Chuck cut in the early 1950s. Matt The Cat changes that with this week's episode of the "Juke In The Back."

Jukelogolargeapple2_small Chuck WillisChuck Willis: Part 1

This week, the "Juke" features part 1 of a 2 part special on the great and much underrated Chuck Willis.  Most cats n' chicks know Chuck's 1957 smash "C. C. Rider," but many are unfamiliar with the great records Chuck cut in the early 1950s.  That's a shame, because Willis was a rare talent in that he could sell a ballad as well if not better than his jump sides.  He was also a fantastic songwriter, writing hits for Ruth Brown and The Clovers, just to name a few.  Matt The Cat introduces you to the Okeh and Columbia sides of one of the greatest, this week on the "Juke In The Back."

Episode #096 - Chuck Willis: Part 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

"Juke" completes its 2 part special on the great Chuck Willis. This week, in part 2, we focus on Chuck's amazing crossover success in the late 1950s ("C. C. Rider," "What Am I Livin' For") and his tragic death in 1958 at age 30

Jukelogolargeapple2_small Chuck WillisChuck Willis Pt. 2

"Juke" completes its 2 part special on the great Chuck Willis.  This week, in part 2, we focus on Chuck's amazing crossover success in the late 1950s with huge pop hits like "C. C. Rider," "Betty And Dupree," "What Am I Livin' For" and "Hang Up My Rock n' Roll Shoes."  Willis' career ended with him on top after his tragic death in 1958 at the age of 30.  Chuck Willis is one of the many underrated 1950s R&B performers.  Pop audiences only remember him for a handful of tunes, yet he was extremely popular on the R&B-side of the 1950s.  Each week, the "Juke In The Back" with Matt The Cat brings the music and stories of this oft forgotten part of American Music.

Episode #097 - The Swallows

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Eddie Rich, the original lead tenor of The Swallows, one of the greatest and most underrated R&B vocal groups of the 1950s joins Matt The Cat for a rare interview. The Swallows' tremendous recordings are featured throughout.

Jukelogolargeapple2_small The SwallowsThe Swallows

The Swallows were one of the most underrated R&B vocal groups of the early 1950s. Hailing from Baltimore, they only scored 2 top 10 R&B hits during their 3 year stint with King Records, but collectors and aficionados know their catalog inside and out. The Swallows' original lead tenor, Eddie Rich, joins Matt The Cat on the "Juke In The Back" with his first-hand account of scoring a hit record, life on the road, segregation and playing with the top artists of the day. So dim the lights, turn up the juke and get ready for a full hour of some of the greatest vocal group harmonies you're ever going to hear. The Swallows, this week on your source for 1950s rhythm & blues, the "Juke In The Back."

Episode #098 - Chuck Berry: His First Year

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

This week, Matt The Cat looks at Chuck Berry's very first year of recording, featuring everything he recorded between May, 1955 and April, 1956. You will actually hear Rock n' Roll music being born on this week's "Juke In The Back."

Jukelogolargeapple2_small Chuck BerryChuck Berry: His First Year

Chuck Berry has been called the "Father of Rock n' Roll" and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n' Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. In this week's "Juke In The Back," Matt The Cat explores Chuck Berry's first full year of recording for the legendary Chess Records in Chicago. We'll look at his recordings from his first session, held in May, 1955 to his fourth session from April, 1956 and everything in-between. Some of the titles you'll know by heart, like "Maybellene," "You Can't Catch Me" and "Roll Over Beethoven," but others might be new to your ears, like the eerie "Down Bound Train" and the very bluesy "Wee Wee Hours." Chuck Berry defined Rock n' Roll guitar and his influence is felt every time some one picks up a guitar with the intention of tearing the house down. Hear Berry's beginnings on this week's "Juke In The Back."

Episode #099 - Lucky Millinder

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

The "Juke In The Back" is loaded this week with records by one of R&B's greatest and most underrated bandleaders, Lucky Millinder. He worked with vocalists as varied as Sister Rosetta Tharpe, Wynonie Harris and Big John Greer, but Lucky Millinder is mostly forgotten by today's audiences. "Juke In The Back" will change that with this week's show.

Jukelogolargeapple2_small Lucky MillinderLucky Millinder

The "Juke In The Back" is loaded this week with records by one of R&B's greatest and most underrated bandleaders, Lucky Millinder.  He worked with vocalists as varied as Sister Rosetta Tharpe, Wynonie Harris, Annisteen Allen, Bull Moose Jackson and Big John Greer, but Lucky Millinder is mostly forgotten by today's audiences.  Dizzy Gillespie actually played trumpet in Millinder's Band in the early 1940s for a brief time.  Even though Lucky Millinder is not remembered well today, his records certainly helped lay the foundation that would soon become Rock n' Roll.  Dig on some of greatest records, this week on the "Juke In The Back" with Matt The Cat.

Episode #100 - Big Jay McNeely

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Matt The Cat is joined by the greatest of all the West Coast Sax Honkers, Big Jay McNeely. You'll hear Big Jay tell his story in his own words as Matt The Cat spins his wild and crazed records that helped define the sound of early rock n' roll.

Jukelogolargeapple2_small Big Jay McNeelyBig Jay McNeely

The juke is jumpin' this week with some of the wildest, craziest and most gloriously blistering honking sax records of all-time by the master, Big Jay McNeely. Not only will Matt The Cat spin Big Jay's greatest sides, but he'll also be talking to the man behind the sax as Big Jay tells his own story in his own words. From the shuffle fire of "Deacon's Hop," a number one R&B smash from 1949 to the crazed "3-D," "Mule Milk" and "The Goof," Jay's best instrumentals will be highlighted. McNeely was also successful with a few vocal records like the pop crossover success of 1959's "There Is Something On Your Mind" with Little Sonny on vocals and his early '50s singles with his vocal group, Three Dots And A Dash, which included a very young Jesse Belvin and Mercy Dee. Don't miss Matt The Cat's interview with Big Jay McNeely and the birth of rock n' roll on this week's "Juke In the Back.".

Episode #101 - Lavern Baker & R&B Baseball Songs

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:04

This week, "The Juke In The Back" looks at how one of R&B's greatest voices, Lavern Baker, got her start. Matt The Cat collects ALL of Baker's early records together in one place. Plus, celebrate America's National Pastime with a collection of R&B baseball songs from the time of Jackie Robinson and Larry Doby.

Jukelogolargeapple2_small Lavern BakerEarly Lavern Baker & R&B Baseball Songs

This week, "The Juke In The Back" looks at how one of R&B's greatest voices, Lavern Baker, got her start.  Matt The Cat collects ALL of Baker's early records together in one place.  From her first recordings with the Eddie "Sugarman" Penigar Orch to her breakthrough sides with The Todd Rhodes Orch and all the records in-between.  You can really hear how Baker's sound evolved between 1949 and 1953.  Her true breakthrough wouldn't come until "Tweedlee Dee" became a huge R&B and pop hit in 1955.

Plus, in our "Harlem Hit Parade," celebrate America's National Pastime with a collection of R&B baseball songs.  Soon after Jackie Robinson broke the color barrier and signed with the Brooklyn Dodgers in 1947 and Larry Doby went to the Indians, blues and rhythm artists started singing about a game that could now be enjoyed by everybody.

"The Juke In The Back" features the underground R&B music that directly influenced the birth of rock n' roll, but is seldom heard or respected on the radio.

Grab a nickel and dig on "The Juke In The Back."

Episode #102 - Eddie "Cleanhead" Vinson

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the "Juke In The Back" honors one of the greatest blues shouters of all-time, Eddie "Cleanhead" Vinson. Matt The Cat covers Vinson's early period vocalizing with the Cootie Williams' Orchestra to his successful solo sides with both Mercury and King Records.

Jukelogolargeapple2_small Eddie "Cleanhead" VinsonEddie "Cleanhead" Vinson

This week, the "Juke In The Back" honors one of the greatest blues shouters of all-time, Eddie "Cleanhead" Vinson.  He burst on the scene in 1944 with a cover of the Joe Turner classic, "Cherry Red Blues" as the vocalist for the Cootie Williams Orchestra.  He remained with Cootie Williams until 1945, when Vinson cut out and formed his own orchestra.  He signed with Mercury and scored the biggest hit of his career in 1947 with "Old Maid Boogie" and "Kidney Stew Blues."  He entered that R&B charts one more time in 1949 with the sequel to "Cherry Red Blues" with "Somebody Done Stole My Cherry Red."  For those in the know, Eddie "Cleanhead" Vinson is an R&B, jazz and blues shoutin' treasure, but for those who missed the boat, he's forgotten.  Join Matt The Cat as we remember one of the all-time greats on the "Juke In The Back."

Episode #103 - Little Willie John

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the "Juke In The Back" features one of the great big talents of early R&B, Little Willie John. From interviews with people who knew Willie to the music that made him a star. Little Willie John's talent shines through on this episode of "Juke In The Back."

Jukelogolargeapple2_small Little Willie JohnLittle Willie John

The "Juke In The Back" is proud to spotlight one of R&B's most underrated singers and showmen, Little Willie John. Born in Arkansas, Willie was raised in Detroit and took advantage of its thriving music scene from an early age. By 18, he was recording for the influential King Record Label out of Cincinatti and by 19, he was on top of the R&B charts with "Fever" in the spring of 1956. Enlightening interviews with Otis Williams of the Charms as well as Willie's older sister, Mable John add depth to Willie's story. Matt The Cat explores the breadth of Willie's catalog, from his first hit "All Around The World" in 1955, to his big comeback in 1958 with "Talk To Me, Talk To Me," to his final recordings, which have only recently been released. The spotlight shines bright on a great big talent, Little Willie John on this week's "Juke In The Back."

Episode #104 - The Spiders

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

New Orleans is not known for its R&B vocal groups. In a city where jazz, blues and zydeco thrive, one vocal group rose to the top: The Spiders. In two short years, the Spiders landed enduring hits like "I Didn't Want To Do It," "I'm Slippin' In" and "Witchcraft." Matt The Cat explores The Spiders' story on this week's "Juke In The Back."

Jukelogolargeapple2_small The SpidersThe Spiders

New Orleans is not known for its R&B vocal groups.  In a city where jazz, blues and zydeco thrive, one vocal group rose to the top: The Spiders.  In two short years, the Spiders landed enduring hits like "I Didn't Want To Do It," "I'm Slippin' In" and "Witchcraft," led by brothers Chuck and Chick Carbo.  They were produced by the legendary Dave Bartholomew and recorded at Cosimo Matassa's J&M Studios with the cream of New Orleans' session musicians.  When the hits stopped coming, Chuck Carbo left the group for a solo career, thus ending their time in the spotlight.  Matt The Cat explores The Spiders' story on this week's "Juke In The Back."

Episode #105 - Specialty Records Story Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the "Juke In The Back" is full of old records from one of the greatest record labels of all-time, Specialty Records. Art Rupe started the label in 1944 and used it to record the R&B and Gospel music that was being ignored by the major labels. This is part 1 of 3.

Jukelogolargeapple2_small Specialty RecordsSpecialty Records Pt. 1

This week, the "Juke In The Back" is full of old records from one of the greatest record labels of all-time, Specialty Records.  Art Rupe started the label in 1944 as Juke Box Records.  Part 1 of this multi-part feature will focus on Specialty's early years, featuring not only the enormous hits from Roy Milton & His Solid Senders, Jimmy Liggins, Camille Howard and Joe Liggins, but also the lesser known releases by The Sepia Tones, The Blues Woman, Big Maceo and more.  Find out how this great label began on this week's "Juke In The Back" with Matt The Cat.

Episode #106 - Specialty Records Story Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the "Juke In The Back" is jumpin' with records all hailing from the Specialty Label out of LA on part 2 of The Specialty Records Story. Matt The Cat digs up some gems from Specialty's golden period of 1950-53

Jukelogolargeapple2_small Specialty RecordsSpecialty Records Pt. 2

This week, the "Juke In The Back" is jumpin' with records all hailing from the Specialty Label out of LA on part 2 of The Specialty Records Story.  Matt The Cat digs up some gems from Specialty's golden period of 1950-53 from Roy Milton & His Solid Senders, Lloyd Price, Jesse & Marvin, Percy Mayfield and gospel group, The Swan Silvertones.  Lloyd Price even drops by the "Juke" to tell us how he first met Specialty owner Art Rupe and how "Lawdy Miss Clawdy" came to be recorded.  Matt The Cat wraps up his series on Specialty Records next week, so dig it while the diggin's good. 

Episode #107 - Specialty Records Story Pt. 3

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This is the third and final part of "Juke In The Back"'s tribute to Specialty Records. This week, host Matt The Cat looks at Specialty's hit-making heyday of 1953-56, featuring Marvin & Johnny, John Lee Hooker, Jesse Belvin and Little Richard! The birth of Rock n' Roll can be traced back to Specialty Records, find out why on the "Juke In The Back."

Jukelogolargeapple2_small Specialty Records Pt. 3Specialty Records Pt. 3

This is the third and final part of "Juke In The Back"'s tribute to Specialty Records. This week, host Matt The Cat looks at Specialty's hit-making heyday of 1953-56, featuring Marvin & Johnny, John Lee Hooker, Jesse Belvin and Little Richard! The label's founder, Art Rupe was a major force in presenting rhythm & blues to the masses and introducing the world to Little Richard, who's musical impact is still being felt today. The birth of Rock n' Roll can be traced back to Specialty Records, find out why on the "Juke In The Back."

Episode #108 - Sam Cooke

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Few African Americans accomplished so much (songwriter, revered singer, entrepreneur) during the 1950s as the legendary Sam Cooke. This week, Matt The Cat, along with author Peter Guralnick look at the life and early music of Sam Cooke, from his gospel roots to his R&B/pop breakthrough.

Jukelogolargeapple2_small Sam CookeSam Cooke

The "Juke In The Back" features a full hour of Sam Cooke, one of the distinctive and expressive voices ever pressed in wax. Cooke's early period singing gospel with the renowned Soul Stirrers is often cited, but hardly ever featured. Matt The Cat focuses on Sam Cooke's early days from 1951 to 1957, begriming with his recordings with the Soul Stirrers up through his R&B and pop breakthrough of 1957. Matt is joined by author Peter Guralnick, who wrote the definitive biography on Cooke called "Dream Boogie: The Triumph Of Sam Cooke," filling in the background on one of the 20th Century's most revered singers. Cooke was also a noted songwriter, producer and entrepreneur, starting his own SAR Records in the late 1950s. Few African-American artists went further during the 1950s while jamming the juke boxes with tremendous gospel, R&B and pop hits. Hear the man who invented soul, this week on the "Juke In The Back."

Episode #109 - Paul Gayten

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Pianist Paul Gayten is one of the true unsung heroes of R&B and rock n' roll, but he is often overlooked in the history of the genre. Matt The Cat sets the record straight with this week's entire program dedicated to the late, great Paul Gayten.

Jukelogolargeapple2_small Paul GaytenPaul Gayten

Paul Gayten is one of the unsung heroes of rhythm & blues and one of the many architects of rock n' roll. This week, Matt The Cat spotlights Gayten's great contributions to music on the "Juke In The Back." Paul Gayten scored the first New Orleans' hit of the post World War II R&B era with "True (You Don't Love Me)" in 1947, thus kicking off a legacy of rhythm hit-making and influence from the Crescent City. His work with vocalists Annie Laurie and Chubby "Hip Shakin'" Newsome is legendary. As a songwriter, producer and talent scout for Chess Records, Gayten discovered and signed Clarence Henry and Bobby Charles and worked with Chuck Berry and Bo Diddley. Gayten made great contributions to R&B and Rock n' Roll, but gets very little recognition these days. Matt The Cat and the "Juke In The Back" are out to change that with this week's heartfelt dedication to the late, great Paul Gayten.

Episode #110 - Aladdin Records Story Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" presents part 1 of a 2 part series on Aladdin Records. Aladdin was one of the independent LA record labels that launched in the 1940s and helped put rhythm & blues into the mainstream, paving the way for Rock n' Roll. Dig on Charles Brown, Amos Milburn, Illinois Jacquet, Helen Humes and more...The Aladdin Records Story, Part 1.

Jukelogolargeapple2_small Aladdin Records Story, Pt. 1Aladdin Records Story, Pt. 1The Aladdin Records Story: Part 1

The "Juke In The Back" begins a two part special on one of the most important record labels of the pre-rock era, Aladdin Records. Eddie and Leo Mesner started Aladdin as Philo Records in 1945. It was one of the first independent labels on the West Coast and sought to fill in the R&B void left by major labels like Victor, Decca and Columbia. The Mesners hired Maxwell Davis to help with musical arrangements and back up their artists and got the label off to a jumpin' start. In February of 1946, Philo became Aladdin and a record label icon was born. With artists like Johnny Moore's Three Blazers featuring Charles Brown, Helen Humes, Illinois Jacquet, Wynonie Harris, Amos Milburn and some rare releases from a young Robins group, how could Aladdin possibly fail? They didn't and in the process, they helped propel rhythm & blues into the mainstream, paving the way for the emergence of Rock n' Roll. This week's show focuses on the beginning of the label from 1945-49 and next week's show will feature 1950 to the birth of Rock n' Roll. Grab some nickels, because the party's getting ready to start down at the Chicken Shack...with Matt The Cat and the "Juke In The Back."

Episode #111 - Aladdin Records Story Pt 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

This week, "Juke In The Back" features the conclusion of our 2 part series on Aladdin Records. Matt The Cat features Aladdin's releases from 1950-54 and features hit records from Amos Milburn, Charles Brown, Peppermint Harris, Calvin Boze, Floyd Dixon, The Five Keys and many more.

Jukelogolargeapple2_small Aladdin Records Story, Pt. 2Aladdin Records Story, Pt. 2Aladdin Records Story, Part 2

The "Juke In The Back" concludes its two part series on Aladdin Records, one of the most important independent labels of the pre-rock era. Part 2 will pick up the Aladdin Records Story in 1950 and carry it through til rock n' roll began hitting the mainstream in 1954. This week, we'll hear more hits from Aladdin's early hit-makers, Amos Milburn and Charles Brown. We'll also dig some of the newcomers, like Floyd Dixon, Peppermint Harris, Calvin Boze, Shirley & Lee, the Five Keys and more. Aladdin was a rare label in that almost everything they pressed was worth hearing. If you ever see a discarded Aladdin 45 by an artist you've never heard before, pick it up, because chances are it'll make you very, very happy. Matt The Cat hosts the Aladdin Records Story, Part 2, this week on the "Juke In The Back."

Episode #112 - 4th of July Special - R&B Songs About Food

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

What's more American than celebrating America's birthday with some good ol' red, white and Rhythm & Blues about THE Fourth of July staple: food? Dig in on an hour of classic R&B about hot dogs, cole slaw, potato salad, ribs and ice cream sung by the heroes of the "soul that came before rock n' roll" on the Juke In The Back.

Jukelogolargeapple2_small

4th Of July Special on R&B Songs About Food

What’s more American than celebrating America’s birthday with some good ol’ red, white and Rhythm & Blues about THE Fourth of July staple: food? Dig in on an hour of classic R&B about hot dogs, cole slaw, potato salad, ribs and ice cream sung by the heroes of the “soul that came before rock n’ roll” on the Juke In The Back.

Episode #113 - The "5" Royales

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

This week, the "Juke In The Back" features a rhythm & blues vocal group from Winston-Salem, NC that not only influenced James Brown, but quite possibly the entire soul movement of the late '50s into the 1960s; The "5" Royales

Jukelogolargeapple2_small The "5" Royales The "5" Royales

This week, the "Juke In The Back" features a rhythm & blues vocal group from Winston-Salem, NC that not only influenced James Brown, but quite possibly the entire soul movement of the late '50s into the 1960s; The "5" Royales.

They began their career as a six man gospel group called The Royal Sons Quintet. They kept their six member lineup even after they changed their name to the "5 Royales. They had legal battles with Hank Ballard's Royals and their own label, Apollo Records, but managed to score two #1 smashes during 1953. Their sound was unique, their harmonies air-tight and thief chief songwriter was also their guitarist, Lowman Pauling. His guitar playing influenced Eric Clapton, Steve Cropper and countless other guitar legends. The "5" Royales were much more than just a '50s R&B vocal group and this week, Matt The Cat & the "Juke In The Back" are going to tell their story.

Episode #114 - Roy Brown

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

"Juke In The Back" features one of early R&B's greatest blues shouters, Roy Brown. From his early hits for the DeLuxe Label in the late 1940s to his big New Orleans comeback in 1957, all of Roy's charting hits are featured on this week's program.

Jukelogolargeapple2_small Roy Brown Roy Brown

Roy Brown was one of early R&B's undisputed blues shouters. He burst on the scene in 1947 with the original recording of "Good Rockin' Tonight," which would become a rock n' roll and blues classic when covered by Wynonie Harris, Elvis Presley and countless others. He managed to chart 16 R&B hits from 1947-1957, most of them in the late '40s and early '50s. Many of these songs never get played on the radio anymore, but this week's "Juke In The Back" with Matt The Cat will set the record straight as we spin every charting hit of Roy Brown's career. We'll dig on Brown's jump blues, his ballads and his late career New Orleans comeback. So get down to the sound of Good Rockin' Roy Brown on this week's "Juke In The Back," the "soul that came BEFORE rock n' roll!"

Episode #115 - The Robins

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" features The Robins, one of the earliest and most influential R&B vocal group to come out of Los Angeles in the late '40s and early '50s. From their early work with Johnny Otis to their breakthrough with Leiber and Stoller, The Robins' shine bright on this week's "Juke In The Back."

Jukelogolargeapple2_small The Robins The Robins

This week, the “Juke In The Back” features The Robins, one of the earliest and most influential West Coast R&B vocal groups.  They first appeared on wax in April of 1949 as the 4 Bluebirds, backed up by bandleader extraordinaire, Johnny Otis, who had discovered the group at his Barrelhouse Nightclub during a talent competition.  Otis had the Robins duet with Little Esther on the 1950 smash, “Double Crossing Blues,” which spent more than 2 months at the top of the R&B charts.  Real fame came when the group hooked up with the young, talented songwriting duo of Jerry Leiber and Mike Stoller.  On their Spark Records, the Robins scored with “Riot In Cell Block #9” and “Smokey Joe’s Café,” two early rock n’ roll smashes.  Two members would leave The Robins and form The Coasters with Leiber and Stoller and much of their history is complicated, but host Matt The Cat gets to the bottom of it all with this “Juke In The Back” look at The Robins’ early career.  This truly is the “soul that came BEFORE rock n’ roll” and you’ll only hear it on the “Juke In The Back.”

Episode #116 - The Du-Droppers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

Matt The Cat presents another highly underrated vocal group from the 1950s: The Du-Droppers as part of a full hour of 1940s and '50s rhythm & blues on the "Juke In The Back."

Jukelogolargeapple2_small The Du-Droppers The Du-Droppers

Matt The Cat presents another highly underrated R&B vocal group from the 1950s: The Du-Droppers. They didn't sound like the stereotypical "doo wop" groups of the era and they weren't your standard rhythm group either. The Du-Droppers had a sound that was all their own. Their leader, JC Ginyard began his career in Gospel groups and you can really hear that influence on the Du-Droppers' best material. The group's first single for Bobby Robinson's Red Robin label was a sequa record to the Dominoes' smash, "Sixty Minute Man," called "Can't Do Sixty No More." Once they signed with RCA Victor, they scored two of the biggest smashes of 1953. Dig the sound and get the story behind the Du-Droppers, this week on the "Juke In The Back," the "soul that came BEFORE rock n' roll."

Episode #117 - Johnny Ace

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

This week, "Juke In The Back" highlights the short career of one of R&B's greatest talents: JOHNNY ACE. His great records usually get overshadowed by the legend surrounding his sudden death, but not this time as Matt The Cat spins all his hits from the early to mid-1950s.

Jukelogolargeapple2_small Johnny Ace Johnny Ace

He is often called the "first casualty of rock n' roll," since his life was brought to a controversial end just as rock n' roll was picking up steam in the mainstream, but Johnny Ace's demise does not overshadow his impressive, yet short career.  This week's "Juke In The Back" highlights Ace's early session with rising star, B.B. King, as well as a his rare first solo record, cut for the Bihari Brothers in 1951, but not released by them until 1953.  Ace tasted success early, as his first single for the fledgling Duke Records soared to the top of the R&B charts.  He would have 2 more #1 smashes, including "Pledging My Love," which was released posthumously and hit an impressive #17 on the pop lists.  Yes, Johnny Ace died young and became immortal in verse and tribute and Matt The Cat shows you why he was much revered on this week's "Juke In The Back."

Episode #118 - Elvis' R&B Influences

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Elvis Presley's early music was a blend of Hillbilly, Country, Gospel and R&B. This week's "Juke In The Back" explored the enormous debt Elvis owed to his Rhythm & Blues idols and in turn, the debt the music owes to Elvis.

Jukelogolargeapple2_small Elvis' R&B Influences Elvis' R&B Influences

Much has been written about Elvis' enormous impact and popularity over the years, but it's almost impossible to overstate the cultural shift that took place as he rose to fame in 1956. Elvis was a musical sponge. He absorbed all the music that moved him and those around him, from Country and Hillbilly to Gospel, Pop, R&B and Blues. This week's "Juke In The Back" focuses solely on the rhythm & blues that motivated Elvis' early career. During the end of his first session with Sam Phillips, Elvis cut into an inspired rendition of a semi-forgotten Arthur Crudup gem and rock n' roll was literally born. From the New Orleans R&B of Smiley Lewis, to the jump blues of Wynonie Harris, Elvis dug it all and made each song uniquely his own. He wasn't copying his R&B idols, he was merely using their material as a springboard for his own blend of the White and the Black. Sam Phillips was right when he said that it would take a White cat with an African-American feel to propel this exciting R&B music into the mainstream and lucky for us, he found that in Elvis Presley. Matt The Cat presents many surprises in this week's "Juke In The Back," dedicated to Elvis' strongest musical influence: Rhythm & Blues.

Episode #119 - Ike Turner

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Much has been said about Ike Turner's personal life, but not enough has been said about his musical legacy. This week's "Juke In The Back" looks at musical debt that rock n' roll and rhythm & blues owes to Ike Turner. His 1950s recordings are highlighted.

Jukelogolargeapple2_small Ike Turner Ike Turner

One of Rhythm & Blues' greatest innovators was also one of its most notorious personalities. Ike Turner was born in the same place that the blues was born, in the heart of the Mississippi Delta in Clarksdale in 1931. He learned boogie woogie piano was the legendary Pinetop Perkins and soon taught himself how to play guitar. His band, The Kings Of Rhythm, recorded what some would come to name as the "first Rock n' Roll Record" with "Rocket 88" in 1951. The Chess label called them "Jackie Brenston & His Delta Cats," but it didn't matter, Ike Turner's stamp is all over that groundbreaking record, which was based on Jimmy Liggins' 1948 R&B classic, "Cadillac Boogie." From there, Turner became a talent scout for both Sam Phillips at Sun Records and The Bihari Brothers at RPM Records. He played behind Howlin' Wolf, Little Milton, Elmore James, Otis Rush and many others while also releasing his own important sides. Matt The Cat sorts through the many record labels and incarnations of The Kings Of Rhythm on this week's "Juke In The Back," as we honor one of music's most tragic, but important figures, the legendary Ike Turner.

Episode #120 - The Parrot Records Story

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The entire "Juke In The Back" focuses on a tiny Chicago R&B record label with a big sound; Parrot Records. The label was started by Chicago DJ Al Benson in late 1952 and it closed its doors in 1956. Get the story behind the story on the history of Parrot Records with Matt The Cat on this week's "Juke In The Back."

Jukelogolargeapple2_small The Parrot Records Story Parrot Records

The entire "Juke In The Back" focuses on a tiny Chicago R&B record label with a big sound; Parrot Records.  The label was started by Chicago DJ Al Benson in late 1952 and it closed its doors in 1956.  During its period of operation, Parrot recorded some smokin' R&B and smooth vocal group sounds from Willie Mabon and J.B. Lenoir to The Flamingos and the 5 Thrills.  Matt The Cat highlights both the hits and misses and bring you the story behind the story on this often forgotten R&B label on this week's "Juke In The Back."

Episode #121 - Jimmy Liggins

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

Jimmy Liggins may not have been as successful as his older brother Joe, but Jimmy's 1948 recording of "Cadillac Boogie" just might be the first rock n' roll record. Dig on the story and music of Jimmy Liggins, an unsung R&B hero on this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small Jimmy Liggins Jimmy Liggins

Jimmy Liggins didn't have the chart success or popularity of his older brother Joe Liggins, but he did have a killer band, a raw sound and quite possibly the "first rock n' roll record."

Both brothers traveled to California from their native Oklahoma in order to make it in the music business. Jimmy started out as a professional boxer before hanging up the gloves in order to drive his older brother around after the success of Joe's "The Honeydripper" in 1945. By the end of '46, Jimmy told Joe that he was cuttin' out on his own to form his own band and make his own records. He hit the charts with his 2nd single "Teardrop Blues" in 1948. Its flipside was "Cadillac Boogie," which was Ike Turner and Jackie Brenston's inspiration for "Rocket 88." Jimmy Liggins only scored four R&B chart hits during his career, but he cut a trove of groovy plattahs worth hearing. He is definitely one of R&B's unsung heroes. Get Jimmy Liggins' story and all the great music that comes with it on this week's "Juke In The Back" with Matt The Cat.

Episode #122 - The Chords

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week's "Juke In The Back" digs deep into a group that is usually only remembered for one, incredibly influential tune, "Sh-Boom." The Chords cut that tune in 1954, right at the height of America's fear of the Atomic Bomb and this song did more for helping to launch rock n' roll than almost any other. Matt The Cat digs up the story of The Chords and their great recordings on the "Juke In The Back."

Jukelogolargeapple2_small The Chords The Chords

This week's "Juke In The Back" digs deep into a group that is usually only remembered for one, incredibly influential tune, "Sh-Boom."  The Chords cut that tune in 1954, right at the height of America's fear of the Atomic Bomb and this song did more for helping to launch rock n' roll than almost any other.  In fact, the tittle "Sh-Boom" was meant to simulate the sound of an A-Bomb explosion.  Even though their label didn't believe in "Sh-Boom," they just couldn't stop it, but unfortunately, they didn't do much to promote The Chords subsequent releases.  They were forced to change their name to The Chordcats, due to a lawsuit and then dropped that name in favor of The Sh-Booms.   Matt The Cat digs up the story behind the story of The Chords and their great recordings on this episode of the "Juke In The Back."

Episode #123 - 1951: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the jukebox is in the spotlight as Matt The Cat takes you back 61 years and highlights the top jukebox hits of the first half of 1951. You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Margie Day, Ray Charles and Lloyd Glenn. It's part 1 of the 1951 Rhythm Review on the "Juke In The Back."

Jukelogolargeapple2_small 1951: Jukebox Rhythm Review, Pt. 1 1951: Jukebox Rhythm Review

Part 1

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the first half of 1951.  You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Margie Day, Ray Charles and Lloyd Glenn.  These are the top requested records that were spinning on the jukebox in the back of the establishment.  It's part 1 of 2 on the 1951 Rhythm Review on the "Juke In The Back."

Episode #124 - 1951: Jukebox Rhythm Review, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, the jukebox is in the spotlight as Matt The Cat takes you back 61 years and highlights the top jukebox hits of the second half of 1951. You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Johnny Hodges, Dinah Washington and Jimmy Nelson. It's part 2 of the 1951 Rhythm Review on the "Juke In The Back."

Jukelogolargeapple2_small 1951: Jukebox Rhythm Review, Pt. 2 1951: Jukebox Rhythm Review

Part 2

This week, the jukebox is in the spotlight as Matt The Cat takes you back 61 years and highlights the top jukebox hits of the second half of 1951. You'll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Johnny Hodges, Dinah Washington and Jimmy Nelson. These are the top requested records that were spinning on the jukebox in the back of the establishment. It's part 2 of 2 on the 1951 Rhythm Review on the "Juke In The Back."

Episode #125 - The Cardinals

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Even though The Cardinals only scored 3 R&B hits, they are remembered as one of the most important vocal groups of the 1950s. This week, Matt The Cat digs into the Cardinals music and legacy on the "Juke In The Back."

Jukelogolargeapple2_small The Cardinals The Cardinals

The Cardinals only scored 3 R&B hits, but all 3 made the top ten and are considered classics today. The group formed in Baltimore in late 1946 and came to the attention of Ahmet Ertegun and Herb Abramson, co-founders of Atlantic Records in very early 1951. They were signed immediately and soon Atlantic sent their house arranger, Jesse Stone, down to Baltimore to work with the group and prep them for their first recording session, which was held in March, 1951. The Cardinals, who were known as the Mellotones at that time, were used to singing pop songs. Jesse Stone had to give them that R&B sound. Their first release, "Shouldn't I Know," climbed the R&B charts and put The Cardinals on the map. Their version of "The Wheel Of Fortune" in 1952 is considered the definitive R&B version of that song today as is their 1955 rendition of the Chuck Willis penned tune, "The Door Is Still Open." Lead tenor Ernie Warren has one of the most beautiful and distinguishable voices in all of early R&B and Matt The Cat brings The Cardinals' music and legacy to life on this week's "Juke In The Back."

Episode #126 - Marvin Phillips

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

Marvin Phillips is one of LA's unsung heroes of 1950s rhythm & blues. He, along with Jesse Belvin popularized R&B duos with their 1952 smash, "Dream Girl" and paved the way for future duo groups. This week's "Juke In The Back" features Marvin Phillips' work with Jesse Belvin, Marvin & Johnny and as a solo artist.

Jukelogolargeapple2_small Marvin Phillips Marvin Phillips

Marvin Phillips is important to post WWII rhythm & blues, because he, along with Jesse Belvin helped to popularize the R&B duo. Jesse and Marvin scored an enormous hit in 1952 with the ballad, "Dream Girl," thus paving the way for future R&B duos like Shirley & Lee, Gene & Eunice, Robert & Johnny, Don & Dewey and Marvin's own, Marvin & Johnny. This week's "Juke In The Back" takes a look at Marvin Phillips' impressive career, from his first record in 1950, singing lead with Richard Lewis & The Barons to Marvin & Johnny's short stint on Aladdin Records in 1957. Along the way, Jesse Belvin weaves in and out of Marvin's singing career and a diverse array of records are recorded. Matt The Cat spotlights this oft unsung hero of Los Angeles R&B, Marvin Phillips, on this week's "Juke In The Back."

Episode #127 - Rudy Toombs: R&B Songwriter

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

This week, The "Juke In The Back" features the songs of one of R&B's greatest songwriters: Rudy Toombs. This underrated cat wrote some of the most fabulous drinking songs of all-time as well as many other memorable classics. Matt The Cat spins Rudy Toombs best on the "Juke In The Back."

Jukelogolargeapple2_small Rudy Toombs Rudy Toombs: R&B Songwriter

This week, The "Juke In The Back" features the songs of one of R&B's greatest songwriters: Rudy Toombs.  This underrated cat wrote some of the most fabulous drinking songs of all-time for Amos Milburn, The Clovers, The Five Keys and a young Johnny "Guitar" Watson.  Beyond drinking songs, Toombs wrote some mega-hits for Ruth Brown, Varetta Dillard and Little Willie John, just to name a few.  Matt The Cat gives you the story behind the story of one of early rock n' roll's greatest cleffers.  It's Rudy Toombs' best songs, this week on the "Juke In The Back."

Episode #128 - Little Esther Phillips

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" honors Little Esther, the 14 year old phenom that scored 3 #1 hits in 1950, singing with Johnny Otis' musical ensemble. She would go on to have a successful career of her own as Esther Phillips, but this week, Matt The Cat looks at her early career in the 1950s.

Jukelogolargeapple2_small Little Esther Little Esther

Esther Mae Jones is one of the First Ladies of R&B, yet her 1950s output under the name Little Esther is sadly overlooked. Little Esther was discovered by bandleader Johnny Otis in 1949, when she was only 14 years old. Otis immediately added her to his musical ensemble. He had scored a few hits before, but nothing could have prepared Otis for his HUGE 1950 breakthrough record, "Double Crossing Blues," featuring Little Esther and The Robins. Otis and his group dominated the R&B lists in 1950, scoring three #1 hit records and six R&B top tens, all featuring Little Esther. This week, Matt The Cat examines Little Esther's records with Otis as well as her duets with The Dominoes, Bobby Nunn, Little Willie Littlefield and her many solo sides for the Federal and Savoy labels. Esther Jones would gain much recognition as Esther Phillips in the 1960s and '70s, but as a teen in the 1950s, Little Esther laid the groundwork for musical genius. The spotlight shines bright on Little Esther, this week on the "Juke In The Back." This is the "soul that came BEFORE rock n' roll."

Episode #129 - Halloween Rhythm & Blues

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

Matt The Cat celebrates Halloween with the scariest, spookiest and most sinister vintage rhythm & blues records ever made! It's the disembodied "soul that came before rock n' roll" on this week's "Juke In The Back."

Jukelogolargeapple2_small Halloween Rhythm & Blues Halloween Rhythm & Blues

Matt The Cat experiences some paranormal rhythms coming out of his “Juke In The Back” as we celebrate the truly spooky, sinister and down-right crazy sounds of a vintage rhythm & blues Halloween. Eugene Fox meets the devil, The Hollywood Flames take us to Frankenstein’s Den and Bill Doggett throws a Monster’s Party. It’s a treat, not a trick to hear an alternate take of Screamin’ Jay Hawkins’ 1956 classic, “I Put A Spell On You,” with EXTRA screaming and a killer sax solo payed by Sam “The Man” Taylor. So clear your voodoo calendar and dig the sounds from the outer bounds on this week’s Halloween edition of the “Juke In The Back.”

Episode #130 - Wynonie Harris, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:03

The "Juke In The Back" is overflowin' with records by one of R&B's greatest blues shouters and entertainers: Wynonie "Mr. Blues" Harris. Part 1 of this 2 part series focuses on Wynonie's early recordings from 1944-1948.

Jukelogolargeapple2_small Wynonie Harris Wynonie Harris, Pt. 1

The "Juke In The Back" is overflowin' with records by one of R&B's greatest blues shouters and entertainers: Wynonie "Mr. Blues" Harris. Part 1 of this 2 part series focuses on Wynonie's early recordings from 1944-1948. Matt The Cat digs deep in his "juke" archives to pull out many of Harris' early records that often get ignored. We'll dig on Harris' first 2 singles with the Lucky Millinder Orchestra and cover his releases with Philo, Apollo, Aladdin and King. Three versions of the early rock n' roll anthem, "Good Rockin' Tonight" will also be examined. So get ready to shout "Hoy! Hoy!" as Mr. Blues is coming to town on this week's "Juke In The Back" with Matt The Cat.

Episode #131 - Wynonie Harris, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

It's part 2 of our 2 part series on Wynonie "Mr. Blues" Harris, one of the greatest blues shouters of all time. Matt The Cat focuses on Harris' hit-making years of 1948-1952, when he ruled the rhythm & blues charts. Drop a nickel in the "Juke In The Back," cause "Mr. Blues" is gonna ROCK!

Jukelogolargeapple2_small Wynonie Harris Wynonie Harris

Part 2


It's part 2 of our 2 part series on Wynonie "Mr. Blues" Harris, one of the greatest blues shouters of all time.  This week, Matt The Cat focuses on Harris' hit-making years of 1948-1952, when he ruled the rhythm & blues charts.  "Grandma Plays The Numbers," "All She Wants To Do Is Rock," "Bloodshot Eyes," "Lovin' Machine" and many more Wynonie Harris classics spun in high numbers on the jukeboxes, so drop a nickel in the "Juke In The Back," cause "Mr. Blues" is gonna ROCK!

Episode #132 - The Penguins

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Penguins' "Earth Angel" was the first rhythm & blues song to crossover into the pop world in such a big way that it announced the beginning of what was to be called "rock n' roll." The Penguins' history is explored on this week's "Juke In The Back" with Matt The Cat

Jukelogolargeapple2_small The Penguins The Penguins

The Penguins' "Earth Angel" was the first rhythm & blues song to crossover into the pop world in such a big way that it announced the beginning of what was to be called "rock n' roll." 

"Earth Angel" remains one of the most eduring songs in the history of recorded music and yet when it was released in late 1954, it received very little promotion from the record company.  It's a rare example of a song that became a huge hit based on its own merits.  The Penguins' lead vocalist, Cleve Duncan, who passed away on November 6, 2012 while waiting in line to vote, talks with Matt The Cat about The Penguins' beginnings, "Earth Angel" and the 1950s music scene.  Cleve Duncan tells the Penguins' story in his own words, while Matt The Cat digs deep into the archives to pull out some surprises, like both of the Penguins' live performances from a 1956 Alan Freed show.  Grab a few nickels, as we pay tribute to one of LA's great vocal groups while the juke jumps with the best of The Penguins.

Episode #133 - Richard Berry

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Richard Berry is truly one of the unsung heroes of early rhythm & blues and rock n' roll. That he wrote and recorded the original version of "Louie Louie" is only scratching the surface of this renaissance man of R&B.

Jukelogolargeapple2_small Richard Berry Richard Berry

Richard Berry is truly one of the unsung heroes of early rhythm & blues and rock n' roll. That he wrote and recorded the original version of "Louie Louie" is only scratching the surface of this renaissance man of R&B. As a teenager at LA's Jefferson High School, he was a founding member of The Flairs, one of the first great vocal groups to hit the LA Scene. From there, Berry recorded some solo sides for the Flair, Modern, RPM and Flip labels. Matt The Cat takes a look and listen to Richard Berry's early catalog, digging out some of his greatest sides from his first record with The Flairs to the solo ballad, "One Little Prayer," his uncredited vocals on The Robins' "Riot In Cell Block #9" and Etta James' "The Wallflower (Roll With Me Henry)" to the classic "Have Love Will Travel." Plus, we'll hear Richard Berry's story in HIS own words through an interview conducted by former DJ James Austin from the mid-1980s (used with permission). In the interview, Berry gives a detailed history of how "Louie Louie" was inspired, written and received. So catch an intimate visit with the late Richard Berry, a rhythm & blues icon, on this week's "Juke In The Back."

Episode #134 - Pee Wee Crayton

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" honors one of the greatest, yet more underrated originators of electric blues guitar: Pee Wee Crayton. Matt The Cat presents his story, his music and a whole lot more on the "Juke In The Back."

Jukelogolargeapple2_small Pee Wee Crayton Pee Wee Crayton

The "Juke In The Back" honors one of the greatest, yet more underrated originators of electric blues guitar: Pee Wee Crayton.  Matt The Cat digs deep into Crayton's musical catalog and dusts off more than just his three charting R&B hits.  You'll also get to hear the fantastic and inspired recordings he cut in New Orleans with bandleader Dave Bartholomew as well as his Vee-Jay Records sides.  Pee Wee Crayton's story comes to life through his music on this week's "Juke In The Back."

Episode #135 - The Cadillacs

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The Cadillacs were one of the most versatile R&B vocal groups of the 1950s, handling uptempo gems like "Speedo" and classic doo wop ballads like "Gloria" with ease. Matt The Cat features an interview with Earl Carroll who fronted the group up until his death on November 25, 2012.

Jukelogolargeapple2_small The Cadillacs The Cadillacs

The Cadillacs began their journey in 1953 as The Carnations and when they changed their name they helped usher in a new era of automobile names for R&B vocal groups. Lead tenor Earl "Speedo" Carroll and bass singer Bobby Phillips forged a friendship that would carry on from their days growing up in Harlem until the day each of them passed on. While together, The Cadillacs produced some of the coolest jump tunes from the classic "Speedo" to the jazzy "Down The Road" and the killer "No Chance." As a ballad group, Speedo and the boys recorded the version of the immortal "Gloria" that all other vocal groups are measured against as well as other gorgeous tunes like "You Are" and "The Girl I Love." Matt The Cat features an interview with Earl Carroll himself, so that he can tell The Cadillacs story in his own words. We lost Earl Carroll and a little piece of early rock n' roll on November 25, 2012, but Speedo will never be forgotten in the hearts of those who dig REAL vocal group harmony.

Episode #136 - The (original) Diamonds

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" takes a look at one of New York's greatest, but almost unheard of R&B vocal groups: The Diamonds. Matt The Cat also features R&B songs about Detroit on this week's show.

Jukelogolargeapple2_small The Diamonds The (original) Diamonds & R&B Songs About Detroit


The "Juke In The Back" takes a look at one of New York's greatest, but almost unheard of R&B vocal groups: The Diamonds.  They only got 3 singles released by Atlantic Records during 1952 and '53 and would fade into history by 1955, but their harmonies are second to none.  "Sonny" Wright's lead baritone remains much admired as does Myles Hardy's tenor.  Hear all six of the Diamond's known songs this week.  Plus, Matt The Cat also features R&B songs about Detroit with Blind Blake, Tampa Red, John Lee Hooker and Fats Domino weighing in on the Motor City and Hastings Street, the cultural center of African-American life during the 20s to the 60s.

Episode #137 - R&B Christmas

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The entire "Juke In The Back" is loaded with the greatest R&B Christmas records from the late 1940s and 1950s. It's the yuletide soul that came before rock n' roll. So grab some 'nog and get groovin'.

Jukelogolargeapple2_small R&B Christmas Rhythm & Blues Christmas

The entire "Juke In The Back" is loaded with the greatest R&B Christmas records from the late 1940s and 1950s. It's the yuletide soul that came before rock n' roll. From the all-time classics by Clyde McPhatter & The Drifters and The Orioles to some rarer Christmas plattahs from Amos Milburn, JB Summers and The Five Keys. So grab some 'nog and get groovin'.

Episode #138 - R&B Christmas Leftovers & New Year's Resolutions

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Matt The Cat has dug up some more R&B Christmas treasures and added a few tunes about New Years for this week’s continuation of the “Juke In The Back” R&B Christmas Special.

Jukelogolargeapple2_small

Happy New Year! Christmas Leftovers & New Year's Resolutions

Matt The Cat has dug up some more R&B Christmas treasures and added a few tunes about New Years for this week’s continuation of the “Juke In The Back” R&B Christmas Special. The holiday juke is jumpin’ with cool tunes by Big John Greer, Champion Jack Dupree, Lowell Fulson, The Moonglows, Marvin & Johnny and many more. The range of topics is wide, from dancing Santas to lonely Christmases to making up with your baby on New Year’s Eve. So get hungry for some Christmas leftovers and plan your New Year’s resolutions this week with Matt The Cat on the “Juke In The Back.”

Episode #139 - The Crickets

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:59

The "Juke In The Back" is loaded with records by the 1950s R&B vocal group, The Crickets. They only recorded from late 1952 to 1954, but man did they lay down some sweet harmonies. Matt The Cat shares their story on this week's show.

Jukelogolargeapple2_small The Crickets The Crickets

The "Juke In The Back" is loaded with records by the 1950s R&B vocal group, The Crickets.  They hailed from The Bronx and only recorded from late 1952 to 1954, but man did they lay down some sweet harmonies.  Buddy Holly would take the name to the top of the charts, but these guys had it first.  Grover "Dean" Barlow led the group vocally, but it was record label owner Joe Davis that would ultimately control their fate.  Matt The Cat tells the story of the original Crickets and their 3 group incarnations on this week's "Juke In The Back."

Episode #140 - 1953: Jukebox Rhythm Review Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the first half of 1953. You’ll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes.

Jukelogolargeapple2_small 1953: Jukebox Rhythm Review 1953: Jukebox Rhythm Review Pt. 1

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the first half of 1953. You’ll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by Johnny Moore's Three Blazers, The Emitt Slay Trio and King Pleasure. The juke will also be jumpin' with top tunes from The "5" Royales, Ruth Brown and Fats Domino. These are the top requested records that were spinning on the jukebox in the back of the establishment. It’s part 1 of 2 on the 1953 Rhythm Review on the “Juke In The Back.”

Episode #141 - 1953: Jukebox Rhythm Review Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the second half of 1953. It's part 2 of 2. You’ll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes.

Jukelogolargeapple2_small 1953: Jukebox Rhythm Review 1953: Jukebox Rhythm Review Pt. 2

This week, the jukebox is in the spotlight as Matt The Cat takes you back 60 years and highlights the top jukebox hits of the second half of 1953. You’ll hear a lot more than just the big #1 R&B hits this week as we dig deep into the jukebox lists to feature seldom heard tunes by The Clovers, Eddie Boyd and The Coronets. The juke will also be jumpin' with top tunes from Faye Adams, Johnny Ace and Big Joe Turner. These are the top requested records that were spinning on the jukebox in the back of the establishment. It’s part 2 of 2 on the 1953 Rhythm Review on the “Juke In The Back.”

Episode #142 - Johnny Moore's Three Blazers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:58

This week's "Juke In The Back" is dedicated to one of the true unsung heroes of 1940s and '50s rhythm & blues, Johnny Moore's Three Blazers. The group is mostly remembered as the springboard for vocalist/pianist Charles Brown and today they are generally only recognized for their 1946 smash, "Driftin' Blues." However, back in the late 1940s, The Three Blazers scored R&B hit after hit.

Jukelogolargeapple2_small Johnny Moore's Three Blazers Johnny Moore's Three Blazers

This week's "Juke In The Back" is dedicated to one of the true unsung heroes of 1940s and '50s rhythm & blues, Johnny Moore's Three Blazers. The group is mostly remembered as the springboard for vocalist/pianist Charles Brown and today they are generally only recognized for their 1946 smash, "Driftin' Blues." However, back in the late 1940s, The Three Blazers scored R&B hit after hit. Between Johnny Moore's influential guitar licks and Charles Brown's tasty piano, The Three Blazers were at the top of their genre. However, their sound fell out of favor as soon as the blues shouters and jump blues combos took over, setting the stage for the coming rock n' roll explosion. Their first records were made for the tiny Atlas label in 1944 and featured an uncredited Frankie Laine on vocals. They then backed up Ivory Joe Hunter in 1945, before Johnny Moore's Three Blazers hit the bigtime in 1946. Matt The Cat will cover Johnny Moore's years with Charles Brown as well as those following Brown's departure. This week's "Juke In The Back" is the definitive look at Johnny Moore's Three Blazers, vintage R&B icons.

Episode #143 - The Clovers Pt. 1 (1950-53)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Clovers were the most successful rhythm & blues vocal group from 1951 to 1955, racking up 16 top 10 R&B singles during that time-frame. This week, "Juke In The Back" begins a 3 show feature on this ground-breaking pre-rock n' roll group. In part 1, we'll cover EVERY Clovers' release (both A and B sides) from their debut on Rainbow Records in 1950 to their mid-1953 Atlantic releases.

Jukelogolargeapple2_small The Clovers The Clovers Pt. 1 (1950-53)

The Clovers were the most successful rhythm & blues vocal group from 1951 to 1955, racking up 16 top 10 R&B singles during that time-frame. There of those singles went to #1. Though they didn't have a huge career defining hit, like The Dominoes did with "Sixty Minute Man," The Clovers claim to fame was consistency. You always knew what you were going to get with a Clovers record. Most of their songs were mid-tempo with tight, limited instrumentation, beautifully blended harmonies and catchy, memorable lyrics. Atlantic co-founder Ahmet Ertegun oversaw their quality control, writing every one of their #1 records. This week, "Juke In The Back" begins a 3 show feature on this ground-breaking pre-rock n' roll group. In part 1, we'll cover EVERY Clovers' release (both A and B sides) from their debut on Rainbow Records in 1950 to their mid-1953 Atlantic releases. In-between, you'll find almost #1s, "One Mint Julep" and "Crawlin'" as well as their monster hits, "Don't You Know I love You So," "Fool, Fool, Fool" and "Ting-A-Ling." We even get the inside scoop on how the Clovers were signed to Atlantic from an interview Matt The Cat conducted with the late Ahmet Ertegun several years ago. It's part 1 of 3 on the amazing Clovers, this week on the "Juke In The Back."

Episode #144 - The Clovers Pt. 2 (1953-56)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Clovers were the most successful rhythm & blues vocal group from 1951 to 1955, racking up 16 top 10 R&B singles during that time-frame. This week, "Juke In The Back" presents part 2 of a 3 part feature on this ground-breaking pre-rock n' roll group. In part 2, we'll cover EVERY Clovers' release (both A and B sides) from mid-1953 to the beginning of 1956

Jukelogolargeapple2_small The Clovers The Clovers Pt. 2 (1953-56)

The Clovers were the most successful rhythm & blues vocal group from 1951 to 1955, racking up 16 top 10 R&B singles during that time-frame. Three of those singles went to #1. Though they didn't have a huge career defining hit, like The Dominoes did with "Sixty Minute Man," The Clovers claim to fame was consistency. You always knew what you were going to get with a Clovers record. Most of their songs were mid-tempo with tight, limited instrumentation, beautifully blended harmonies and catchy, memorable lyrics. This week, "Juke In The Back" presents part 2 of a 3 part feature on this ground-breaking pre-rock n' roll group. In part 2, we'll cover EVERY Clovers' release (both A and B sides) from mid-1953 to the beginning of 1956. During this time, lead vocalist Buddy Bailey was drafted, so Charlie White, formally of the Dominoes and The Checkers was brought in to sing on "Good Lovin'," which hit #2 on the R&B charts as well as the classic "Lovey Dovey." When things didn't work out with White, the group hired Billy Mitchell, who lends his versatile voice to "Your Cash Ain't Nothin' But Trash" and "In The Morning Time," until Buddy Bailey was discharged and could return to lead the group. It's part 2 of 3 on the amazing Clovers, this week on the "Juke In The Back."

Episode #145 - The Clovers Pt. 3 (1956-58)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Clovers were the most successful rhythm & blues vocal group from 1951 to 1955, racking up 16 top 10 R&B singles during that time-frame. This week, "Juke In The Back" presents part 3 of a 3 part feature on this ground-breaking pre-rock n' roll group. In part 3, we'll cover EVERY Clovers' release (both A and B sides) from early 1956 to the middle of 1958.

Jukelogolargeapple2_small The Clovers Pt. 3 The Clovers Pt. 3 (1956-58)

The Clovers were the most successful rhythm & blues vocal group from 1951 to 1955, racking up 16 top 10 R&B singles during that time-frame. Three of those singles went to #1. Though they didn't have a huge career defining hit, like The Dominoes did with "Sixty Minute Man," The Clovers claim to fame was consistency. You always knew what you were going to get with a Clovers record. Most of their songs were mid-tempo with tight, limited instrumentation, beautifully blended harmonies and catchy, memorable lyrics. This week, "Juke In The Back" presents part 3 of a 3 part feature on this ground-breaking pre-rock n' roll group. In part 3, we'll cover EVERY Clovers' release (both A and B sides) from early 1956 to the middle of 1958. 1956 was the group's last year as hit-makers. They scored two R&B top ten hits with "Hey Doll Baby" and "Love, Love, Love" (which also hit the pop charts) and then they didn't score another hit until their final hit, "Love Potion #9" in mid-1959. But during this dry spell, The Clovers managed to release some memorable, quality records, such as the Chuck Willis penned, "From The Bottom Of My Heart," the jivin', "Down In The Alley" and the catchy, "The Gossip Wheel." Also, during this time, the group left Atlantic Records and jumped to their manager's Poplar label before ending up on United Artists in 1959. It's the final chapter of my 3 part special on the amazing Clovers, this week on the "Juke In The Back."

Episode #146 - Billy "The Kid" Emerson

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" with Matt The Cat features Billy "The Kid" Emerson, a talented R&B singer and songwriter who never had a hit record, but his songs were covered by the likes of Elvis Presley and Billy Riley. Matt tells his story on this week's show.

Jukelogolargeapple2_small Billy "The Kid" Emerson Billy "The Kid" Emerson

The "Juke In The Back" with Matt The Cat features Billy "The Kid" Emerson, a talented R&B singer and songwriter who never had a hit record, but his songs were covered by the likes of Elvis Presley and Billy Riley.  Originally from Tarpon Springs, FL, Billy Emerson burst on the scene in 1954, with the help of friend Ike Turner.  He released a string of stellar R&B records for Sun, before moving on to Vee-Jay, Chess and many others.  Elvis recorded Emerson's very soulful, "When It Rains It Pours" and Billy Riley made Emerson's "Red Hot" a rockabilly standard.  Billy "The Kid" Emerson's story and music is the feature of this week's "Juke In The Back."

Episode #147 - Cab Calloway

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

If you're "hep to the jive" and can "dig the scene," then you're in for a treat on this week's "Juke In The Back." Matt The Cat presents Cab Calloway: the "Father of R&B," the "Grandfather of Rock n' Roll" and the "Hi De Ho Man."

Jukelogolargeapple2_small Cab Calloway Cab Calloway

If you're "hep to the jive" and can "dig the scene," then you're in for a treat on this week's "Juke In The Back." Matt The Cat presents Cab Calloway: the "Father of R&B," the "Grandfather of Rock n' Roll" and the "Hi De Ho Man." There is no question that Cab Calloway planted the seeds that would grow into Rhythm & Blues on his 1931 Brunswick single "Minnie The Moocher." That song would go on to have a life of its own, inspiring sequels and re-recorded versions for the rest of Calloway's career. The tune would be revived yet again in 1980, when it and Cab Calloway were featured in the "Blues Brothers" film. Cab accomplished so much in his career, from breaking down the color barrier in motion pictures to introducing the world to scat singing and jive talking. He had a musical language and style all his own and we celebrate the great, influential Cab Calloway on this week's "Juke In The Back."

Episode #148 - Cobra Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Cobra Records left quite a bite, even thought this little West Side Chicago label was only in existence for three short years. They hit gold right out of the gate, when Cobra's first release, "I Can't Quit You Baby" by Otis Rush went to #6 on the national R&B charts. Cobra would not score another hit record, but they are credited with popularizing the West Side blues style of their young artists; Otis Rush, Magic Sam and Buddy Guy.

Jukelogolargeapple2_small Cobra Records Cobra Records

Cobra Records left quite a bite, even thought this little West Side Chicago label was only in existence for three short years. Cobra was started by television repair shop owner Eli Toscano in the summer of 1956. Toscano was lucky enough to snag Willie Dixon from Chess Records to write, produce and scout talent for his new label. They hit gold right out of the gate, when Cobra's first release, "I Can't Quit You Baby" by Otis Rush went to #6 on the national R&B charts. Cobra would not score another hit record, but they are credited with popularizing the West Side blues style of their young artists; Otis Rush, Magic Sam and Buddy Guy. In fact, Magic Sam's "All You Love" and Otis Rush's "Double Trouble" are considered bonafied blues classics today. Betty Everett recorded her first sides for Cobra and Ike Turner recorded some of his last before forming Ike & Tina Turner. So get ready to fall under the spell of Cobra Records as Matt The Cat spins this little label's best sides on this week's "Juke In The Back."

Episode #149 - The Checkers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" features another highly underrated R&B vocal group from the 1950s: The Checkers. They never scored a national hit, but they're one of the finnest examples of polished 1950s R&B and their story deserves to be shared.

Jukelogolargeapple2_small The Checkers The Checkers

The "Juke In The Back" features another highly underrated R&B vocal group from the 1950s: The Checkers.  They never scored a national hit, but they're one of the finest examples of polished 1950s R&B and their story deserves to be shared.  The Checkers were formed after tenor Charlie White and bass Bill Brown split from Bill Ward & His Dominoes.  They had some regional success with "House With No Windows," an uptempo version of "White Cliffs Of Dover" and "Don't Stop Dan," the sequel to "Sixty Minute Man."  Matt The Cat digs through a mess of King Records 78s to bring you the best and most influential sides that this great R&B vocal group has to offer on this week's "Juke In The Back."

Episode #150 - Camille Howard

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The pre-Rock n' Roll era is full of unsung performers who's style directly impacted those who came after. This week's "Juke In The Back" spotlight on Camille Howard is one such example. Her boogie woogie piano style was inventive, fluid and pure joy. It left a lasting impression on Ike Turner, Fats Domino and Professor Longhair. Matt The Cat will dig into Howard's best work with The Solid Senders as well as her solo material up through 1956, when she left music for good.

Jukelogolargeapple2_small Camille Howard Camille Howard

The pre-Rock n' Roll era is full of unsung performers who's style directly impacted those who came after. This week's "Juke In The Back" spotlight on Camille Howard is one such example. Her boogie woogie piano style was inventive, fluid and pure joy. It left a lasting impression on Ike Turner, Fats Domino and Professor Longhair. Howard rose to fame as the pianist for Roy Milton & His Solid Senders in the mid-1940s. Their breakthrough smash, "R.M. Blues" featured her fantastic piano style and the public took notice. Soon, Art Rupe of Specialty Records had her releasing solo records under The Camille Howard Trio while she remained with Roy Milton. Matt The Cat will dig into Howard's best work with The Solid Senders as well as her solo material up through 1956, when she left music for good. Camille Howard, along with Hadda Brooks must be remembered as pioneering instrumentalists in the developing field of Rhythm & Blues, which of course led to the birth of Rock n' Roll. Camille Howard's star shines on this week's "Juke In The Back."

Episode #151 - Spark Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" is jumpin' with a whole program dedicated to the short-lived 1950s record label started by songwriters Jerry Leiber & Mike Stoller in 1954. Matt The Cat brings you the story behind the story on Spark Records.

Jukelogolargeapple2_small Spark Records Spark Records

The "Juke In The Back" is proud to present one of the premiere, short-lived R&B record labels of the 1950s. Started by songwriters Jerry Leiber & Mike Stoller after they were stiffed on royalty payments for Big Mama Thornton's "Hound Dog," Spark records only lasted for a year and a half. In that time they wrote and produced some of early rock's most defining songs like "Riot In Cell Block #9" and "Smokey Joe's Cafe" for The Robins, "Love Me" for Willie & Ruth (Elvis Presley would go on to cut it), "One Bad Stud" for San Francisco's The Honey Bears and many more. Spark was cut short in 1955, when Atlantic Records offered Leiber & Stoller an offer they couldn't refuse. Catch the Spark Records story this week on the "Juke In The Back" with Matt The Cat.

Episode #152 - Fats Domino Pt. 1 (1950-53)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" is proud to feature Fats Domino, one of the most influential and popular recording stars of both Rhythm & Blues and Rock n' Roll music. In part one of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from 1950 to 1953.

Jukelogolargeapple2_small Fats Domino Fats Domino Pt. 1 (1950-53)

The "Juke In The Back" is proud to feature Fats Domino, one of the most influential and popular recording stars of both Rhythm & Blues and Rock n' Roll music. Fats' streak of hit records was nearly unbroken from 1950-1963 and he did it without changing his core sound. He just kept on playin' the New Orleans boogie woogie music that he grew up with. Antoine "Fats" Domino Jr. got his first recording contract in early December of 1949 as bandleader Dave Bartholomew introduced him to Lew Chudd, the head of LA's Imperial Records. Within days, they were in Cosimo Matassa's famous J&M studios cutting Fats' first record, "The Fat Man," which sold over one million copies and made him a star. In part one of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from 1950 to 1953. Part 2 will pick it up and spin the charting singles up through Domino's big Pop crossover success with "Ain't It A Shame" in 1955. We're diggin' on the R&B roots of Fats Domino, this week on the "Juke In The Back."

Episode #153 - Fats Domino Pt. 2 (1953-55)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" is proud to feature Fats Domino, one of the most influential and popular recording stars of both Rhythm & Blues and Rock n' Roll music. In part two of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from mid-1953 thru his enormous crossover success in 1955 with "Ain't It A Shame."

Jukelogolargeapple2_small Fats Domino Pt. 2 Fats Domino Pt. 2 (1953-55)

The "Juke In The Back" is proud to feature Fats Domino, one of the most influential and popular recording stars of both Rhythm & Blues and Rock n' Roll music. Fats' streak of hit records was nearly unbroken from 1950-1963 and he did it without changing his core sound. He just kept on playin' the New Orleans boogie woogie music that he grew up with. Antoine "Fats" Domino Jr. got his first recording contract in early December of 1949 as bandleader Dave Bartholomew introduced him to Lew Chudd, the head of LA's Imperial Records. Within days, they were in Cosimo Matassa's famous J&M studios cutting Fats' first record, "The Fat Man," which sold over one million copies and made him a star. In part two of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from mid-1953 thru his enormous crossover success in 1955 with "Ain't It A Shame." That record not only spent 11 weeks on top of the R&B charts, but it also crossed over and hit #10 on the Pop charts. Pat Boone would take his cover version to #1, thus giving Fats Domino even more Pop exposure. This show will also feature some great non-charting records and fabulous instrumentals from this time period as well. So c'mon and dig the R&B roots of Fats Domino, this week on the "Juke In The Back."

Episode #154 - Jukebox Listener Request #1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week's "Juke In The Back" is completely turned over to YOU, the hep cats and crazy kittens who dig on these vintage Rhythm & Blues sounds each week. Matt The Cat is taking requests from all over the world and putting your voices on the air. So gather up your nickels and dimes and prepare to hear the wildest show yet. It's the first of hopefully more ALL REQUST "Juke In The Back" shows.

Jukelogolargeapple2_small Jukebox Request #1 Jukebox Listener Request #1

This week's "Juke In The Back" is completely turned over to YOU, the hep cats and crazy kittens who dig on these vintage Rhythm & Blues sounds each week. Matt The Cat is taking requests from all over the world and putting your voices on the air. We'll hear from Germany, The Netherlands and Madison, Wisconsin, just to name a few of the exotic locales that called into the Juke Hotline at 812-JUKE-MTC. Our Jukers chose an eclectic mix of R&B going back to early Memphis Slim, a rarely heard duet between Earl Bostic and Bill Doggett, some LIVE Lavern Baker from 1956 and many more surprises. So gather up your nickels and dimes and prepare to hear the wildest show yet. It's the first of hopefully more ALL REQUST "Juke In The Back" shows.

Episode #155 - Lil Greenwood

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" pays tribute to the great R&B vocalist, Lil Greenwood. You'll hear her greatest early recordings from 1950-1954, before she joined Ellington's band.

Jukelogolargeapple2_small Lil Greenwood Lil Greenwood

This week, the "Juke In The Back" pays tribute to a very dynamic, soulful and often passed over R&B female vocalist: Lil Greenwood. Today, Lil Greenwood is best remembered as a vocalist for Duke Ellington during the late '50s and early '60s, but it's her R&B recordings from 1950-1954 that are the real standouts. She recorded for the Modern, Specialty and Federal labels and often had vocal groups like The Four Jacks and The Lamplighters backing her up. Hear Lil's story and some of her greatest records on the "Juke In The Back" with Matt The Cat.

Episode #156 - The Royals (Early Midnighters)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" looks at the very beginnings of one of early R&B's biggest groups, The Midnighters. Before "Work With Me Annie," they were known as The Royals. You'll hear the Royals story and their great music on this week's show.

Jukelogolargeapple2_small The Royals The Royals (Early Midnighters)

This week, the "Juke In The Back" looks at the humble beginnings of The Midnighters, one of early R&B's most successful groups.  Before they topped the R&B charts with "Work With Me Annie" in 1954, The Midnighters were known as The Royals, a rough and ready group from the east side of Detroit.  Charles Sutton, the Royal's first great lead singer, shaped their early recordings (1952-53) in the style of The Orioles' leader Sonny Til.  That influence resulted in the recording of some amazing vocal group records, including the immortal "Moonrise" from 1952.  Matt The Cat explores the Royals great early sides, their lineup changes (Hank Ballard joined in 1953) and their legal battles.  You'll only hear this great early rhythm & blues jumpin' out of the "Juke In The Back."

Episode #157 - The Treniers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

There were so many influential Rhythm & Blues artists who had a great impact on the development of Rock n' Roll, but were never able to profit from the new genre they helped to create. The Treniers were just one such group. They only scored one national R&B hit, but they left their mark on the new music they helped to create and popularize; Rock n' Roll. The Treniers' story lights up this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small The Treniers The Treniers

There were so many influential Rhythm & Blues artists who had a great impact on the development of Rock n' Roll, but were never able to profit from the new genre they helped to create. The Treniers were just one such group. Their core were the twins Cliff and Claude Trenier, who were later joined by their younger brothers Milt and Buddy. Their sound formed a great bridge from the swing bands of the 1940s to the rock n' roll jump combos of the early '50s. Matt The Cat digs up Claude Trenier's first records as a vocalist for The Jimmie Lunceford Orchestra as well as some early singles for the legendary Charles Mingus. We'll dig into The Trenier Twins' early sides for Mercury Records and then rock, roll and swing to their hep sides for the Okeh label. The Treniers only scored one national R&B hit, but they left their mark on the new music they helped to create and popularize; Rock n' Roll. The Treniers' story lights up this week's "Juke In The Back" with Matt The Cat.

Episode #158 - Johnny Bragg (The Prisonaires & The Marigolds)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Matt The Cat presents the seldom-told story of Johnny Bragg, a prisoner serving six 99 year sentences at the Tenn State Penn when his group The Prisonaires gets a recording deal with Sam Phillips at Sun Records in Memphis. The group records Bragg's immortal "Just Walkin' In The Rain" and becomes part of R&B history, but that's only the beginning of the story...find out the rest on this week's "Juke In The Back."

Jukelogolargeapple2_small Johnny Bragg (Prisonaires & Marigolds) Johnny Bragg (The Prisonaires & The Marigolds)

This week, Matt The Cat features the incredible story of Johnny Bragg. It's one of the greatest stories in all of Rhythm & Blues and early Rock n' Roll. At age 17, Johnny Bragg is sentenced to 594 years in prison on six counts of rape. He possesses one of the most beautiful tenors and thanks to prison reforms, he is allowed to record with his group, The Prisonaires for Sam Phillips at Sun Records. Their first release, "Just Walkin' In The Rain" from 1953 becomes an instant vocal group classic and in 1956 is made into an enormous pop hit by Johnnie Ray. The Prisonaires cut 4 singles for Sun before changing their name to The Marigolds and scoring a top ten R&B hit in 1955 with "Rollin' Stone." The "Juke In The Back" honors Johnny Bragg and his immeasurable contribution to popular music through his story, his music and interviews from a new documentary film on The Prisonaires. Bragg's story is one of the greatest seldom-told secrets from the back alleys of early Rhythm & Blues, but it's in the forefront on this week's "Juke In The Back."

Episode #160 - Ruth Brown Pt. 1 (1949-50)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" begins a 3 part feature celebrating the music and influence of "Miss Rhythm." Part 1 will focus on Brown's beginnings with Atlantic from 1949 through 1950.

Jukelogolargeapple2_small Ruth Brown Pt. 1 (1949-50) Ruth Brown Pt. 1 (1949-50)

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" begins a 3 part feature celebrating the music and influence of "Miss Rhythm." Part 1 will focus on Brown's beginnings with Atlantic. She came to the attention of co-founders Ahmet Ertegun and Herb Abramson in 1948, thanks to Voice of America DJ Willis Conover. They signed her up, but a terrible car accident sidelined the chanteuse for several months. By May, 1949, Brown was in the studio cutting her first single, which also turned out to be her first hit, the #6 smash, "So Long." Matt The Cat digs out an interview with the late Ertegun, explaining how Atlantic came to sign Ruth Brown. She may have hit pay dirt right out of the gate, but still they didn't know how to record her. Brown wanted to sing pop songs and standards and Ertegun and Abramson wanted her to sing in the Rhythm & Blues style. So there were quite a few missteps before Ruth Brown landed her next hit at the very end of 1950 with the #1 smash, "Teardrops From My Eyes." We'll dig on every single released by Ruth Brown from 1949-1950 on this week's "Juke In The Back."

Episode #161 - Ruth Brown Pt. 2 (1951-53)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" continues its 3 part feature celebrating the music and influence of "Miss Rhythm." Part 2 will focus on the hayday of Brown's recordings from the start of 1951 through the middle of 1953.

Jukelogolargeapple2_small Ruth Brown Pt. 2 Ruth Brown Pt. 2 (1951-53)

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" continues its 3 part feature celebrating the music and influence of "Miss Rhythm." Part 2 will focus on the hayday of Brown's recordings from the start of 1951 through the middle of 1953. During this period, she would score 2 more #1 hits with "5-10-15 Hours" and "(Mama) He Treats Your Daughter Mean" as well as 3 more top ten entries. Matt The Cat digs out an interview with the late co-founder of Atlantic Records, Ahmet Ertegun, explaining how Atlantic marketed Ruth Brown during the early days. Next week, part 3 will focus on Brown's 1954-'55 recordings just as Rock n' Roll was hitting the American mainstream.

Episode #162 - Ruth Brown Pt. 3 (1953-55)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" continues its 3 part feature celebrating the music and influence of "Miss Rhythm." Part 3 will feature another hour of Brown's gritty, tough R&B and sweet ballads beginning in the middle of 1953 and continuing up through her first single release of 1955

Jukelogolargeapple2_small Ruth Brown Pt. 3 Ruth Brown Pt. 3 (1953-55)

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" continues its 3 part feature celebrating the music and influence of "Miss Rhythm." Part 3 will feature another hour of Brown's gritty, tough R&B and sweet ballads beginning in the middle of 1953 and continuing up through her first single release of 1955. During this period, she would score 2 more #1 hits with "Oh What A Dream," which was written for her by Chuck Willis and "Mambo Baby." These Ruth Brown sessions were co-produced by Jerry Wexler, who had joined Atlantic Records in '53 as Atlantic's co-founder Herb Abramson was drafted into the Army. Rock n' roll was about to hit the mainstream as we close this final part of our Ruth Brown complete singles chronology. Next week, our look at Ruth Brown continues as we introduce a bonus show that will feature every one of her remaining charting singles from 1955-1960.

Episode #163 - Ruth Brown: More Rhythm (1955-60)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" adds to its three previous shows on "Miss Rhythm" by breaking from playing every single chronological release and focusing on all her remaining R&B charting hits from 1955 to her final R&B chart entry in 1960.

Jukelogolargeapple2_small Ruth Brown pt. 4 Ruth Brown: More Rhythm (1955-60)

Ruth Brown was Atlantic Records first big star. She was so successful, racking up 24 R&B hits for the fledging label, that Atlantic was often called the "house that Ruth built." This week, "Juke In The Back" adds to its three previous shows on "Miss Rhythm" by breaking from playing every single chronological release and focusing on all her remaining R&B charting hits from 1955 to her final R&B chart entry in 1960. During these five years, Ruth Brown failed to expand on her five previous #1 hit records, but she did rack up ten more Top 10 singles, with "I Want To Do More" hitting #3 in early 1956. "Lucky Lips" from 1957 became her first big crossover record, hitting #25 on the Pop Charts, while making #6 on the R&B Charts. Even though Atlantic was trying for a big Pop single for Ruth Brown, she continued to record some great R&B records like the Brook Benton-penned "I Don't Know" and the Leiber-Stoller-penned "I Can't Hear A Word You Say." Matt The Cat will also dig out some non-charting B sides to round out the show. This "Juke In The Back" program concludes a mammoth four-part musical examination of one of Rhythm & Blues' biggest stars, Ruth Brown.

Episode #166 - Paul "Hucklebuck" Williams

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, "Juke In The Back" presents one of the architects of the "honkin'" sax, Paul Williams. Williams' Sextette released some moderately successful instrumentals early on, before they hit paydirt with "The Huckle-Buck" in 1949. Matt The Cat digs deep into Williams' catalog for a plethora of killer R&B jump tunes that deserve more exposure on this week's "Juke In The Back."

Jukelogolargeapple2_small Paul "Hucklebuck" Williams Paul "Hucklebuck" Williams

This week, "Juke In The Back" presents one of the architects of the "honkin'" sax, Paul Williams. Many people associate that "honkin'" sax sound with West Coast Jump Blues, but it actually originated in 1947 with Paul Williams in Detroit. Savoy Records dug Williams' style as it was very different than their other sax great at the time, Charlie Parker. Williams' Sextette released some moderately successful instrumentals early on, before they hit paydirt with "The Huckle-Buck" in 1949. It was at a show in late 1948 that Williams and his group played a slowed down version of Parker's "Now's The Time" and saw the kids going crazy doing a new dance called The Hucklebuck. He knew he was on to something and rushed into the studio to cut "The Huckle-Buck." The record sparked a national dance craze and hit #1 on the R&B chart, where it remained for 14 week. "The Huckle-Buck" was the best selling record of 1949. From then on out, Paul Williams was known as Paul "Hucklebuck" Williams and the rest is history. Matt The Cat digs deep into Williams' catalog for a plethora of killer R&B jump tunes that deserve more exposure on this week's "Juke In The Back."

Episode #169 - Little Willie Littlefield

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

There are many great pianists in the history of boogie woogie that helped push its evolution, but it was Little Willie Littlefield who popularized the triplet style of playing (basically playing 3 notes inside of one beat), which in turn inspired Fats Domino and eventually let to the birth of rock n' roll. Matt The Cat digs up some rare and wonderful sides by this pioneering boogie woogie pianist and throws a few listener requests on the ol' jukebox on this week's "Juke In The Back."

Jukelogolargeapple2_small Little Willie Littlefield Little Willie Littlefield

There are many great pianists in the history of boogie woogie that helped push its evolution. Out of the great Pete Johnson and Champion Jack Dupree, pianists Charles Brown and Amos Milburn brought boogie woogie into the R&B combo. But it was Little Willie Littlefield who popularized the triplet style of playing (basically playing 3 notes inside of one beat), which in turn inspired Fats Domino and eventually let to the birth of rock n' roll. Littlefield, who is a highly underrated player in the development of R&B and rock n' roll, began recording in Houston in 1948 for the tiny Eddie's Records. After being discovered by Jules Bihari and signed to Modern Records, Littlefield moved to LA and scored 3 national top ten R&B hits for the Modern Label. In 1952, he moved over to Federal Records and cut some influential sides, such as the Leiber/Stoller-penned classic "Kansas City" (as "K.C. Lovin'"), but never hit the charts again. Matt The Cat digs up some rare and wonderful sides by this pioneering boogie woogie pianist and throws a few listener requests on the ol' jukebox on this week's "Juke In The Back."

Episode #171 - Sun Records R&B Story Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week's "Juke In The Back" spotlights the most influential and important record label of all-time, Sun Records. In part 1 of this 2 part series, you'll hear nearly all of Sun's legendary rhythm & blues releases during 1952 and '53 as Matt The Cat gives you the story behind the story on Sun's R&B sides.

Jukelogolargeapple2_small Sam Phillips of Sun Records Sun Records R&B Story Pt. 1

This week, the "Juke In The Back" salutes the most influential and important record label of all-time, Sun Records. Sam Phillips started the legendary label in Memphis, TN in March, 1952 after successfully recording the debut sides from B.B. King, Ike Turner, Phineas Newborn and Howlin' Wolf and selling the masters to RPM Records in LA and Chess Records in Chicago. This is part one of a two part feature, leading up to Phillips' groundbreaking, pop culture shifting discovery of Elvis Presley in July, 1954. Matt The Cat examines nearly every rhythm & blues side that Sun Released during 1952 and '53 on this in-depth look into one of America's most treasured music catalogs. That little yellow label from Memphis is in the spotlight all week on the "Juke In The Back," America's showcase for 1940s and '50s Rhythm & Blues.

Episode #173 - Little Miss Cornshucks

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Little Miss Cornshucks was an influential figure in post WWII Rhythm & Blues. Lavern Baker copied Cornshucks' country girl stage act down to the name, calling herself Little Miss Sharecropper and finding success in confusing people as to who the real Cornshucks was. Little Miss Cornshucks has an almost mythical reputation and her impact on R&B and soul is immeasurable, but she's hardly ever mentioned today. Matt The Cat digs up the REAL Cornshucks on this week's "Juke In The Back."

Jukelogolargeapple2_small Little Miss Cornshucks Little Miss Cornshucks

Little Miss Cornshucks was an influential figure in post WWII Rhythm & Blues. For one thing, she inspired Ahmet Ertegun to start Atlantic Records and when he couldn't locate her to record her, he launched the career of Ruth Brown instead. Her version of the classic, "Try A Little Tenderness" updated 1930s torch singing by bringing it into the R&B realm, introducing Aretha Franklin and Otis Redding to the song. Lavern Baker copied Cornshucks' country girl stage act down to the name, calling herself Little Miss Sharecropper and finding success in confusing people as to who the real Cornshucks was. Little Miss Cornshucks has an almost mythical reputation and her impact on R&B and soul is immeasurable, but she's hardly ever mentioned today. Matt The Cat digs up the REAL Cornshucks on this week's "Juke In The Back." Her name was Mildred Cummings and she was born in Dayton, OH in 1923. She began recording for Marl Young's Sunbeam label in Chicago in late 1946. Then she cut some sides for Roy Milton's Miltone Label, as well as Aladdin, Coral and even Columbia (though those sides have never been released). Her voice is as powerful as it is personal. Her stage act was part country girl, part Vaudevillian comedienne, part torch singer and soul sister. These sides are rare and historically significant and this week, they're jumping right out of the "Juke In The Back."

Episode #177 - R&B Novelty Songs

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" is jumpin' this week with a salute to the lighter side of classic 1950s rhythm and blues. These “novelty” R&B tunes come from jump blues masters from Louis Jordan to Bull Moose Jackson and all the side-splittin' jive in-between.

Jukelogolargeapple2_small R&B Novelty Songs on "Juke In The Back" R&B Novelty Songs

The juke is jumpin' this week with a salute to the lighter side of classic 1950s rhythm and blues.  These “novelty” R&B tunes come from jump blues masters from Louis Jordan to Bull Moose Jackson and all the side-splittin' jive in-between.  You'll hear all about Richard Berry, Wynonie Harris, Andre Williams and Dusty Fletcher getting in trouble with the law as well as a wacky song about crazy food.  Join Matt The Cat for a hilarious look at the “soul that came before rock n' roll” on “Juke In The Back.”

Episode #178 - Floyd Dixon

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, "Juke In The Back" features another unsung hero of early Rhythm & Blues, Floyd Dixon. He's often overlooked or labeled as a Charles Brown sound-alike, but Dixon was a prolific songwriter who made a great contribution to the R&B foundation of Rock n' Roll.

Jukelogolargeapple2_small Floyd Dixon Floyd Dixon

This week, "Juke In The Back" features another unsung hero of early Rhythm & Blues, Floyd Dixon. He's often overlooked or labeled as a Charles Brown sound-alike, but Dixon was a prolific songwriter who made a great contribution to the R&B foundation of Rock n' Roll. After meeting his piano/singing idol, Charles Brown, Dixon hooked up with Eddie Williams, who had played bass in Brown's group, Johnny Moore's Three Blazers. They had several hits together before Dixon himself was asked to join The Three Blazers, after Brown went solo. As a solo artist, Dixon is remembered for his top 10 R&B hits "Sad Journey Blues" and "Call Operator 210," but his most enduring song is "Hey Bartender," which he cut in 1954 for Cat Records. It was revived in the late '70s by The Blues Brothers and remains a classic to this day. Dixon recorded for Swingtime, Supreme, Modern, Aladdin, Specialty and many more influential independent labels. Matt The Cat digs up his finest platters, while also highlighting a 2006 interview with Dixon that was recorded shortly before his death at age 77. Dig on "Mr. Magnificent," Floyd Dixon on this week's "Juke In The Back."

Episode #179 - Rhythm & Blues Car Songs

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The juke is jumpin' with records focusing on classic R&B songs about cars. Musicologists Billy Vera and Steve Propes drop by the "Juke In The Back" to make their cases that the first rock n' roll song might have been about a car.

Jukelogolargeapple2_small R&B Car Songs Rhythm & Blues Car Songs

The juke is jumpin' with records focusing on classic R&B songs about cars.  The automobile is a "road tested" symbol of the American Dream.  We have all this land and the car gives us the freedom to get from one place to another.  We'll dig on some tunes about Cadillacs, Buicks, Mercurys and Model Ts.  Plus, musicologists Billy Vera and Steve Propes drop by the "Juke In The Back" to make their cases that the first rock n' roll song might have been about a car.  "Juke In The Back" focuses on the "soul that came before rock n' roll," the records that inspired Elvis, Buddy Holly, The Beatles, The Rolling Stones and countless others.

Episode #180 - The Griffin Brothers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, "Juke In The Back" features The Griffin Brothers, one of the unsung Rhythm & Blues groups from the early 1950s. The Griffin Brothers were an important part of R&B's rise, scoring a #1 smash in early 1952 with "Weepin' & Cryin'" (featuring Tommy Brown on lead vocals) and now they're finally getting their due, even if time has left them behind.

Jukelogolargeapple2_small Griffin Brothers The Griffin Brothers

This week, "Juke In The Back" features The Griffin Brothers, one of the unsung Rhythm & Blues groups from the early 1950s. Jimmy and "Buddy" Griffin began in their hometown of Norfolk, VA in the late '40 playing jump blues. They settled in Washington, DC and were asked to backup Roy Brown on "Hard Luck Blues" in April, 1950. That recorded went to #1 in August and soon the brothers had their own record deal with Randy Wood's Dot Records out of Gallatin, TN. With vocalists Margie Day and Tommy Brown, The Griffin Brothers Orchestra scored six charting R&B hits from 1950-52, before embarking on separate solo careers in 1954. Matt The Cat features The Griffin's biggest hits, jumpin' B-sides and solo records on this week's "Juke." The Griffin Brothers were an important part of R&B's rise, scoring a #1 smash in early 1952 with "Weepin' & Cryin'" (featuring Tommy Brown on lead vocals) and now they're finally getting their due, even if time has left them behind.

Episode #181 - Halloween Rhythm & Blues

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Matt The Cat celebrates Halloween with the scariest, spookiest and most sinister vintage rhythm & blues records ever made! It's the disembodied "soul that came before rock n' roll" on this week's "Juke In The Back."

Jukelogolargeapple2_small Halloween Rhythm & Blues - Juke In The Back Halloween Rhythm & Blues

Matt The Cat experiences some paranormal rhythms coming out of his “Juke In The Back” as we celebrate the truly spooky, sinister and down-right crazy sounds of a vintage rhythm & blues Halloween. Eugene Fox meets the devil, The Hollywood Flames take us to Frankenstein’s Den and Bill Doggett throws a Monster’s Party. It’s a treat, not a trick to hear an alternate take of Screamin’ Jay Hawkins’ 1956 classic, “I Put A Spell On You,” with EXTRA screaming and a killer sax solo payed by Sam “The Man” Taylor. So clear your voodoo calendar and dig the sounds from the outer bounds on this week’s Halloween edition of the “Juke In The Back.”

Episode #182 - Early Jackie Wilson & Vocalese

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Drop a nickel in the ol' Rockola Juke for an hour of pre-rock rhythm & blues. This week, we feature the very first recordings made by Jackie Wilson. His first sides, cut as Sonny Wilson as well as leader of Billy Ward & His Dominoes from 1952-3 are in the spotlight. Also, we examine the brief vocal jazz phenomenon known as Vocalese, which top-notch records from King Pleasure and Annie Ross as well as much more.

Jukelogolargeapple2_small Jackie Wilson Early Jackie Wilson & The Sound of Vocalese

Drop a nickel in the ol' Rockola Juke for an hour of pre-rock rhythm & blues.  This week, we feature the very first recordings made by Jackie Wilson.  His first sides, cut as Sonny Wilson as well as leader of Billy Ward & His Dominoes from 1952-53 are in the spotlight.  Everyone must start somewhere and these early recordings give us a glimpse of Jackie's amazing power as a singer.  Also, we examine the brief vocal jazz phenomenon known as Vocalese, which top-notch records from King Pleasure, Annie Ross and many more.  Vocalese hit hard in 1952 and then virtually disappeared.  Since many R&B records during this time were made with jazz musicians playing the sessions, it only makes sense to feature some jazz on the "Juke In The Back."

Episode #187 - Joe Liggins

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Today's popular culture has left so many musical pioneers behind and this week the "Juke In The Back" features Joe Liggins, one such pioneer who's been largely forgotten. Liggins scored one of the biggest hits of all-time when his "The Honeydripper" hit #1 on the R&B Chart for 18 staggering weeks in 1945. The "Juke In The Back" is proud to honor one of the great musical pioneers of the last century as Matt The Cat plays every chart hit from the fantastic Joe Liggins.

Jukelogolargeapple2_small Joe Liggins Joe Liggins

There were so many important figures in post WWII Rhythm & Blues that helped build what would become Rock n' Roll. Today's popular culture has left so many musical pioneers behind and this week the "Juke In The Back" features Joe Liggins, one such pioneer who's been largely forgotten. Liggins scored one of the biggest hits of all-time when his "The Honeydripper" hit #1 on the R&B Chart for 18 staggering weeks in 1945. Singer/songwriter and music historian, Billy Vera drops by the "Juke" to tell us how "The Honeydripper" became such an enormous hit. Liggins scored 10 solid hits for Leon Rene's Exclusive Records before moving to Art Rupe's Specialty Records in 1950. At Specialty, Liggins had the biggest R&B hit of 1950 when "Pink Champagne went to #1 for 13 weeks and ended up selling more copies than "The Honeydripper." It looked like Joe Liggins' career couldn't be stopped, but soon Rock n' Roll, the music he helped create, pushed him and his contemporaries aside to make way for the youth movement. The "Juke In The Back" is proud to honor one of the great musical pioneers of the last century as Matt The Cat plays every chart hit from the fantastic Joe Liggins.

Episode #191 - Faye Adams

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week's "Juke In The Back" highlights the short, but important career of Faye Adams. DJ Alan Freed called her "The little gal with the big voice" and she scored an impressive 3 #1 R&B hits in just a little over a year (1953-54). Faye Adams' Herald and Imperial Records output is impressive and is featured throughout this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small Faye Adams Faye Adams

This week's "Juke In The Back" highlights the short, but important career of Faye Adams. DJ Alan Freed called her "The little gal with the big voice" and she scored an impressive 3 #1 R&B hits in just a little over a year (1953-54). Surprisingly, she only had one more hit, before leaving secular music for her first love, Gospel Music. Born Fanny Tuell, Adams got her stage name from bandleader Joe Morris, who hired her after his former female vocalist, Laurie Tate, left to raise a family. Morris' record label, Atlantic Records was not terribly impressed with the 2 released singles featuring Adams on lead, so they declined to release the new Morris composition, "Shake A Hand." Morris took Adams over to New York's Herald Records and right out of the gate, "Shake A Hand" topped the charts for a whopping 10 weeks. Two more #1s followed ("I'll Be True" and "Hurts Me To My Heart"), before the hits began to fade. Adams had one more hit single in 1957 for Imperial. By the early '60s, she had left secular music all together and hasn't been heard from since. Faye Adams' Herald and Imperial Records output is impressive and is featured throughout this week's "Juke In The Back" with Matt The Cat.

Episode #191 - Faye Adams

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week's "Juke In The Back" highlights the short, but important career of Faye Adams. DJ Alan Freed called her "The little gal with the big voice" and she scored an impressive 3 #1 R&B hits in just a little over a year (1953-54). Faye Adams' Herald and Imperial Records output is impressive and is featured throughout this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small Faye Adams Faye Adams

This week's "Juke In The Back" highlights the short, but important career of Faye Adams. DJ Alan Freed called her "The little gal with the big voice" and she scored an impressive 3 #1 R&B hits in just a little over a year (1953-54). Surprisingly, she only had one more hit, before leaving secular music for her first love, Gospel Music. Born Fanny Tuell, Adams got her stage name from bandleader Joe Morris, who hired her after his former female vocalist, Laurie Tate, left to raise a family. Morris' record label, Atlantic Records was not terribly impressed with the 2 released singles featuring Adams on lead, so they declined to release the new Morris composition, "Shake A Hand." Morris took Adams over to New York's Herald Records and right out of the gate, "Shake A Hand" topped the charts for a whopping 10 weeks. Two more #1s followed ("I'll Be True" and "Hurts Me To My Heart"), before the hits began to fade. Adams had one more hit single in 1957 for Imperial. By the early '60s, she had left secular music all together and hasn't been heard from since. Faye Adams' Herald and Imperial Records output is impressive and is featured throughout this week's "Juke In The Back" with Matt The Cat.

Episode #194 - Big Jay McNeely

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Matt The Cat is joined by the greatest of all the West Coast Sax Honkers, Big Jay McNeely. You'll hear Big Jay tell his story in his own words as Matt The Cat spins his wild and crazed records that helped define the sound of early rock n' roll.

Jukelogolargeapple2_small
Big Jay McNeely
Big Jay McNeely


The juke is jumpin' this week with some of the wildest, craziest and most gloriously blistering honking sax records of all-time by the master, Big Jay McNeely. Not only will Matt The Cat spin Big Jay's greatest sides, but he'll also be talking to the man behind the sax as Big Jay tells his own story in his own words. From the shuffle fire of "Deacon's Hop," a number one R&B smash from 1949 to the crazed "3-D," "Mule Milk" and "The Goof," Jay's best instrumentals will be highlighted. McNeely was also successful with a few vocal records like the pop crossover success of 1959's "There Is Something On Your Mind" with Little Sonny on vocals and his early '50s singles with his vocal group, Three Dots And A Dash, which included a very young Jesse Belvin and Mercy Dee. Don't miss Matt The Cat's interview with Big Jay McNeely and the birth of rock n' roll on this week's "Juke In the Back.".

Episode #195 - 1954: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

1954 was a pivotal year for American Music. The lines between Rhythm & Blues and Pop were getting blurred as more and more R&B records crossed over into the Pop Chart, causing a brand new "youth market" to open up. This week in part 1, Matt The Cat focuses on the biggest jukebox hits of the first half of 1954 and next week, we'll close out the year.

Jukelogolargeapple2_small 1954: Jukebox Rhythm Review1954: Jukebox Rhythm Review, Pt. 1

1954 was a pivotal year for American Music. The lines between Rhythm & Blues and Pop were getting blurred as more and more R&B records crossed over into the Pop Chart, causing a brand new "youth market" to open up. American teens of all colors were diggin' that jump blues sound that had been a staple on Black Radio for years. This would lead to racial integration and eventually, the Civil Rights Movement. There is no doubt that music played an important role in the early days of Civil Rights and those roots can be traced back to the Black Music of 1954. In fact, this was the year that a young, white kid from Memphis named Elvis began recording at 706 Union Avenue. It was also a year of unlikely musical heroes as 43 year old Joe Turner, who had been making records since 1938, topped the R&B Chart twice, helping to propel Rock n' Roll Music to the forefront. Vocal groups like The Crows, The Spiders, The Spaniels and The Drifters were forging a new sub-genre that would come to be called Doo Wop. This week in part 1, Matt The Cat focuses on the biggest jukebox hits of the first half of 1954 and next week, we'll close out the year. So grab a handful of nickels, 'cause you're gonna need 'em to keep the "Juke In The Back" jumping as we highlight the momentous year of 1954. 

Episode #196 - 1954: Jukebox Rhythm Review, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

1954 was a pivotal year for American Music. The lines between Rhythm & Blues and Pop were getting blurred as more and more R&B records crossed over into the Pop Chart, causing a brand new "youth market" to open up. This week in part 2, Matt The Cat focuses on the biggest jukebox hits of the second half of 1954 as we close out the year.

Jukelogolargeapple2_small

1954: Jukebox Rhythm Review Pt. 21954: Jukebox Rhythm Review, Pt. 2

1954 was a pivotal year for American Music. The lines between Rhythm & Blues and Pop were getting blurred as more and more R&B records crossed over into the Pop Chart, causing a brand new “youth market” to open up. American teens of all colors were diggin’ that jump blues sound that had been a staple on Black Radio for years. This would lead to racial integration and eventually, the Civil Rights Movement. There is no doubt that music played an important role in the early days of Civil Rights and those roots can be traced back to the Black Music of 1954. In fact, this was the year that a young, white kid from Memphis named Elvis began recording at 706 Union Avenue. It was also a year of unlikely musical heroes as 43 year old Joe Turner, who had been making records since 1938, topped the R&B Chart twice, helping to propel Rock n’ Roll Music to the forefront. Vocal groups like the Chords, The Charms, The Five Keys and The Drifters were forging a new sub-genre that would come to be called Doo Wop. This week in part 2, Matt The Cat focuses on the biggest jukebox hits of the second half of 1954.  So grab a handful of nickels, ’cause you’re gonna need ‘em to keep the “Juke In The Back” jumping as we highlight the momentous year of 1954.  

Episode #197 - Little Willie John

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" features one of the great big talents of early R&B, Little Willie John. From interviews with people who knew Willie to the music that made him a star. Little Willie John's talent shines through on this episode of "Juke In The Back."

Jukelogolargeapple2_small Little Willie JohnLittle Willie John

The "Juke In The Back" is proud to spotlight one of R&B's most underrated singers and showmen, Little Willie John. Born in Arkansas, Willie was raised in Detroit and took advantage of its thriving music scene from an early age. By 18, he was recording for the influential King Record Label out of Cincinatti and by 19, he was on top of the R&B charts with "Fever" in the spring of 1956. Enlightening interviews with Otis Williams of the Charms as well as Willie's older sister, Mable John add depth to Willie's story. Matt The Cat explores the breadth of Willie's catalog, from his first hit "All Around The World" in 1955, to his big comeback in 1958 with "Talk To Me, Talk To Me," to his final recordings, which have only recently been released. The spotlight shines bright on a great big talent, Little Willie John on this week's "Juke In The Back."

Episode #202 - New Orleans R&B, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 2 of "Juke In The Back"'s 3 part series on the great, influential and infectious music that came out of New Orleans, one of America's most fertile musical cities. Matt The Cat will look at New Orleans R&B from 1953 to 1955, highlighting records by Professor Longhair, Fats Domino, Dave Bartholomew, Lloyd Price, Shirley & Lee, Eddie Bo and many more.

Jukelogolargeapple2_small New Orleans R&B, pt. 2New Orleans R&B, Pt. 2

This week, it's part 2 of "Juke In The Back"'s 3 part series on the great, influential and infectious music that came out of New Orleans, one of America's most fertile musical cities. In fact, the "Crescent City" is often cited as the birth place of Jazz, The Blues, R&B and Rock n' Roll. While New Orleans certainly had its share of influential talent, from Louis Armstrong and Paul Gayten to Fats Domino and Dr. John, it's hard to give one single region all the credit. The music that flowed from this fruitful ground is definitely something special and on part 2, Matt The Cat will look at New Orleans R&B from 1953 to 1955, highlighting records by Professor Longhair, Fats Domino, Dave Bartholomew, Lloyd Price, Shirley & Lee, Eddie Bo and many more. Next week on part 3, we'll wrap up our series with a look at New Orleans R&B from 1955-1957. So get ready for some real jumpin' musical jambalaya on your source for vintage Rhythm & Blues on the "Juke In The Back.

Episode #204 - Paul Gayten

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Pianist Paul Gayten is one of the true unsung heroes of R&B and rock n' roll, but he is often overlooked in the history of the genre. Matt The Cat sets the record straight with this week's entire program dedicated to the late, great Paul Gayten.

Jukelogolargeapple2_small Paul GaytenPaul Gayten

Paul Gayten is one of the unsung heroes of rhythm & blues and one of the many architects of rock n' roll. This week, Matt The Cat spotlights Gayten's great contributions to music on the "Juke In The Back." Paul Gayten scored the first New Orleans' hit of the post World War II R&B era with "True (You Don't Love Me)" in 1947, thus kicking off a legacy of rhythm hit-making and influence from the Crescent City. His work with vocalists Annie Laurie and Chubby "Hip Shakin'" Newsome is legendary. As a songwriter, producer and talent scout for Chess Records, Gayten discovered and signed Clarence Henry and Bobby Charles and worked with Chuck Berry and Bo Diddley. Gayten made great contributions to R&B and Rock n' Roll, but gets very little recognition these days. Matt The Cat and the "Juke In The Back" are out to change that with this week's heartfelt dedication to the late, great Paul Gayten.

Episode #208 - The Moonglows, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Moonglows were one of the few groups to come out of the post World War II, pre-Elvis era, who were extremely talented and had the sales figures and notoriety to back it up. This week, Matt The Cat presents part 1 of a 2 part feature on the fantastic Moonglows, covering their career from 1953 to 1955.

Jukelogolargeapple2_small The MoonglowsThe Moonglows, Pt. 1

Much has been written about the great R&B vocal groups of the 1950s. Many of the classic groups were either great musicians and vocalists and never had the recognition or record sales to back it up or these groups were thrown together, they couldn't sing very well and scored one, solid hit that still spins in the eternal jukebox of public consciousness. The Moonglows were one of the few groups to come out of the post World War II, pre-Elvis era, who were extremely talented and had the sales figures and notoriety to back it up. Originally called The Crazy Sounds, Harvey Fuqua and Bobby Lester led The Moonglows to a #1 R&B smash in 1954 with "Sincerely" on Chess, but that was after a somewhat bumpy start on Alan Freed's Champagne Records and Chicago's Chance Records. This week, Matt The Cat presents part 1 of a 2 part feature on the fantastic Moonglows, covering their career from 1953 to 1955. Vocal harmony doesn't get much sweeter than this, so don't miss one note of this week's "Juke In The Back" radio program. 

Episode #209 - The Moonglows, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Moonglows were one of the most innovative and important vocal groups to come out of the 1950s. This week, Matt The Cat presents part 2 of a 2 part feature on the fantastic Moonglows, covering their career from 1956 through their breakup in 1958 and the singles that followed through the end of 1961

Jukelogolargeapple2_small The MoonglowsThe Moonglows, Pt. 2

Much has been written about the great R&B vocal groups of the 1950s. Many of the classic groups were either great musicians and vocalists and never had the recognition or record sales to back it up or these groups were thrown together, they couldn't sing very well and scored one, solid hit that still spins in the eternal jukebox of public consciousness. The Moonglows were one of the few groups to come out of the post World War II, pre-Elvis era, who were extremely talented and had the sales figures and notoriety to back it up. Originally called The Crazy Sounds, Harvey Fuqua and Bobby Lester led The Moonglows to a #1 R&B smash in 1954 with "Sincerely" on Chess, but that was after a somewhat bumpy start on Alan Freed's Champagne Records and Chicago's Chance Records. This week, Matt The Cat presents part 2 of a 2 part feature on the fantastic Moonglows, covering their career from 1956 through their breakup in 1958 and the singles that followed through the end of 1961. An interview with the late Reese Palmer reveals how Harvey Fuqua came to hire his group, The Marquees as the "new" Moonglows. This week's "Juke In The Back" shares the rest of the story on this influential and important 1950s vocal group. 

Episode #214 - Rosco Gordon

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" spotlights the "Prince of Primitive Cool," Rosco Gordon. His mostly self-penned tunes, feature his unique blend of mid-tempo shuffle with a slightly behind-the-beat rolling barrelhouse piano line. He was an innovator, influencing the Jamaican Ska movement of the early '60s, a hit maker and a unique and talented bluesman.

Jukelogolargeapple2_small Rosco GordonRosco Gordon

This week, the "Juke In The Back" spotlights the "Prince of Primitive Cool," Rosco Gordon. His mostly self-penned tunes, feature his unique blend of mid-tempo shuffle with a slightly behind-the-beat rolling barrelhouse piano line. He was a master at making his recordings sound rough, but there was also a lot of blues sophistication buried under the simplicity. In his early recording days at RPM Records, his name was spelled Roscoe. He would later revert back to its original spelling of Rosco. His 2nd RPM release hit the national R&B top ten in 1951, but it was 1952's "Booted" and "No More Doggin'" that put Gordon at the forefront of Rhythm & Blues popularity. His biggest hit came in 1959 with "Just A Little Bit" on Vee-Jay. It hit #2 on the R&B lists and crossed over to #64 on the Pop Chart. More people bought this record than of his others. Rosco Gordon is often overlooked, but this week Matt The Cat sets the record straight. He was an innovator, influencing the Jamaican Ska movement of the early '60s, a hit maker and a unique and talented bluesman. Gordon's records spin on this week's "Juke In The Back." 

Episode #216 - Memphis Slim

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Memphis Slim dubbed himself the "Ambassador Of The Blues" and for good reason. He spread the gospel of America's music around the world during his almost 50 year career. This week, Matt The Cat and the "Juke In The Back" take a look at Slim's prodigious contribution to the genre.

Jukelogolargeapple2_small Memphis SlimMemphis Slim

Memphis Slim dubbed himself the "Ambassador Of The Blues" and for good reason. He spread the gospel of America's music around the world during his almost 50 year career. This week, Matt The Cat and the "Juke In The Back" take a look at Slim's prodigious contribution to the genre. He began recording as Pete Chatman (his real name is John Chatman) in 1940 and by the end of the year was already known as Memphis Slim, a name given to him by a producer at Bluebird Records. His prolific career really took off after WWII, when he cut some incredible sides for Miracle Records, a little Chicago independent label. He scored a #1 R&B hit in 1948 with "Messin' Around," which is seldom heard or celebrated today. He would enter the R&B lists four more times during the late 1940s and twice in the early '50s for the Premium and United Labels. Even though the US Senate honored Memphis Slim in the early '70s with an "Ambassador of Good Will" title, he is hardly recognized today for his important contribution to Blues, Rhythm & Blues and early Rock n' Roll. Get the story behind the story of Memphis Slim on this week's "Juke In The Back." 

Episode #219 - Motown Artists Before Motown

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The entire "Juke In The Back" this week features Motown's biggest acts, BEFORE there even was a Motown Records and before those acts were household names. Matt The Cat spins the earliest records by The Miracles (1958), The Four Tops (1956), The Supremes (as The Primettes) and many more. Marvin Gaye's first recordings with The Marquees are discussed with fellow group member, Reese Palmer.

Jukelogolargeapple2_small Motown Artists Before MotownMotown Artists Before Motown

The entire "Juke In The Back" this week features Motown's biggest acts,BEFORE there even was a Motown Records and before those acts were household names. Matt The Cat spins the earliest records by The Miracles (1958), The Four Tops (1956), The Supremes (as The Primettes) and many more. Marvin Gaye's first recordings with The Marquees are discussed with fellow group member, Reese Palmer. You'll get the real story behind the story as to how DC's Marquees became the "new" Moonglows as well as hear the original Bo Diddley produced version of the Marquees' "Wyatt Earp," which Okeh Records wouldn't release. All this and more on this week's, "Juke In The Back."

Episode #220 - The Flamingos, Pt. 1 - 1953-54

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" jumps and grooves this week as Matt The Cat begins a 3 part feature on The Flamingos, one of the most influential and best remembered vocal groups of the 1950s. In part one, we'll dig on both sides of all six single releases that the Flamingos had on Chance Records in 1953-54.

Jukelogolargeapple2_small The FlamingosThe Flamingos, Pt. 1 - 1953-54

The "Juke In The Back" jumps and grooves this week as Matt The Cat begins a 3 part feature on The Flamingos, one of the most influential and best remembered vocal groups of the 1950s. In part one, we'll dig on both sides of all six single releases that the Flamingos had on Chance Records in 1953-54. These are The Flamingos very first recordings and most of them feature the amazing Sollie McElroy on lead tenor. The Flamingos would become known as one of the greatest and smoothest sounding R&B vocal groups of the 1950s and would achieve cross-over success by the end of the decade. In part 2, we'll focus on their mid-career with their Parrot and Checker singles and then in part 3, their Decca and End recordings will be spotlighted. Dig The Flamingos on the "Juke In The Back." 

Episode #221 - The Flamingos, Pt. 2 - 1954-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 58:59

The "Juke In The Back" jumps and grooves this week as Matt The Cat presents part 2 of a three part feature on The Flamingos, one of the most influential and best remembered vocal groups of the 1950s. In part two, we'll dig on both sides of all The Flamingos single releases for the Parrot and Checker labels from the end of '54 to the end of '56.

Jukelogolargeapple2_small The FlamingosThe Flamingos, Pt. 2 - 1954-56

The "Juke In The Back" jumps and grooves this week as Matt The Cat presents part 2 of a three part feature on The Flamingos, one of the most influential and best remembered vocal groups of the 1950s. In part two, we'll dig on both sides of all The Flamingos single releases for the Parrot and Checker labels from the end of '54 to the end of '56. During this time, the group's lead tenor Sollie McElroy resigned, but they gained a fantastic lead voice in Nate Nelson. In '56, while recording for Chess' Checker subsidiary, The Flamingos scored their first two national R&B hits when "I'll Be Home" hit number 5 and "A Kiss From Your Lips" topped out at number 12. By the end of '56, members Zeke Carey and Johnny Carter were drafted and this marked another period of great change for the group. Part 3 will focus on 1957-59 with guitarist and former Whispers' vocalist Terry Johnson joining the group. Matt The Cat will highlight an interview with Johnson for a first hand account of what went on in one of the greatest vocal groups of all time. Grab some nickels and dig on the fantabulous Flamingos, this week on the "Juke In The Back." 

Episode #222 - The Flamingos, Pt. 3 - 1957-59

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Terry Johnson of The Flamingos joins Matt The Cat this week as the "Juke In The Back" jumps and grooves with part three of our three part feature on The Flamingos, one of the most influential and best remembered vocal groups of the 1950s.

Jukelogolargeapple2_small The FlamingosThe Flamingos, Pt. 3 - 1957-59

Terry Johnson of The Flamingos joins Matt The Cat this week as the "Juke In The Back" jumps and grooves with part three of our three part feature on The Flamingos, one of the most influential and best remembered vocal groups of the 1950s. In part three, we'll dig on both sides of all The Flamingos single releases for the Decca and End labels covering 1957-59. With the additions of guitarist, arranger and vocalist Terry Johnson and vocalist Tommy Hunt in 1957, The Flamingos' music takes on a heavy pop influence. Decca doesn't provide much promotion, so their 3 original Decca releases flop. Once on George Goldner's End Label, their fortunes turn as "Lovers Never Say Goodbye" hit the chart at the beginning of 1959. They quickly follow it up with the smash standard, "I Only Have Eyes For You," which crosses over to the Pop Chart. Terry Johnson tells Matt The Cat the story behind those hits as well as how he came to join the group. He's still performing as The Flamingos today. Don't miss the final chapter of The Flamingos on this week's "Juke In The Back." 

Episode #224 - Howlin' Wolf: The Early Years

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" focuses on the great Howlin' Wolf's earliest recordings. Before he became a huge star on Chess Records in Chicago, Wolf was a local celebrity in Memphis, recording with Sam Phillips. Matt The Cat spins Wolf's demo acetates and much more.

Jukelogolargeapple2_small Howlin' WolfHowlin' Wolf: The Early Years

This week, the "Juke In The Back" focuses on the great Howlin' Wolf's earliest recordings.  Before he became a huge star on Chess Records in Chicago, Wolf was a local celebrity in Memphis, recording with Sam Phillips (before Phillips started Sun Records).  Matt The Cat spins Wolf's demo acetates and his 1951 recordings, some of which Phillips sold to RPM Records in LA and others he sold to Chess in Chicago.  Howlin' Wolf was a mammoth man in both voice and stature and you'll hear how it all began on the "Juke In The Back."

Episode #226 - Back Of The Box: Rare 78rpm Shellac

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, Matt The Cat digs deep inside the back of the "Juke In The Back" to dust off some 78rpm shellac plattahs that never get played. It's a great opportunity to hear rare records by Edith Mackey, Dillard Croon Jr. & The Croon Brothers, Little Mr. Midnight, Albert Collins' first single and many more.

Jukelogolargeapple2_small Rare 78rpm ShellacBack Of The Box: Rare 78rpm Shellac

This week, Matt The Cat digs deep inside the back of the "Juke In The Back" to dust off some 78rpm shellac plattahs that never get played. It's a great opportunity to hear rare records by Edith Mackey, Dillard Croon Jr. & The Croon Brothers and Little Mr. Midnight. We'll also load the juke with Albert Collins' first single for the Kangaroo Label as well as Sollie McElroy's first record after leaving The Flamingos. Have you ever heard of Gladys De Vore & The Flips? Dig on their 1956 single for Sapphire Records. We'll also throw in a Wynonie "Mr. Blues" Harris side just for good measure. So get ready to jump, jive and wail to some seldom heard gems on this week's "Juke In The Back." 

Episode #229 - Ray Charles, Pt. 1: 1948-1952

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" begins a four part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. Part 1 focuses on Ray's first recordings from 1948-52 for Jack Lauderdale's Down Beat and Swing Time labels. These are the pivotal years before he joined Atlantic Records.

Jukelogolargeapple2_small Ray Charles, Pt. 1: 1948-1952Ray Charles, Pt. 1: 1948-1952

This week, the "Juke In The Back" begins a four part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. Born in poverty during The Great Depression, the young Ray Charles Robinson overcame the tragedy of losing his younger brother at age 5, going completely blind at age 7 and losing his mother at age 15. These experiences forced Ray to step up his musical game, cut out on his own and make something of himself. He moved to Seattle in 1947 and began recording with Jack Lauderdale's LA-based Down Beat Records in 1949. His first single hit #2 on the national R&B charts. By 1951, he was back on the charts with 2 more hit singles for Swing Time Records. This week, Matt The Cat takes a look at Ray's early career BEFORE he hooked up with Ahmet Ertegun and Atlantic Records in '52. Next week, we'll look at Ray's early Atlantic recordings and eventually, we'll take Ray Charles' story up to 1958. Some great early sides by Brotha Ray are jumpin' out of this week's "Juke In The Back." 

Episode #230 - Ray Charles, Pt. 2: 1952-54

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" presents part 2 of a four part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. We pick Ray's musical story up in 1952, just as Atlantic Record acquires his recording contract from Jack Lauderdale's Swing Time Records for under $3000. Matt The Cat plays the A and B side of every one of Ray's singles released from September, '52 to August, '54. We'll also dig on some rehearsal tapes from early 1953, which show the early stages of Ray's classics "Mess Around" and "It Should've Been Me."

Jukelogolargeapple2_small Ray CharlesRay Charles, Pt. 2: 1952-54

This week, the "Juke In The Back" presents part 2 of a four part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. We pick Ray's musical story up in 1952, just as Atlantic Record acquires his recording contract from Jack Lauderdale's Swing Time Records for under $3000. Atlantic now has a very talented musician that has yet to sell enough records to be a headliner. It's co-founder Ahmet Ertegun's goal to help Ray Charles find his own "voice" and show the world what he has to offer. The first 2 years at Atlantic are a bit rocky, but 1954 shows promise as Ray returns to the national R&B chart after a 2 year hiatus. "It Should've Been Me" and "Don't You Know" both make the R&B Top 10 and start Ray on a long road of hit records. Matt The Cat plays the A and B side of every one of Ray's singles released from September, '52 to August, '54. We'll also dig on some rehearsal tapes from early 1953, which show the early stages of Ray's classics "Mess Around" and "It Should've Been Me." Next week's show will highlight Ray Charles' mid-'50s output for Atlantic. 

Episode #231 - Ray Charles, Pt. 3: 1954-57

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" presents part 3 of a 4 part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. In part 3, we look at every one of Ray's Atlantic single releases from December, 1954 to June, 1957. He would score 3 #1 R&B hits in the span of just one year. Some of Ray's most important records were recorded during this period, like the Gospel-tinged "It's All Right" and "Hallelujah I Love Her So" as well as the blues classic, "Blackjack."

Jukelogolargeapple2_small Ray CharlesRay Charles, Pt. 3: 1954-57

This week, the "Juke In The Back" presents part 3 of a 4 part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. In part 3, we look at every one of Ray's Atlantic single releases from December, 1954 to June, 1957. After a long stint in New Orleans, playing with Guitar Slim's band and arranging the session that yielded the #1 smash, "The Things That I Used To Do," Ray has his own #1 hit with "I've Got A Woman," the song that introduced the world to the new genre of Soul Music. By 1955, the Ray Charles "sound" was finally solidified. He would score 3 #1 R&B hits in the span of just one year. Some of Ray's most important records were recorded during this period, like the Gospel-tinged "It's All Right" and "Hallelujah I Love Her So" as well as the blues classic, "Blackjack." The addition of The Cookies, singing a churchy backup on "Drown In My Own Tears" and "Lonely Avenue" only serve to expand Ray's sound. Next week's show will highlight Ray Charles' live recordings and single releases through 1957 and '58. 

Episode #232 - Ray Charles, Pt. 4: 1957-58

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" presents the final part of a 4 part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. In part 4, we'll dig on the A and B sides of every Ray Charles single release on Atlantic Records from the summer of '57 through the very end of '58. Some of Ray Charles' greatest live recordings from this period will also be highlighted to showcase Ray's live performances as the road was just as important as the studio during this point in his career.

Jukelogolargeapple2_small Ray CharlesRay Charles, Pt. 4: 1957-58

This week, the "Juke In The Back" presents the final part of a 4 part feature on the early musical career of the great, Ray Charles, which will cover 1948-58. In part 4, we'll dig on the A and B sides of every Ray Charles single release on Atlantic Records from the summer of '57 through the very end of '58. This period is truly the cradle of Soul Music, as Ray continues to mesh church-like feeling with secular subject matter. His use of The Raylettes grows and he even gives Mary Ann Fisher (who was not a Raylette) a solo vocal on "What Kind Of Man Are You." We'll spin the hits, "Swannee River Rock (Talkin' 'Bout That River)," "Rockhouse, Pt. 2" and "(Night Time Is) The Right Time" as well as many should have been hits. Some of Ray Charles' greatest live recordings from this period will also be highlighted to showcase Ray's live performances as the road was just as important as the studio during this point in his career. We'll also hear a few outtakes from the recording session that yielded "The Right Time." Matt The Cat digs the end of Ray's first ten years in music as "Juke In The Back"'s in-depth look at the early work of Ray Charles comes to a close. 

Episode #237 - Underrated R&B Pioneers: Titus Turner & Buddy Lucas

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" spotlights two extremely underrated R&B pioneers this week: Titus Turner and saxophonist Buddy Lucas. Matt The Cat tells their stories and plays some of their greatest sides. Hear what you've been missing on this week's "Juke In The Back."

Jukelogolargeapple2_small Titus TurnerUnderrated R&B Pioneers: Titus Turner & Buddy Lucas

The "Juke In The Back" spotlights two extremely underrated R&B pioneers this week: Titus Turner and saxophonist Buddy Lucas.  Turner recorded some amazing R&B sides for Regal, Okeh, Wing, King and many other top labels, but he just couldn't score a sizable hit on his own.  Today he is mostly remembered as a songwriter and his songs were hits by the likes of Little Willie John ("All Around The World," "Leave My Kitten Alone") and Ray Charles ("Sticks And Stones," "Get On The Right Track").  Buddy Lucas is mostly remembered today as a great session player, but he scored a few hits under his own name in the early 1950s for the Jubilee Label.  Matt The Cat tells their stories and plays some of their greatest sides.  Hear what you've been missing on this week's "Juke In The Back."

Episode #239 - Little Caesar

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Today Harry "Little" Caesar is best remembered as an actor from movies and TV and the voice behind 1952's "Goodbye Baby," one of the strangest R&B hits of all-time. But the story of Little Caesar and his slow rise to fame is one of American folklore. Matt The Cat is proud to bring this underrated R&B singer into the spotlight. We'll dig on his recorded output for John Dolphin's Recorded In Hollywood Label, RPM Records and Big Town Records from 1952-53

Jukelogolargeapple2_small Little CaesarLittle Caesar

Today Harry "Little" Caesar is best remembered as an actor from movies and TV and the voice behind 1952's "Goodbye Baby," one of the strangest R&B hits of all-time. But the story of Little Caesar and his slow rise to fame is one of American folklore. He was raised by his steel working father after his mother died before his first birthday. While working various jobs to help support his family, Caesar got into trouble and spend six months in jail. After getting out of the military, he found himself on the West Coast with a budding musical career. He practically invented the story song, complete with acting between him and his platter co-star "Rusty" Russell. "Goodbye Baby" may have been his only national hit, topping out at #5, but there is so much more to Little Caesar and this week Matt The Cat is proud to bring this underrated R&B singer into the spotlight. We'll dig on his recorded output for John Dolphin's Recorded In Hollywood Label, RPM Records and Big Town Records from 1952-53 on the "Juke In The Back." 

Episode #240 - 1945: Jukebox Rhythm Review

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" brings the jukebox into the spotlight as we journey back 70 years and dig on the top requested jukebox records from the entire year of 1945.

Jukelogolargeapple2_small 1945: Jukebox Rhythm Review1945: Jukebox Rhythm Review

This week, the "Juke In The Back" brings the jukebox into the spotlight as we journey back 70 years and dig on the top requested jukebox records from the entire year of 1945. This was a pivotal year for Rhythm and Blues Music as 1945 marked the beginning of a new sound in Black Music. As the war raged on, many of the African-American big bands found it hard to afford such large ensembles, so they slimmed down to rhythm combos. Around the same time, blues singers were expanding their sound to go beyond just a guitar or piano accompaniment. They began adding rhythm sections and thus, Rhythm and Blues was born. 1945 marked the first year that this new style of music dominated the Black Community and the juke joints they patronized. 1945 was a strong year for jump blues cats like Louis Jordan, Joe Turner and Lionel Hampton. The blues cats faired well this year as Pvt. Cecil Gant had one of the year's biggest hits with his self-penned, "I Wonder," which was also successfully covered by Roosevelt Sykes and Louis Armstrong. Joe Liggins burst on the scene with "The Honeydripper," the biggest selling record of the year and quite possibly the entire decade! Matt The Cat's got a pocket full of nickels and he's ready to warm up the "Juke In The Back," so we can all dig that big beat jive of 1945! 

Episode #244 - Charles Brown: 1949-52

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Charles Brown was the "King of Smoky Blues" for over 50 years. A move to Los Angeles in 1943, hooked him up with Johnny Moore, who hired him to sing and play piano with The Three Blazers. After a 2 year stint, Brown left The Three Blazers. Matt The Cat examines his hit-making years of 1949-52 on this week's "Juke In The Back."

Jukelogolargeapple2_small Charles BrownCharles Brown: 1949-52

Charles Brown was the "King of Smoky Blues" for over 50 years. Growing up in Texas City, TX, he studied classical piano while focusing his interests on science, becoming a chemistry teacher for a short time. A move to Los Angeles in 1943, hooked him up with Johnny Moore, who hired him to sing and play piano with The Three Blazers. Right out of the gate, they scored a huge, #2 R&B record in 1946 with "Driftin' Blues" and would go on to hit the top ten no less than 10 times over the next 2 years. This week's "Juke In The Back" focuses on Charles Brown's career after he left Johnny Moore's Three Blazers in 1948. As a solo artist, Brown kept the hits coming, racking up 5 top 10 records in 1949 alone. He scored 2 #1s with "Trouble Blues" in '49 and "Black Night" in '51, 2 of the best selling records in their respective years of release. Brown's star began to fade as Rock n' Roll entered the mainstream during the mid-'50s, but he would have a giant comeback in the 1980s and '90s, finally getting inducted into the Rock n' Roll Hall Of Fame in '99. Matt The Cat examines his hit-making years of 1949-52 on this week's "Juke In The Back." 

Episode #246 - 1955: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The ol' Rockola Jukebox is back in the spotlight as we present part 1 of a 2 part feature on the biggest R&B jukebox records of 1955. It was a year of many firsts. 1955 was the first full year of Rhythm & Blues records consistently crossing over into the Pop Chart. Matt The Cat will point out just how popular some of these records were in the Pop Market. Part 1 covers the jukebox hits from January to June, 1955.

Jukelogolargeapple2_small 1955: Jukebox Rhythm Review1955: Jukebox Rhythm Review, Pt. 1

The ol' Rockola Jukebox is back in the spotlight as we present part 1 of a 2 part feature on the biggest R&B jukebox records of 1955. It was a year of many firsts. 1955 was the first full year of Rhythm & Blues records consistently crossing over into the Pop Chart. Matt The Cat will point out just how popular some of these records were in the Pop Market. 1955 was also the debut year for Bo Diddley, Chuck Berry and Etta James. It was the last year for Johnny Ace, who scored the biggest hit of his career, posthumously. 1955 was the year of "Blackboard Jungle"'s tremendous success in helping to deliver Rock n' Roll music to the mainstream through the popularity of its theme song, "(We're Gonna) Rock Around The Clock." In Part 1, we'll look at just how big a record "Unchained Melody" was, with 2 versions topping the R&B Chart and crossing over to the Pop Top 10. Little Walter, Ray Charles and Ruth Brown continued to score hits and make 1955 a year to remember. Part 1 covers the jukebox hits from January to June and Part 2 will focus on July through December. 

Episode #247 - 1955: Jukebox Rhythm Review, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The ol' Rockola Jukebox is back in the spotlight as we present part 2 of a 2 part feature on the biggest R&B jukebox records of 1955. It was a year of many firsts. 1955 was the first full year of Rhythm & Blues records consistently crossing over into the Pop Chart. Matt The Cat will point out just how popular some of these records were in the Pop Market. Part 2 covers the jukebox hits from July through December.

Jukelogolargeapple2_small 1955: Jukebox Rhythm Review1955: Jukebox Rhythm Review, Pt. 2

The ol' Rockola Jukebox is back in the spotlight as we present part 2 of a 2 part feature on the biggest R&B jukebox records of 1955. It was a year of many firsts. 1955 was the first full year of Rhythm & Blues records consistently crossing over into the Pop Chart. Matt The Cat will point out just how popular some of these records were in the Pop Market. 1955 was also the debut year for Bo Diddley, Chuck Berry and Etta James. Fats Domino had 6 charting singles this year, 3 of which topped the R&B chart. 1955 was the year of "Blackboard Jungle"'s tremendous success in helping to deliver Rock n' Roll music to the mainstream through the popularity of its theme song, "(We're Gonna) Rock Around The Clock." In Part 2, we'll spin the last R&B chart-topper to NOT cross over into the Pop Chart as well as a healthy dose of vocal group records gaining jukebox spins. Smiley Lews, The Clovers and The Drifters, with a new lead singer, continued to score hits and make 1955 a year to remember. Part 2 covers the jukebox hits from July through December. 

Episode #249 - Big Maybelle

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" highlights the often ignored early career of Big Maybelle, one of the great female blues shouters. Matt The Cat highlights her very first recordings as well as her hit-making years of 1953-56 on this week's program.

Jukelogolargeapple2_small Big MaybelleBig Maybelle

The "Juke In The Back" highlights the often ignored early career of Big Maybelle, one of the great female blues shouters. She was born Mabel Louise Smith in 1929 and cut her first record with Christine Chatman's Orchestra for Decca in 1944. Mabel Smith made her first solo recordings for King in 1947 before being signed to Okeh Records by Fred Mendelsohn in 1952. He renamed her Big Maybelle and she hit the R&B charts right out of the gate with her first Okeh release, "Gabbin' Blues." Maybelle would score a few more hits for them before following Mendelsohn over to Savoy Records in 1956. That year, she hit the national spotlight with her interpretation of the standard, "Candy." Matt The Cat reviews the vocal power and soul of this truly original blueswoman, Big Maybelle, on this week's "Juke In The Back." 

Episode #252 - Louis Jordan, Pt. 1 - 1938-41

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" begins a mammoth, multi-part series, featuring the most important musical figure of the 1940s, Louis Jordan. Part 1 features Jordan's earliest recordings from 1938 to 1941. There are no certified hits, but these records show the blueprint for the future superstar.

Jukelogolargeapple2_small Louis Jordan, Pt. 1Louis Jordan, Pt. 1 - 1938-41

The "Juke In The Back" begins a mammoth, multi-part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Jordan charted 57 singles between 1942 and 1951, scoring 18 #1 R&B hits and 56 top 10s. Several of his records even crossed over into the Pop Top 10, which was an almost unheard of feat at the time. Jordan was born in Brinkley, AR in 1908 and thanks to his musician father, began touring with the Rabbit Foot Minstrels before he was even in his teens. His love of music, performing and baseball took him to Arkansas Baptist College and soon he was playing in bands in Philadelphia and New York. He started his own band after being fired by legendary drummer Chick Webb. His first records with the Elk's Rendezvous Band were not hits, but they cast a light on the tight arrangements, the comedic delivery and good feelin' jump blues that was to become Louis Jordan's trademark. Part 1 features Jordan's earliest recordings from 1938 to 1941. There are no certified hits, but these records show the blueprint for the future superstar. Matt The Cat's series on Louis Jordan will cover all his important records up through 1951, so don't miss a show!

Episode #253 - Louis Jordan, Pt. 2 - 1942-45

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:02

The "Juke In The Back" presents Part 2 of a mammoth, multi-part series, featuring the most important musical figure of the 1940s, Louis Jordan. This week's show picks up in 1942, right before Jordan's first hit record, "I'm Gonna Leave You On The Outskirts Of Town," and covers his first 5 #1 records, which began with "What's The Use Of Getting Sober (When You're Gonna Get Drunk Again" in 1943. So don't miss one fantabulous Louis Jordan record on this week's "Juke In The Back."

Jukelogolargeapple2_small Louis Jordan Pt. 2Louis Jordan, Pt. 2 - 1942-45

The "Juke In The Back" presents Part 2 of a mammoth, multi-part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Jordan charted 57 singles between 1942 and 1951, scoring 18 #1 R&B hits and 56 top 10s. Several of his records even crossed over into the Pop Top 10, which was an almost unheard of feat at the time. Part 2 of our series picks up in 1942, right before Jordan's first hit record, "I'm Gonna Leave You On The Outskirts Of Town," and covers his first 5 #1 records, which began with "What's The Use Of Getting Sober (When You're Gonna Get Drunk Again" in 1943. The hits started as Decca assigned legendary jazz producer Milt Gabler to produce his sessions. Their first session together took place right before the Recording Ban of 1942 went into effect. During the ban, the musicians union refused to let artists record for any recording company until their royalty demands were met. This kept Jordan out of the studio for over a year. Once the ban ended in September of '43, Jordan was back in the studio cutting hit record after hit record. It's during this time that he became the "King Of The Jukeboxes." So don't miss one fantabulous Louis Jordan record on this week's "Juke In The Back." 

Episode #254 - Louis Jordan, Pt. 3 - 1946

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" presents Part 3 of a mammoth, multi-part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Part 3 of our series focuses on the entire year of 1946. Jordan scored 5 #1 records that year and spent 35 out of 52 weeks at the top of the Race Record Chart (the name of the R&B chart at that time).

Jukelogolargeapple2_small Louis Jordan Pt. 3Louis Jordan, Pt. 3 - 1946

The "Juke In The Back" presents Part 3 of a mammoth, multi-part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Jordan charted 57 singles between 1942 and 1951, scoring 18 #1 R&B hits and 56 top 10s. Several of his records even crossed over into the Pop Top 10, which was an almost unheard of feat at the time. Part 3 of our series focuses on the entire year of 1946. Jordan scored 5 #1 records that year and spent 35 out of 52 weeks at the top of the Race Record Chart (the name of the R&B chart at that time). One of those #1s was a duet with the great Ella Fitzgerald. We'll also hear Jordan duetting with another musical titan, Bing Crosby. Decca Records put their 2 biggest stars together, but unfortunately that tune only hit #14 on the Pop Chart. "Choo Choo Ch'Boogie" topped the chart for 18 weeks and then it was knocked out of the top spot by another Louis Jordan record, "Ain't That Just Like A Woman." He was at the top of his game in 1946, selling more records than any other African-American artist. We'll also dig on a V-Disc Jordan cut for those serving overseas in the Armed Forces as well as some choice B sides. The "Juke" is jumpin' with Jordan this week on part 3 of "Juke In The Back"'s tribute to the "King Of The Jukeboxes, Louis Jordan. 

Episode #255 - Louis Jordan, Pt. 4 - 1947-48

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" presents Part 4 of our mammoth, 6 part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Part 4 of our series focuses on the incredible hit-making years of 1947 and '48. Jordan scored 4 #1 records in 1947, spending an amazing 40 weeks at the top of the Race Record Chart (the name of the R&B chart at that time). The "Juke" is jumpin' with Jordan this week on part 4 of "Juke In The Back"'s tribute to the "King Of The Jukeboxes, Louis Jordan.

Jukelogolargeapple2_small Louis Jordan, Pt. 4 Louis Jordon, Pt. 4 - 1947-48

The "Juke In The Back" presents Part 4 of our mammoth, 6 part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Jordan charted 57 singles between 1942 and 1951, scoring 18 #1 R&B hits and 56 top 10s. Several of his records even crossed over into the Pop Top 10, which was an almost unheard of feat at the time. Part 4 of our series focuses on the incredible hit-making years of 1947 and '48. Jordan scored 4 #1 records in 1947, spending an amazing 40 weeks at the top of the Race Record Chart (the name of the R&B chart at that time). The year was kicked off with "Ain't Nobody Here But Us Chickens," which topped the chart for 17 weeks and nearly every record that Decca issued on Jordan that year was a major seller. "Ain't Nobody Here But Us Chickens" became the catchphrase of 1947, along with "Open The Door, Richard." The latter was a tune based on a Black Vaudeville routine, which hit #2 on the R&B charts by 4 different artists, including Louis Jordan. Count Basie's version of "Richard" crossed over to #1 on the Pop Chart, making "Richard" a huge crossover success. We're also highlighting the first half of 1948. It's still a big year for Jordan, but the hits begin to slow down a bit. He only scored 1 #1 in '48. The "Juke" is jumpin' with Jordan this week on part 4 of "Juke In The Back"'s tribute to the "King Of The Jukeboxes, Louis Jordan. 

Episode #256 - Louis Jordan, Pt. 5 - 1948-50

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" presents Part 5 of our mammoth, 6 part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Part 5 of our series focuses on mid-1948 thru the beginning of 1950. During this time, Jordan only scored 2 #1 records and so it has become a much overlooked period in his career, even though he released some very strong singles. Though the hits weren't as strong as previous years, Jordan did score a career highlight with "Saturday Night Fish Fry," which topped the R&B Chart for an impressive 12 weeks. This is the second to last part of my loving tribute to the great and influential Louis Jordan.

Jukelogolargeapple2_small Louis Jordan Pt. 5Louis Jordan, Pt. 5 - 1948-50

The "Juke In The Back" presents Part 5 of our mammoth, 6 part series, featuring the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Jordan charted 57 singles between 1942 and 1951, scoring 18 #1 R&B hits and 54 top 10s. Several of his records even crossed over into the Pop Top 10, which was an almost unheard of feat at the time. Part 5 of our series focuses on mid-1948 thru the beginning of 1950. During this time, Jordan only scored 2 #1 records and so it has become a much overlooked period in his career, even though he released some very strong singles. We'll hear two songs that were featured in motion pictures as well as 2 duets, one with Martha Davis and another one with Ella Fitzgerald. Though the hits weren't as strong as previous years, Jordan did score a career highlight with "Saturday Night Fish Fry," which topped the R&B Chart for an impressive 12 weeks. His competition in the R&B Field was getting much stronger, but Louis Jordan and His Tympany Five continued to record and release top-notch material. Pianist Bill Doggett is even featured on a few sides. This is the second to last part of my loving tribute to the great and influential Louis Jordan.

Episode #257 - Louis Jordan, Pt. 6 - 1950-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" presents Part 6, the final part of our mammoth, 6 part series, on the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Matt The Cat closes the series focusing on 1950 through '56, just as Rock 'n Roll was breaking. He made some strong efforts at trying to capture the Rock n' Rollers, but his time in the musical limelight was over. There is no denying that Louis Jordan is almost single-handily responsible for the development of post War Rhythm & Blues as well as the birth of Rock n' Roll.

Jukelogolargeapple2_small Louis Jordan Pt. 6Louis Jordan, Pt. 6 - 1950-56

The "Juke In The Back" presents Part 6, the final part of our mammoth, 6 part series, on the most important musical figure of the 1940s, Louis Jordan. He was the most successful African-American artist of the decade, selling millions of records to both Black and White audiences. Jordan charted 57 singles between 1942 and 1951, scoring 18 #1 R&B hits and 54 top 10s. Several of his records even crossed over into the Pop Top 10, which was an almost unheard of feat at the time. Matt The Cat closes the series focussing on 1950 through '56, just as Rock 'n Roll was breaking. Jordan scored his 18th and final #1 R&B record in 1951 with "Blue Light Boogie Pt. 1 & 2" and experimented with fronting a big band for a time in '52. By the end of '53, Jordan's 15 year stint with Decca Records ended. He next recorded some stellar sides for Aladdin Records, Vic, X and Mercury, but the hits were long gone. The singles on this week's program show that even in the lean times, Louis Jordan still put out quality records. He made some strong efforts at trying to capture the Rock n' Rollers, but his time in the musical limelight was over. There is no denying that Louis Jordan is almost single-handily responsible for the development of post War Rhythm & Blues as well as the birth of Rock n' Roll. The "Juke In The Back" is proud to have dedicated 6 programs to this legendary performer and American Icon.

Episode #262 - Unsung Ladies of R&B

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" solutes the Unsung Ladies of R&B! We'll dig deep into a stack of shellac from some women you know, like Varetta Dillard, Ann Cole and The Cookies, as well as from some that you may not know, such as Gwen Johnson and Bonita Cole.

Jukelogolargeapple2_small Gwen Johnson: Unsung Ladies of R&BUnsung Ladies of R&B

This week, the "Juke In The Back" solutes the Unsung Ladies of R&B! We'll dig deep into a stack of shellac from some women you know, like Varetta Dillard, Ann Cole and The Cookies, as well as from some that you may not know, such as Gwen Johnson and Bonita Cole. Matt The Cat will also feature an audition tape by the seldom heard Olive Brown, which was never issued at the time. None of the chanteuses on this week's program have catalogs deep enough to be main features, so we've gathered them together so they can shine on their own program. Pick up on what these ladies are puttin' down on this week's "Juke In The Back" and the "soul that came before Rock n' Roll." 

Episode #266 - B. B. King

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" pays its respects to a true musical icon, B.B. King. When he passed away at the age of 89 on May 14, 2015, we lost one of our last connections to the true blues. Matt The Cat focuses on B.B.'s first records for Nashville's Bullet Records and LA's RPM label.

Jukelogolargeapple2_small B.B. KingB. B. King

The "Juke In The Back" pays its respects to a true musical icon, B.B. King. When he passed away at the age of 89 on May 14, 2015, we lost one of our last connections to the true blues. Riley B. King was raised on plantations as his mother was a sharecropper. He wanted to play guitar and sing on the radio like his mother's cousin, Bukka White. He moved from Mississippi to Memphis in the mid-'40s to pursue his dream and finally in 1948, Riley got his big break, filling in for blues harpist Sonny Boy Williamson on his radio program. Soon, Riley became the "Beale Street Blues Boy" and later just "Blues Boy" or "B.B" and scored his own radio show on WDIA. Matt The Cat focuses on B.B.'s first records for Nashville's Bullet Records and LA's RPM label. His early sides were cut in Memphis with Sam Phillips at the controls. After a few years of non-charting records, B.B. hit the big time with a smokin' #1 R&B hit, "Three O'Clock Blues" at the beginning of 1952. From there, he would score 3 more #1s. "Juke In The Back" features all of B.B. King's great R&B hits from 1949-1955. Many of these you never get to hear these days. B.B. had a life of accomplishments as a great ambassador for the blues. We know how great he became and on this week's program, we'll see just where he started from. The late, great B.B. King on this week's "Juke In The Back." 
 B.B. King & Matt The Cat

Episode #268 - Smiley Lewis

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" looks at the great Smiley Lewis, another influential force out of New Orleans that time has chosen to forget. He only scored 4 charting R&B recordings, including the monumental "I Hear You Knockin'" in 1955, which went to #2 nationally. Lewis is one of those cats who should have had a lot more hit records and this week, Matt The Cat shows you why.

Jukelogolargeapple2_small Smiley LewisSmiley Lewis

There are so many forgotten legends along Rhythm & Blues' evolutionary highway. This week, the "Juke In The Back" looks at the great Smiley Lewis, another influential force out of New Orleans that time has chosen to forget. Lewis was born Overton Lemons, but took the name "Lewis" along with the nickname "Smiley" which poked fun at his missing teeth. He played the New Orleans clubs and cut his first single for DeLuxe Records in 1947. After it failed to go anywhere, Lewis was fortunate enough to fall into admiration of bandleader and Imperial Records talent scout, Dave Bartholomew. After signing to Imperial in 1950, it would be 2 years before Lewis would have his first national hit with "The Bells Are Ringing." He'd fail to chart again for another 3 years even though his recordings were jumpin', catchy and selling well in New Orleans and the South. 1955 saw his biggest success with the #2 R&B smash, "I Hear You Knockin'." He'd have 2 more R&B hits before his star faded by 1957. Lewis recorded many Bartholomew compositions, such as the original "Blue Monday" and "One Night," but Fats Domino (another of Bartholomew's discoveries) and Elvis would have hits with those songs respectively. Bartholomew once called Smiley Lewis a "hard luck singer," due to the fact that didn't have an extended career, even though he laid down some of the greatest tunes of the 1950s. Matt The Cat spins those 78s on this week on the "Juke In The Back." 

Episode #270 - Story of the Signifying Monkey & Listener Requests

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, Matt The Cat loads the "Juke In The Back" with a musical history of the old African folktale about The Signifying Monkey. We'll trace this tale's journey to America on slave ships from Africa as it became threaded into African-American culture in song, from Big Maceo's adaptation of the story about the Monkey and the Baboon to the Big Three Trio's 1947 popular version of "The Signifying Monkey." Also on this week's program, Matt The Cat takes your listener requests, which run across the genre we celebrate, Rhythm & Blues.

Jukelogolargeapple2_small The Story Of The Signifying MonkeyThe Story Of The Signifying Monkey & Your Listener Requests

This week, Matt The Cat loads the "Juke In The Back" with a musical history of the old African folktale about The Signifying Monkey. We'll trace this tale's journey to America on slave ships from Africa as it became threaded into African-American culture in song, from Big Maceo's adaptation of the story about the Monkey and the Baboon to the Big Three Trio's 1947 popular version of "The Signifying Monkey." Along the way, Cab Calloway, jazzer Hot Lips Page, Rockabilly rarity Smokey Joe and even Chuck Berry have a crack at this classic story of the ultimate trickster. Also on this week's program, Matt The Cat takes your listener requests, which run across the genre we celebrate, Rhythm & Blues. So don't miss "the soul that came before Rock n' Roll" on this week's "Juke In The Back." 

Episode #275 - The Lutchers: Nellie & Joe

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" is proud to focus an entire show on the separate careers of bother and sister, Nellie and Joe Lutcher. Both scored numerous hit records during the late 1940s and helped define what would become Rock n' Roll in the 1950s. Dig on their story and their music on this week's program.

Jukelogolargeapple2_small Nellie & Joe LutcherThe Lutchers: Nellie & Joe

The "Juke In The Back" is proud to feature The Lutchers, a brother and sister who's separate works helped define early Rhythm & Blues. Older sister, Nellie Lutcher, the piano playing vocalist, scored more hits and made much more of a national impact than her younger brother Joe. Her style combined blues, jazz, R&B, pop and small elements of what would become Vocalese. She hit the big time in 1947 after more than a decade of working the clubs of Los Angeles. Her firs 2 singles, "Hurry On Down" and "He's A Real Gone Guy" both went to #2 nationally for Capitol Records. She'd score another #2 with the self-penned "Fine Brown Frame" less than a year later. Her younger brother, the saxophonist Joe Lutcher, made a name for himself fronting many combos at some of LA's most prestigious clubs. He hit the national charts in 1948 with the instrumental, "Shuffle Woogie" for Capitol. Then he jumped over to Specialty Records for catchy "Rockin' Boogie" and then to Modern Records for the now classic "Mardi Gras." They never recorded together, but separately their careers would set the stage for the mainstreaming of Rhythm & Blues Music into Rock n' Roll. Matt The Cat gives both of these great artists the exposure they so rightly deserve and so decisively earned, on this week's "Juke In The Back." 

Episode #280 - Early Little Richard - 1951-55

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Before Little Richard's atomic howl burst through radios in early 1956 with a feverish "Wop-bop-a-loo-mop alop-bam-bom," he was just another Rhythm & Blues singer struggling to find his identity and sound. Matt The Cat digs out Little Richard's long forgotten humble beginnings and spins them this week on the "Juke In The Back."

Jukelogolargeapple2_small Early Little RichardEarly Little Richard: 1951-55 

Growing up in a poor section of Macon, GA wasn't easy and young Richard Wayne Penniman found himself on his own, singing in clubs before he was 17. However, he was a musical sponge, picking up vocal and performance tips from blues shouters Billy Wright and Roy Brown and some piano licks from the young Esquerita. He landed his first record contract with RCA Victor in late 1951 and cut 4 singles that didn't go anywhere for the major label. Then in early '53, Richard was on Don Robey's Peacock label where he didn't fare any better. But through all the disappointing record sales, Little Richard was building a style that would burst open when he cut "Tutti Frutti" for Specialty Records in September of 1955. Matt The Cat digs out Little Richard's long forgotten humble beginnings and spins them this week on the "Juke In The Back." This is truly the "soul that came before Rock n' Roll" with one of Rock n' Roll's TRUE pioneers.

Episode #281 - Prime Little Richard - 1955-57

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the "Juke In The Back" focuses on Little Richard's prime, hit-making period of 1955-57. Matt The Cat will take you from his early 1956 explosion, through his 3 #1 R&B hits up to Richard's giving up Rock n' Roll to dedicate himself to the Ministry at the end of 1957. Doctors recommend that you have a healthy heart before attempting to listen to this week's action-packed "Juke In The Back."

Jukelogolargeapple2_small Little RichardPrime Little Richard - 1955-57

No one could pack more frantic soul into a 2 minute record like LITTLE RICHARD. This week, the "Juke In The Back" focuses on Richard's prime, hit-making period of 1955-57. Matt The Cat will take you from his early 1956 explosion, through his 3 #1 R&B hits up to Richard's giving up Rock n' Roll to dedicate himself to the Ministry at the end of 1957. His 2nd single for Specialty Records, "Long Tall Sally" was not only Little Richard's biggest hit, but also the best selling single in the Specialty Records catalog. Matt The Cat also digs out some demo versions of Little Richard classics and shows the evolutions of songs you thought you knew backwards and forwards. We'll look at the evolution of "Slippin' And Sliddin'," "Heebie Jeebies" and "Keep A Knockin'." Doctors recommend that you have a healthy heart before attempting to listen to this week's action-packed "Juke In The Back." 

Episode #289 - Andre Williams, Nolan Strong & The Diablos And Fortune Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, on a very unique "Juke In The Back," Matt The Cat pays tribute to not only a fantastic and underrated record label, Fortune Records, but focuses on the label's biggest acts, Andre Williams and Nolan Strong & The Diablos.

Jukelogolargeapple2_small Fortune RecordsAndre Williams, Nolan Strong & The Diablos and Fortune Records

This week, on a very unique "Juke In The Back," Matt The Cat pays tribute to not only a fantastic and underrated record label, Fortune Records, but focuses on the label's biggest acts, Andre Williams and Nolan Strong & The Diablos. Fortune Records was a Detroit original, started in late 1946, it paved the way for future greatness. We'll dig on some of their early releases, before jumping into their biggest star, Andre Williams. Originally from Alabama, Williams packed each single with grit, soul and a touch of weirdness that makes nearly all of his releases remain fresh-sounding today. Williams scored a national top 10 R&B record in 1956-57 with "Bacon Fat." It was so big, that Fortune Records licensed it to Epic Records for national distribution. A portion of this week's program is also dedicated to Nolan Strong & The Diablos, one of the smoothest and soulful of the '50s doo wop vocal groups. Even though The Diablos never had a national hit, they are remembered today for Nolan Strong's beautiful tenor and their original rendition of "The Wind" from 1954. So get ready to move and groove as the "Juke In The Back" jumps with some of Fortune Records' greatest 78 RPM Records. 

Episode #292 - Sister Rosetta Tharpe

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" is proud to salute Sister Rosetta Tharpe, one of the most important and influential musical figures of the 20th Century. Matt The Cat presents Rosetta Tharpe's charting singles as well as her most influential Gospel sides, which become some of the bricks in the foundation of both R&B and Rock n' Roll. We'll hear her recordings with Lucky Millinder, Sammy Price, Marie Knight, The Dependable Boys and the Rosette Singers as well as a few of her V-Discs. Can I get an AMEN!

Jukelogolargeapple2_small Sister Rosetta TharpeSister Rosetta Tharpe

The "Juke In The Back" is proud to salute Sister Rosetta Tharpe, one of the most important and influential musical figures of the 20th Century. Tharpe, who was born Rosetta Nubin, was popular immediately after her first Decca Recordings in 1938. She gained even more exposure while singing in-front of Lucky Millinder's big band during World War II. In 1944, she crossed musical barriers when her "Strange Things Happening Every Day" single crossed over to #2 on the national R&B lists, marking the first time a Gospel record had charted so high on a secular chart. Looking back, it's not that surprising when you consider that Rhythm & Blues Music is basically secular content, sung in a Gospel style with rhythm accompaniment. Not only did Sister Rosetta have an inspired, near-acrobatic vibrato voice, but she was also a virtuoso of the guitar. The novelty of a spiritual woman singing and playing the guitar soon gave way to her immense talents at doing both. This week, Matt The Cat presents Rosetta Tharpe's charting singles as well as her most influential Gospel sides, which become some of the bricks in the foundation of both R&B and Rock n' Roll. We'll hear her recordings with Lucky Millinder, Sammy Price, Marie Knight, The Dependable Boys and the Rosette Singers as well as a few of her V-Discs. Hallelujah, this is going to be an inspired show. Can I get an AMEN! 

Episode #296 - 1946: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" takes you back 70 years to feature the biggest jukebox hits of 1946. In part 1, we'll focus on the most requested jukebox records of the first half of 1946.

Jukelogolargeapple2_small 1946 Jukebox Rhythm Review1946: Jukebox Rhythm Review, Pt. 1

The "Juke In The Back" once again puts our old Rockola Jukebox in the forefront as we spotlight the biggest Rhythm & Blues jukebox hits of 1946.  In part 1, we'll focus on the first half of the year, featuring Wynonie "Mr. Blues" Harris' first hit as a solo artist and bandleader with Illinois Jacquet's group backing him up.  Louis Jordan scores 2 #1s during the first half of the year, while Lionel Hampton holds to top spot for 16 non-consecutive weeks.  The Ink Spots score the biggest record of the year with "The Gypsy," which actually sold more copies to Pop audiences and remained #1 on the Pop Chart for an impressive 13 weeks.  Roy Milton, Billy Eckstine, The King Cole Trio and The Blues Woman all make appearance on this week's show.  Next week, we'll dig in on the second half of the hugely musically significant year of 1946.   

Episode #303 - The Five Keys, Pt. 2 - 1954-57

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The Five Keys were undoubtedly one of the finest vocal groups of both the R&B and Rock n' Roll eras. This week, in part 2 of our 2 part feature, we'll focus on the 2nd half of the Five Keys' career from 1954-57 and their stellar recordings for Capitol Records.

Jukelogolargeapple2_small Five KeysThe Five Keys, Pt. 2 - 1954-57

The Five Keys were undoubtedly one of the finest vocal groups of both the R&B and Rock n' Roll eras. They didn't score as many hits as say the Dominoes or the Clovers, but like The Orioles and The Ravens before them, they were highly influential to other vocal groups of the day. This week, in part 2 of our 2 part feature, we'll focus on the 2nd half of the Five Keys' career. They signed with Capitol Records at the end of 1954 and had a smash hit right out of the gate with "Ling Ting Tong," which was also their first crossover into the pop market. More Keys' classics followed with "Close Your Eyes," "The Verdict," "Out Of Sight, Out Of Mind," "Wisdom Of A Fool" and many more. The Capitol Recordings still feature tenors Rudy West and Maryland Pierce, but the musical arrangements are much fuller, refined and pop oriented as was the material. As the '50s progressed, The Five Keys stopped scoring R&B hits and began to only chart in the lower regions of the Pop Lists. By mid-1957, the hits had stopped and the group was falling a part, but up to that point, The Five Keys proved that they could sing in many styles and succeed in all. Matt The Cat digs up some very familiar and some unfamiliar Five Keys records as we close down our double feature on this fantastic vocal group, on this week's "Juke In The Back." 

Episode #305 - Nappy Brown

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Nappy Brown is a very important figure in early Rock n' Roll as it was his blend of pure Gospel shouting, a strong backbeat and bouncy pop arrangements that helped define the young musical genre. Brown is not so well remembered today, but in mid-1955, it would be hard to find a bigger national music star. Matt The Cat was fortunate enough to interview Brown a year before he passed away and so we'll hear Nappy's story told in his own words, this week on the "Juke In The Back."

Jukelogolargeapple2_small Nappy BrownNappy Brown

Nappy Brown is a very important figure in early Rock n' Roll as it was his blend of pure Gospel shouting, a strong backbeat and bouncy pop arrangements that helped define the young musical genre. Brown is not so well remembered today, but in mid-1955, it would be hard to find a bigger national music star. His "Don't Be Angry" topped out at #2 R&B, but more importantly, it crossed over onto the Pop Chart, giving it huge mass appeal. Nappy Brown soon became one of the biggest acts signed to Savoy Records, scoring more hits with "Piddley Patter Patter," "Little By Little" and "It Don't Hurt No More." Matt The Cat was fortunate enough to interview Brown a year before he passed away and so we'll hear Nappy's story told in his own words, this week on the "Juke In The Back." 

Episode #309 - Dinah Washington, Pt. 1 - 1943-46

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. This week, Matt The Cat honors the great Dinah Washington with the first installment of a multi-part series on "The Queen." Part 1 focuses on Dinah's very first recordings for the Keynote label with members of Lionel Hampton's band as well as the seldom heard Apollo Records sides with Lucky Thompson's group. We'll also dig on her early Mercury Records releases.

Jukelogolargeapple2_small Dinah WashingtonDinah Washington, Pt. 1 - 1943-46

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah was no pop sensation or flash in the pan. She was a consummate artist, who developed a playful, yet serious style of phrasing all her own. This week, Matt The Cat honors the great Dinah Washington with the first installment of a multi-part series on "The Queen." Part 1 focuses on Dinah's very first recordings for the Keynote label with members of Lionel Hampton's band as well as the seldom heard Apollo Records sides with Lucky Thompson's group. We'll also dig on her early Mercury Records releases. "Evil Gal Blues" (Keynote) from 1944 was her first charting hit, making the Harlem Hit Parade Top Ten. She then followed that success up with another top tenner, "Salty Papa Blues." You'll also hear clips from Matt The Cat's interview with Dinah's biographer, Nadine Cahodas, who wrote the book, "Queen: The Life and Music of Dinah Washington." Don't miss the Fabulous Miss "D" on this week's "Juke In The Back." 

Episode #310 - Dinah Washington, Pt. 2 - 1947-49

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. She was a consummate artist, who developed a playful, yet serious style of phrasing all her own. This week, Matt The Cat continues to honor the great Dinah Washington with part 2 of our multi-part series on "The Queen." Part 2 picks up in 1947 and swings through her first charting record for Mercury as well as 2 #1 records and many more hits and misses.

Jukelogolargeapple2_small Dinah WashingtonDinah Washington, Pt. 2 - 1947-49

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah was no pop sensation or flash in the pan. She was a consummate artist, who developed a playful, yet serious style of phrasing all her own. This week, Matt The Cat continues to honor the great Dinah Washington with part 2 of our multi-part series on "The Queen." Part 2 picks up in 1947 and begins with Dinah's first charting hit for Mercury Records, the Fats Waller tune, "Ain't Misbehavin'." From there, she had a string of hits that peaks in 1948 with "Am I Asking Too Much," her first #1 record. Her second #1 comes in 1949 with the jumpin' "Baby Get Lost." We'll also hear Dinah's interpretation of other classics, "I Sold My Heart To The Junkman" and "It's Too Soon To know." Matt The Cat focuses on many Dinah Washington singles that rarely receive airplay these days as well as "Long John Blues," which continues to be heard and make heads turn. We leave Dinah in 1949, but will pick it up next week with part 3 of our mammoth "Juke In The Back" series on Dinah Washington.  

Episode #311 - Dinah Washington, Pt. 3 - 1950-51

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. Part 3 picks up at the very end of 1949 and follows her Mercury Records releases through 1951. The ol' Rockola Juke In The Back is stocked with top 10 R&B hits "Good Daddy Blues," "I Only Know," "It Isn't Fair," "I'll Never Be Free" and many more. We'll dig on Dinah's interpretation of the classic "Harbor Lights," as well as Percy Mayfield's "Please Send Me Someone To Love" and the Blues standard, "Ain't Nobody's Business." Dinah Washington's in top form on part 3, this week on the "Juke In The Back."

Jukelogolargeapple2_small Dinah WashingtonDinah Washington, Pt. 3 - 1950-51

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah was no pop sensation or flash in the pan. She was a consummate artist, who developed a playful, yet serious style of phrasing all her own. This week, Matt The Cat continues to honor the great Dinah Washington with part 3 of our multi-part series. Part 3 picks up at the very end of 1949 and follows her Mercury Records releases through 1951. The ol' Rockola Juke In The Back is stocked with top 10 R&B hits "Good Daddy Blues," "I Only Know," "It Isn't Fair," "I'll Never Be Free" and many more. We'll dig on Dinah's interpretation of the classic "Harbor Lights," as well as Percy Mayfield's "Please Send Me Someone To Love" and the Blues standard, "Ain't Nobody's Business." She even scores a giant hit with her rendition of Hank Williams' "Cold, Cold Heart." Dinah Washington's in top form on part 3, this week on the "Juke In The Back." 

Episode #312 - Dinah Washington, Pt. 4 - 1951-53

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. This week, Matt The Cat continues to honor the great Dinah Washington with part 4 of our 5 part series. Part 4 picks up in the middle of 1951 and follows her Mercury Records releases through the end of 1953.

Jukelogolargeapple2_small Dinah WashingtonDinah Washington, Pt. 4 - 1951-53

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah was no pop sensation or flash in the pan. She was a consummate artist, who developed a playful, yet serious style of phrasing all her own. This week, Matt The Cat continues to honor the great Dinah Washington with part 4 of our 5 part series. Part 4 picks up in the middle of 1951 and follows her Mercury Records releases through the end of 1953. During this time, Dinah scored 3 double-sided singles, beginning with her version of the tremendous hit "Wheel Of Fortune," b/w "Tell Me Why" in '52. Then she hit with the Blues standard "Trouble In Mind" b/w a new rendition of her own song, this time called "New Blowtop Blues." Finally, after a year-long dry spell from the charts, she returns with "TV Is The Thing (This Year)" b/w "Fat Daddy." Matt The Cat takes you through this often ignored, but no less riveting part of Dinah's career on this week's "Juke In The Back."  

Episode #313 - Dinah Washington, Pt. 5 - 1954-59

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. Part 5 picks up in early 1954 and follows Dinah's great slew of hits through the beginning of 1959 and her best remembered tune, "What A Difference A Day Makes." Biographer Nadine Cahodas returns to help us wrap up the series on Dinah by shedding some light on a few major songs as well as her untimely death.

Jukelogolargeapple2_small Dinah WashingtonDinah Washington, Pt. 5 - 1954-59

Dinah Washington was more than just the "Queen of The Jukeboxes," "Queen Of The Blues" and any other prestigious but vacant title you could pin on her. Dinah was the real deal. As one of the best selling artists of the 20th Century, Dinah was no pop sensation or flash in the pan. She was a consummate artist, who developed a playful, yet serious style of phrasing all her own. This week, Matt The Cat continues to honor the great Dinah Washington with the final installment of our 5 part series. Part 5 picks up in early 1954 and follows Dinah's great slew of hits through the beginning of 1959 and her best remembered tune, "What A Difference A Day Makes." During this period, most of Dinah's hits learn towards the pop side of things, although she won't crossover and have a pop hit until "What A Difference A Day Makes" in '59. She scores with her own rendition of established hits with "Dream," "Teach Me Tonight" and "I Concentrate On You" and delivers a strong blues showing with "My Man's An Undertaker" and "Big Long Slidin' Thing.". Biographer Nadine Cahodas returns to help us wrap up the series on Dinah by shedding some light on a few major songs as well as her untimely death. Matt The Cat is proud of have dedicated 5 programs to the still reigning "Queen," Dinah Washington.  

Episode #315 - 1956: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" puts the ol' Rockola Jukebox front and center on this week's program as we present part 1 of a 2 part feature on the biggest jukebox jivers from 1956. The line between R&B and Pop was getting more and more blurred, but there were still many records that Black audiences were dancing and romancing to, that were not heard at all by White audiences. We'll hear a few of those on this week's program from big artists such as Muddy Waters, Ruth Brown and Little Walter. We'll also dig on some certified crossover hits from Chuck Berry, The El Dorados, The Platters and The Teenagers Featuring Frankie Lymon.

Jukelogolargeapple2_small 1956: Jukebox Rhythm Review1956: Jukebox Rhythm Review, Pt. 1

The "Juke In The Back" puts the ol' Rockola Jukebox front and center on this week's program as we present part 1 of a 2 part feature on the biggest jukebox jivers from 1956. It was the first full year of Rock n' Roll Music crossing over from its Rhythm & Blues roots into mainstream Pop Culture. The line between R&B and Pop was getting more and more blurred, but there were still many records that Black audiences were dancing and romancing to, that were not heard at all by White audiences. We'll hear a few of those on this week's program from big artists such as Muddy Waters, Ruth Brown and Little Walter. We'll also dig on some certified crossover hits from Chuck Berry, The El Dorados, The Platters and The Teenagers Featuring Frankie Lymon. So grab a nickel, grab a dime and let's make some time with the top jukebox spinners from the first half of 1956 on this week's Jukebox Rhythm Review with host Matt The Cat. 

Episode #316 - 1956: Jukebox Rhythm Review, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" puts the ol' Rockola Jukebox front and center on this week's program as we present part 2 of a 2 part feature on the biggest jukebox jivers from 1956. This was the year that Elvis broke through and scored massive hits on the Pop, R&B and Country Charts. We'll dig on the future King's biggest record of the year as well as monster crossover hits by Bill Doggett and Little Willie John. Matt The Cat also spins tunes by B.B. King, Gus Jinkins, Otis Rush and Muddy Waters, that were solely R&B hits.

Jukelogolargeapple2_small 1956: Jukebox Rhythm Review1956: Jukebox Rhythm Review, Pt. 2

The "Juke In The Back" puts the ol' Rockola Jukebox front and center on this week's program as we present part 2 of a 2 part feature on the biggest jukebox jivers from 1956. It was the first full year of Rock n' Roll Music crossing over from its Rhythm & Blues roots into mainstream Pop Culture. This was the year that Elvis broke through and scored massive hits on the Pop, R&B and Country Charts. We'll dig on the future King's biggest record of the year as well as monster crossover hits by Bill Doggett and Little Willie John. Matt The Cat also spins tunes by B.B. King, Gus Jinkins, Otis Rush and Muddy Waters, that were solely R&B hits. So grab a nickel, grab a dime and let's make some time with the top jukebox spinners from the first half of 1956 on this week's Jukebox Rhythm Review. 

Episode #324 - Willie Mae "Big Mama" Thornton

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Willie Mae Thornton was a trailblazer, who in making her own rules paved the way for other groundbreaking female artists like Janis Joplin and Madonna. Known as "Big Mama," Thornton scored her only hit record in early 1953 when "Hound Dog" topped the national Rhythm & Blues Charts, but her career spanned from 1950 to well into the 1970s. This week, Matt The Cat dusts off Big Mama Thornton's best sides from Peacock Records and even digs up her first recordings for the E&W label under the group name, The Harlem Stars (1950).

Jukelogolargeapple2_small Big Mama ThorntonWillie Mae "Big Mama" Thornton

Willie Mae Thornton was a trailblazer, who in making her own rules paved the way for other groundbreaking female artists like Janis Joplin and Madonna. Known as "Big Mama," Thornton scored her only hit record in early 1953 when "Hound Dog" topped the national Rhythm & Blues Charts, but her career spanned from 1950 to well into the 1970s. Elvis not only recorded "Hound Dog," which was written by the young, white songwriting duo of Jerry Leiber and Mike Stoller, but he also took much of his swagger from Thornton, who was known to be blatantly tough and sexual on stage. Besides "Hound Dog," her other signature song, "They Call Me Big Mama," ranks among her best material, along with "Rock A Bye Baby," "Mischievous Boogie" and "My Man Called Me." Big Mama is also uncredited on a duet with friend Johnny Ace called "Yes, Baby" from 1953. She wrote many of her own songs, but like many artists of her day, did not own the publishing rights, so when Joplin recorded her "Ball and Chain," Big Mama Thornton didn't get any royalties from it. This week, Matt The Cat dusts off Big Mama Thornton's best sides from Peacock Records and even digs up her first recordings for the E&W label under the group name, The Harlem Stars (1950). 

Episode #327 - Percy Mayfield - 1949-60

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Some songwriters and singers just know how to tap into deepest regions of sadness, passion and truth. Such is the musical prowess of Percy Mayfield, the "Poet Laureate Of The Blues." Mayfield, who signed with Specialty Records in 1950, scored six consecutive charging singles with his first release for the label, "Please Send Me Someone To Love" hitting #1. This week, Matt The Cat digs through the musical treasure trove of fantastic 78s by the one and only "Prince Of Pain," Percy Mayfield.

Jukelogolargeapple2_small Percy MayfieldPercy Mayfield - 1949-60

Some songwriters and singers just know how to tap into deepest regions of sadness, passion and truth. Such is the musical prowess of Percy Mayfield, the "Poet Laureate Of The Blues." Mayfield was born in rural Louisiana in 1920 and found he had a knack for writing poetry early on in life. By high school, he was putting his poems to music and finding local encouragement. By the early 1940s, he was settled in Los Angeles doing odd jobs, trying to make it as a songwriter and a singer. In '49, he took his song, "Two Years Of Torture" to Supreme Records in LA, hoping that their artist, Jimmy Witherspoon would record it, but they were so impressed with Mayfield, that they had him wax it instead. "Two Years Of Torture" sold well enough around California to peak the interest of record man, Art Rupe of Specialty Records. He signed Mayfield in 1950 and they struck gold right out of the gate with his composition, "Please Send Me Someone To Love," his only #1 record. What followed was six consecutive charging singles and a jukebox full of songs about pain, suffering and lonliness.This week, Matt The Cat digs through the musical treasure trove of fantastic 78s by the one and only Percy Mayfield. 

Episode #329 - Elmore James - 1951-55

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Elmore James never tried to have crossover success. He was a bluesman through and through; an ambassador of the Mississippi Delta Blues with a modern, 1950s electric twist. This week, Matt The Cat dusts off some prime Elmore James 78s from several labels and in many blues styles. Many of these records built off the original "Dust My Broom" guitar lick, but they are also good enough to stard firmly on their own.

Jukelogolargeapple2_small Elmore JamesElmore James - 1951-55

Elmore James never tried to have crossover success. He was a bluesman through and through; an ambassador of the Mississippi Delta Blues with a modern, 1950s electric twist. Elmore's blues was as pure as his ambitions when starting out as a sideman for now legendary blues harpist Sonny Boy Williamson II. James played on several Williamson sessions held in 1951 at Trumpet Records in Jackson, MS, until he was coaxed into playing the Robert Johnson tune, "Dust My Broom" in August. Trumpet gave James one side of the original 78 RPM release and in early 1952, "Dust My Broom" became a national R&B hit! Ike Turner, who was scouting for the Bihari Brothers of LA's Modern Records, found Elmore and got him signed to a four year deal with the Biharis. They issued his first record on their Meteor subsidiary and "I Believe," a reworking of "Dust My Broom," also became a top 10 national hit. Elmore James wouldn't score another hit record until 1960, but in those years in-between, James issued some incredible and highly influential blues sides, featuring his legendary slide guitar style. James would go on to inspire The Rolling Stones, The Yardbirds, early Fleetwood Mac and others, but would not live to see it. This week, Matt The Cat dusts off some prime Elmore James 78s from several labels and in many blues styles. Many of these records built off the original "Dust My Broom" guitar lick, but they are also good enough to stard firmly on their own.

 

Episode #333 - LaVern Baker, Pt. 1 - 1949-1954

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, th "Juke In The Back" looks at how one of R&B's greatest voices, LaVern Baker, got her start. It's part one of a two part feature on the early career of LaVern Baker. In part one, we'll dig on Baker's first recordings from 1949-1954. Don't miss the story of LaVern Baker, one of the greatest female vocalists of the 1950s on this week's "Juke In The Back."

Jukelogolargeapple2_small LaVern BakerLaVern Baker, Pt. 1 - 1949-54

This week, th "Juke In The Back" looks at how one of R&B's greatest voices, LaVern Baker, got her start. It's part one of a two part feature on the early career of LaVern Baker. In part one, we'll dig on Baker's first recordings from 1949-1954. She began her recording career with Eddie "Sugarman" Penigar Orch in 1949, then recorded a few sides as Little Miss Sharecropper on National Records. She then started singing with Maurice King and His Wolverines and finally with Todd Rhodes on King Records. After leaving Rhodes' band, Baker was determined to become a solo artist and signed up with Atlantic Records, just in time for the Rock n' Roll Explosion of the mid-1950s. None of these early records made the national charts, but you can really hear LaVern Baker evolve as an artist as the music moved closer and closer from Rhythm & Blues to Rock n' Roll. In part 2, Matt The Cat will feature her breakthrough record of 1955 and the many hits that followed. Don't miss the story of LaVern Baker, one of the greatest female vocalists of the 1950s on this week's "Juke In The Back." 

Episode #334 - LaVern Baker, Pt. 2 - 1954-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" looks at how one of R&B's greatest voices, LaVern Baker, got her start. It's part two of a two part feature on the early career of LaVern Baker. In part two, we'll dig on Baker's prime recording years of 1954-56. Her career began in Rhythm & Blues, but she ended up becoming one of Rock n' Roll's first female superstars. Matt The Cat spins all of her records from the end of 1954 to the end of 1956, her most popular period on this week's "Juke In The Back."

Jukelogolargeapple2_small LaVern BakerLaVern Baker, Pt. 2 - 1954-56

This week, the "Juke In The Back" looks at how one of R&B's greatest voices, LaVern Baker, got her start. It's part two of a two part feature on the early career of LaVern Baker. In part two, we'll dig on Baker's prime recording years of 1954-56. She had 4 charting records in '55, beginning with the crossover smash, "Tweedlee Dee," which stayed popular for over a year, hitting #4 R&B and crossing over to #14 Pop. In 1956, she scored 5 charters, ending the year with the release of the #1 classic, "Jim Dandy." She also headlinned the Apollo and was featured in the Alan Freed film, "Rock! Rock! Rock!" starring Tuesday Weld. LaVern Baker's career began in Rhythm & Blues, but she ended up becoming one of Rock n' Roll's first female superstars. Matt The Cat spins all of her records from the end of 1954 to the end of 1956, her most popular period on this week's "Juke In The Back." 

Episode #339 - Groove Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

In late 1953, RCA Victor launched a new subsidiary to focus on the Rhythm & Blues market, called Groove Records. It's hard to imagine, but Piano Red, King Curtis, Mickey "Guitar" Baker, Sonny Terry, Sam Butera, Big John Greer AND Arthur "Big Boy" Crudup were all on the same label for a time. This week, Matt The Cat digs up the grooviest sides from Groove Label and gives them the spins they deserve on the "Juke In The Back."

Jukelogolargeapple2_small Groove RecordsGroove Records

In late 1953, RCA Victor launched a new subsidiary to focus on the Rhythm & Blues market, called Groove Records.  They intended for Groove to compete with the independent labels like Chess, Atlantic and Vee-Jay that were dominating the genre.  RCA treated Groove as an indie by setting up its own record distribution network, like an indie, ignoring the mighty distribution arm of RCA Victor.  That might have been the label's downfall.  Groove ended up scoring only one major hit in its 3 year stint, but along the way, Groove issued some fantastic R&B recordings from the superstars of the day.  It's hard to imagine, but Piano Red, King Curtis, Mickey "Guitar" Baker, Sonny Terry, Sam Butera, Big John Greer AND Arthur "Big Boy" Crudup were all on the same label for a time.  This week, Matt The Cat digs up the grooviest sides from Groove Label and gives them the spins they deserve on the "Juke In The Back." 

Episode #345 - Clyde McPhatter, 1955-59

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Clyde McPhatter had one of the sweetest and most powerful tenor voices in all of Rhythm & Blues and early Rock n' Roll. This week, Matt The Cat focuses on Clyde McPhatter's Atlantic solo sides from 1955-1959. Clyde was a singer who's style changed as musical styles progressed during the 1950s, but he never lost his Gospel roots. Dig on Clyde's greatest solo sides on this week's "Juke In The Back."

Jukelogolargeapple2_small Clyde McPhatterClyde McPhatter, 1955-59

Clyde McPhatter had one of the sweetest and most powerful tenor voices in all of Rhythm & Blues and early Rock n' Roll. His issue throughout his 22 year recording career, was getting the recognition he thought he deserved. After singing memorable leads on many hit records for Billy Ward & The Dominoes, Clyde left because Billy Ward wouldn't put his name on the records or pay him a fair share of the profits. Ahmet Ertegun of Atlantic Records was ready to sign McPhatter and give him his own group, The Drifters. That worked out well as now Clyde had top billing and a couple #1 records with the Drifters under his belt. In mid-1955, The Drifters' manager, George Treadwell, convinced Clyde to go out on his own. His solo career began very successfully as he scored 11 charting records, including 3 #1s in the next 4 years with Atlantic Records. However, the 1960s proved a tough time for Clyde as he felt many of his fans had abandoned him. This week, Matt The Cat focuses on Clyde McPhatter's Atlantic solo sides from 1955-1959. Clyde was a singer who's style changed as musical styles progressed during the 1950s, but he never lost his Gospel roots. Dig on Clyde's greatest solo sides on this week's "Juke In The Back." 

Episode #345 - Clyde McPhatter, 1955-59

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Clyde McPhatter had one of the sweetest and most powerful tenor voices in all of Rhythm & Blues and early Rock n' Roll. This week, Matt The Cat focuses on Clyde McPhatter's Atlantic solo sides from 1955-1959. Clyde was a singer who's style changed as musical styles progressed during the 1950s, but he never lost his Gospel roots. Dig on Clyde's greatest solo sides on this week's "Juke In The Back."

Jukelogolargeapple2_small Clyde McPhatterClyde McPhatter, 1955-59

Clyde McPhatter had one of the sweetest and most powerful tenor voices in all of Rhythm & Blues and early Rock n' Roll. His issue throughout his 22 year recording career, was getting the recognition he thought he deserved. After singing memorable leads on many hit records for Billy Ward & The Dominoes, Clyde left because Billy Ward wouldn't put his name on the records or pay him a fair share of the profits. Ahmet Ertegun of Atlantic Records was ready to sign McPhatter and give him his own group, The Drifters. That worked out well as now Clyde had top billing and a couple #1 records with the Drifters under his belt. In mid-1955, The Drifters' manager, George Treadwell, convinced Clyde to go out on his own. His solo career began very successfully as he scored 11 charting records, including 3 #1s in the next 4 years with Atlantic Records. However, the 1960s proved a tough time for Clyde as he felt many of his fans had abandoned him. This week, Matt The Cat focuses on Clyde McPhatter's Atlantic solo sides from 1955-1959. Clyde was a singer who's style changed as musical styles progressed during the 1950s, but he never lost his Gospel roots. Dig on Clyde's greatest solo sides on this week's "Juke In The Back." 

Episode #348 - Bo Diddley: 1955

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week's "Juke In The Back" features every record Bo Diddley recorded during his debut year of 1955. You'll hear where it all began with one of rock n' roll's most unique and dynamic personalities, Bo Diddley.

Jukelogolargeapple2_small

Bo DiddleyBo Diddley: 1955 

This week's "Juke In The Back" takes a look at the breakthrough year of one of rock n' roll's true architects and innovators, Bo Diddley. His first recording session was held at Chess Records in Chicago on March 2nd and 3rd, 1955, where he laid down 4 original tunes. One of those songs, "I'm A Man," would inspire blues great Muddy Waters' "Manish Boy," while the other, "Bo Diddley," would be the igniting spark for rock n' roll. Diddley was a complicated and compelling artist, who's talents go way beyond his signature "hambone" rhythm, his vibrato guitar and his crazy lyrics. Bo's spirit is the spirit of rebellion, the true ingredient for rock music. It all began in 1955 and this week's "Juke In The Back" will explore those roots.

Episode #349 - Bo Diddley: 1956-59

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Last week, the "Juke In The Back" featured every recording made by the innovative BO DIDDLEY during the year 1955. This week, the Juke picks it up in early 1956 and showcases BO DIDDLEY's influential and diverse releases through 1959.

Jukelogolargeapple2_small Bo DiddleyBo Diddley: 1956-59

Last week, the "Juke In The Back" featured every recording made by the innovative BO DIDDLEY during the year 1955. This week, the Juke picks it up in early 1956 and showcases BO DIDDLEY's influential and diverse releases through 1959. He remained mostly off the R&B Charts during this period. That's inexplicable, since many of the singles issued by Checker Records became R&B, Rock n' Roll and Blues standards. Many Blues greats have recorded and interpreted Bo's "Before You Accuse Me (Take A Look At Yourself)" and countless garage bands have taken a crack at "Who Do You Love." Matt The Cat also highlights the previously unreleased original recording of "Love Is Strange," recorded almost a whole year before Mickey & Silvia made it a #1 R&B smash. Why didn't Checker ever issue Bo's original? We close the program with Bo Diddley returning to the R&B and Pop Charts in 1959 with the doo wop ballad, "I'm Sorry," the Latin-tinged "I'm Crackin' Up" and the signifying "Say Man," which would become BO DIDDLEY's biggest selling record. Don't miss BO DIDDLEY: 1956-59 on this week's "Juke In The Back." 

Episode #351 - 1947: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, we travel back 70 years with our ol' Rockola Jukebox to spotlight the biggest Rhythm & Blues jukebox hits from 1947. In part one, we'll focus on the biggest jukebox jivers from the first half of 1947, including the first charting hits for T-Bone Walker, Hadda Brooks and the original Sonny Boy Williamson.

Jukelogolargeapple2_small 1947: Jukebox Rhythm Review1947: Jukebox Rhythm Review

This week, we travel back 70 years with our ol' Rockola Jukebox to spotlight the biggest Rhythm & Blues jukebox hits from 1947. In part one, we'll focus on the biggest jukebox jivers from the first half of 1947, including the first charting hits for T-Bone Walker, Hadda Brooks and the original Sonny Boy Williamson. 1947 was dominated by Louis Jordan, who held the top spot for 40 weeks with 4 #1 records. We'll hear two of those on this week's program along with a B side that went to #2. 1947 was also the year of the "Open The Door Richard!" fad, which saw 5 versions hit the R&B top 5, not to mention a few that also topped the Pop Chart. So grab a handful of nickels and dig the popular platters from the first half of 1947 with Matt The Cat and the "Juke In The Back." 

Episode #352 - 1947: Jukebox Rhythm Review, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, we travel back 70 years with our ol' Rockola Jukebox to spotlight the biggest Rhythm & Blues jukebox hits from 1947. In part two of two, we'll focus on the biggest jukebox jivers from the second half of 1947, including the only charting singles for Bill Johnson & His Musical Notes and The Floyd Hunt Quartette. R&B stalwarts Roy Milton, Johnny Moore's Three Blazers, Joe Liggins & His Honeydrippers and The Ink Spots continue to score massive jukebox hits. So grab a handful of nickels and dig the popular platters from the second half of 1947 with Matt The Cat and the "Juke In The Back."

Jukelogolargeapple2_small 1947: Jukebox Rhythm Review1947: Jukebox Rhythm Review, Pt. 2

This week, we travel back 70 years with our ol' Rockola Jukebox to spotlight the biggest Rhythm & Blues jukebox hits from 1947. In part two of two, we'll focus on the biggest jukebox jivers from the second half of 1947, including the only charting singles for Bill Johnson & His Musical Notes and The Floyd Hunt Quartette. Louis Jordan continues to dominate the year with two more #1 platters this week and R&B stalwarts Roy Milton, Johnny Moore's Three Blazers, Joe Liggins & His Honeydrippers and The Ink Spots continue to score massive jukebox hits. 1947 also saw debut records for Amos Milburn and Clarence "Gatemouth" Brown. So grab a handful of nickels and dig the popular platters from the second half of 1947 with Matt The Cat and the "Juke In The Back." 

Episode #355 - Jimmy Reed: 1953-59

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Jimmy Reed was a hit-making blues machine back in the 1950s, yet he isn't as well remembered today as some of his contemporaries. Almost anyone could sing and play a Jimmy Reed tune, but only one man sounded like Jimmy Reed. This week, Matt The Cat loads up the "Juke In The Back" with Reed's finest sides from 1953-59.

Jukelogolargeapple2_small Jimmy ReedJimmy Reed: 1953-59

Jimmy Reed was a hit-making blues machine back in the 1950s, yet he isn't as well remembered today as some of his contemporaries. This week, Matt The Cat and the "Juke In The Back" dedicate the entire program to this highly influential bluesman. Reed's mid-tempo shuffle was unique when first introduced in 1953 and has since become a part of Blues and Rock n' Roll DNA. Reed, along with The Spaniels, were the first two acts signed to Vivian Carter and James Bracken's new label, Vee-Jay, out of Gary, Indiana. His first 2 releases didn't go anywhere, but it was his third, "You Don't Have To Go," that put Reed into the R&B top 5. He'd score 19 charting singles over the next 13 years. Some of them, like "Can't Stand To See You Go," "Little Rain," "Honest I Do," "Take Out Some Insurance," "Baby What You Want Me To Do," "Big Boss Man" and "Bright Lights, Big City" have become blues standards. Almost anyone could sing and play a Jimmy Reed tune, but only one man sounded like Jimmy Reed. This week, Matt The Cat loads up the "Juke In The Back" with Reed's finest sides from 1953-59. 

Episode #356 - Chuck Berry, Pt. 1 - 1955-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, Matt The Cat looks at Chuck Berry's very first year of recording, featuring everything he recorded between May, 1955 and April, 1956. You will actually hear Rock n' Roll music being born on part 1 of a 3 part feature from the "Juke In The Back."

Jukelogolargeapple2_small Chuck Berry, Pt. 1Chuck Berry, Pt. 1 - 1955-56

Chuck Berry has been called the "Father of Rock n' Roll" and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n' Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. The "Juke In The Back" presents part 1 of a 3 part feature on Chuck Berry's early career. This week, Matt The Cat explores Chuck Berry's first full year of recording for the legendary Chess Records in Chicago. We'll look at his recordings from his first session, held in May, 1955 to his fourth session from April, 1956 and everything in-between. Some of the titles you'll know by heart, like "Maybellene," "You Can't Catch Me" and "Roll Over Beethoven," but others might be new to your ears, like the eerie "Down Bound Train" and the very bluesy "Wee Wee Hours." Chuck Berry defined Rock n' Roll guitar and his influence is felt every time some one picks up a guitar with the intention of tearing the house down. Next week, we'll finish up 1956 and begin 1957. 

Episode #357 - Chuck Berry, Pt. 2 - 1956-57

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" presents part 2 of 3 as we examine the early recordings of Chuck Berry, the "Father Of Rock n' Roll." In part 2, we present every studio recording made by Chuck Berry from the middle of 1956 to the end of 1957.

Jukelogolargeapple2_small Chuck Berry, Pt. 2Chuck Berry, Pt. 2 - 1956-57

Chuck Berry has been called the "Father of Rock n' Roll" and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n' Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. The "Juke In The Back" presents part 2 of a 3 part feature on Chuck Berry's early career. This week, Matt The Cat presents every studio recording made by Chuck Berry from the middle of 1956 to the end of 1957. We pick up where part 1 left off as the hits continue with "School Day (Ring! Ring! Goes The Bell)" topping the R&B chart during the spring of '57. We'll also dig the demo and hit versions of "Rock and Roll Music" as well as some great, but overlooked Berry instrumentals. We end this week's program with the demo version of "Sweet Little Sixteen" and will pick it up next week on part 3 with the evolution of that important Chuck Berry tune. Don't miss the "Shakespeare Of Rock n' Roll" on this week's "Juke In The Back." 

Episode #358 - Chuck Berry, Pt. 3 - 1958

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" presents the final part of a 3 part feature on Chuck Berry's early career. This week, Matt The Cat focuses on Berry's recorded and released output during the pivotal year of 1958. It was the year that gave us "Reelin' and Rockin'," "Johnny B. Goode," "Around and Around" and "Carol." Just like in the first parts of this series, this week's program is packed with some fantastic and seldom-heard instrumentals, showcasing Chuck Berry's true guitar chops.

Jukelogolargeapple2_small Chuck Berry, Pt. 3Chuck Berry, Part 3 - 1958

Chuck Berry has been called the "Father of Rock n' Roll" and with good reason. He took the blues of T-Bone Walker and B.B. King, the guitar riffs of Carl Hogan and mixed it with the fiddle and Western Swing music of Bob Wills & His Texas Playboys. Then he rolled it all into one big sonic blast. Rhythm & Blues become Rock n' Roll when Chuck Berry began writing songs aimed at teenagers, finally granting them their own music. The "Juke In The Back" presents the final part of a 3 part feature on Chuck Berry's early career. This week, Matt The Cat focuses on Berry's recorded and released output during the pivotal year of 1958. He began the year with a bang and the #1 R&B tune "Sweet Little Sixteen." 1958 was also the year that gave us "Reelin' and Rockin'," "Johnny B. Goode," "Around and Around" and "Carol." Just like in the first parts of this series, this week's program is packed with some fantastic and seldom-heard instrumentals, showcasing Chuck Berry's true guitar chops. So dig this final "Juke In The Back" treatment of the legendary "Shakespeare Of Rock n' Roll," Chuck Berry. 

Episode #364 - Aladdin Records, Pt. 3

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" presents part 3 in our series on Aladdin Records, one of the most important independent labels of the pre-rock era. Part 3 focuses on 1953-55, just as Rock n' Roll was beginning to enter the mainstream. Matt The Cat digs up a great variety of styles this week as vocal groups, raw Rhythm & Blues, jump instrumentals, drinking songs and ballads take center stage.

Jukelogolargeapple2_small Aladdin Records, Pt. 3Aladdin Records Story, Pt. 3

The "Juke In The Back" presents part 3 in our series on Aladdin Records, one of the most important independent labels of the pre-rock era. Part 3 focuses on 1953-55, just as Rock n' Roll was beginning to enter the mainstream. Matt The Cat digs up a great variety of styles this week as vocal groups, raw Rhythm & Blues, jump instrumentals, drinking songs and ballads take center stage. We'll dig on some hits and misses from Amos Milburn, The Five Keys, Chuck Higgins, Gene & Eunice and Shirley & Lee. We'll also hear some great debut records from Bobby Marchan and Sonny Knight, who would go on to greater success on other labels. A few rare vocal group sides are also featured. Grab a handful of nickels, because this week the "Juke In The Back" is loaded with Aladdin Records sides out of Beverly Hills, CA. This is the final part in our 3 part series. 

Episode #366 - The Harptones

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The Harptones never had a national hit record, yet they are arguably the finest vocal group to come out of New York City during the 1950s. What set The Harptones apart from many of the successful vocal groups of the day was their perfectly matched harmonies.This week, Matt The Cat digs out many of The Harptones' wrongfully forgotten records and gives 'em a spin in our old Rockola "Juke In The Back."

Jukelogolargeapple2_small The HarptonesThe Harptones

The Harptones never had a national hit record, yet they are arguably the finest vocal group to come out of New York City during the 1950s. Willie Winfield's soaring tenor matched with Raoul Cita's songwriting and arrangements helped them hit the local charts and influence their peers. What set The Harptones apart from many of the successful vocal groups of the day was their perfectly matched harmonies. Whereas most vocal groups had only one signature song, The Harptones enjoyed many, from their first release, 1953's "A Sunday Kind Of Love," to "Life Is But A Dream" in '55 and "The Shrine Of St. Cecilia" in '57. This week, Matt The Cat digs out many of The Harptones' wrongfully forgotten records and gives 'em a spin in our old Rockola "Juke In The Back." 

Episode #373 - Summertime R&B: 4th of July, Food & Baseball Songs

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The Juke In The Back jumps into summer by spotlighting THE summertime holiday, the 4th of July. We're diggin' the 4th in song, ranging from songs about summertime to songs about summertime foods. We'll also focus on America's pastime with R&B songs about Baseball. So grab some nickels, suntan lotion, a hot dog and meet us at the ballpark, where the Juke In The Back will be jumpin'!

Jukelogolargeapple2_small Summertime R&BSummertime R&B: 4th of July, Food & Baseball Songs

The Juke In The Back jumps into summer by spotlighting THE summertime holiday, the 4th of July. We're diggin' the 4th in song, ranging from songs about summertime by Sam Cooke, Chuck Berry and The Basin Street Boys to songs about summertime foods from Chris Powell and John Brim. We'll also focus on America's pastime with R&B songs about Baseball, honoring some of the top players who crossed over from the Negro Leagues into the Major Leagues. Records from Buddy Johnson, Brownie McGhee and Jack Williams are highlights as we cruise America's great highways jiving to the true songs of Summer. Grab some nickels, suntan lotion, a hot dog and meet us at the ballpark, where the Juke In The Back will be jumpin'! 

Episode #379 - Jimmy Witherspoon, Pt. 2 - 1950-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Jimmy Witherspoon is one of most influential blues shouters to emerge after WWII and yet he remains just a footnote in the evolution of Rhythm & Blues and Rock n' Roll. This week in part 2 of 2, we pick it up in 1950, while he's still recording for LA's Modern Records and carry it through his stints with Federal and Checker Records. We close it up in 1956 as Spoon tries a Rock n' Roll tune with Atco Records, before reinventing himself as a jazz vocalist. All of these records must be heard in order to appreciate the depth of styles and influence on Rock n' Roll Music that Spoon had. Those records are spinning this week on the Juke In The Back with Matt The Cat.

Jukelogolargeapple2_small Jimmy WitherspoonJimmy Witherspoon, Pt. 2 - 1950-56

Jimmy Witherspoon is one of most influential blues shouters to emerge after WWII and yet he remains just a footnote in the evolution of Rhythm & Blues and Rock n' Roll. In part 1 of our 2 part feature on Spoon, we focused on his early recordings with Jay McShann's band from 1945-50. During that time, Spoon recorded his signature tune, "Ain't Nobody's Business," which topped the R&B charts during the summer of 1949. This week in part 2, we pick it up in 1950, while he's still recording for LA's Modern Records. Spoon would score his last hit, "The Wind Is Blowin'" for that label in 1952. Then he jumps over to Federal Records, where A&R man Ralph Bass tries a few new things, like pairing Spoon with the R&B vocal group, The Lamplighters. Having no charting hits on Federal, Spoon signs with Checker Records in Chicago, where only 3 singles are issued. It becomes clear that blues shouters like Witherspoon are out of fashion with the new Rock n' Roll record buyers, so he takes a stab at a Rock n' Roll song, "My Girl Ivy" for Atco in '56, before reinventing himself as a jazz singer. All of these records must be heard in order to appreciate the depth of styles and influence on Rock n' Roll Music that Spoon had. Those records are spinning this week on the Juke In The Back with Matt The Cat. 

Episode #378 - Jimmy Witherspoon, Pt. 1 - 1945-50

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Jimmy Witherspoon is one of most influential blues shouters to emerge after WWII and yet he remains just a footnote in the evolution of Rhythm & Blues and Rock n' Roll. His career spanned over 50 years and this week Matt The Cat looks at 'Spoon's early records from 1945-50 in part 1 of 2 on this talented and important figure in early Rhythm & Blues on the "Juke In The Back."

Jukelogolargeapple2_small Jimmy WitherspoonJimmy Witherspoon, Pt. 1 - 1945-50

Jimmy Witherspoon is one of most influential blues shouters to emerge after WWII and yet he remains just a footnote in the evolution of Rhythm & Blues and Rock n' Roll. Originally from Arkansas, 'Spoon settled in Los Angeles after his time in the Merchant Marines during the war. He replaced fellow-shouter Walter Brown in Jay McShann's band and was featured on McShann's first single for the fledgling Philo Label in 1945. Witherspoon is best remembered for his 1949 chart-topper, "Ain't Nobody's Business," which was actually recorded at the end of '47 and released in mid-'48. That would prove to be his signature tune, even though he had strong chart success with "In The Evening," "No Rollin' Blues" and "Big Fine Girl" in late '49. The last 2 were recorded live at the Civic Auditorium in Pasadena and really showcase the excitement of seeing 'Spoon perform live. His career spanned over 50 years and this week Matt The Cat looks at 'Spoon's early records from 1945-50 in part 1 of 2 on this talented and important figure in early Rhythm & Blues on the "Juke In The Back." 

Episode #380 - Elvis' R&B Influences

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Elvis Presley's early music was a blend of Hillbilly, Country, Gospel and R&B. This week's "Juke In The Back" explored the enormous debt Elvis owed to his Rhythm & Blues idols and in turn, the debt the music owes to Elvis.

Jukelogolargeapple2_small Early ElvisElvis' Rhythm & Blues Influences

40 years ago this week, we lost the "King Of Rock n' Roll. Much has been written about Elvis’ enormous impact and popularity over the years, but it’s almost impossible to overstate the cultural shift that took place as he rose to fame in 1956. Elvis was a musical sponge. He absorbed all the music that moved him and those around him, from Country and Hillbilly to Gospel, Pop, R&B and Blues. This week’s “Juke In The Back” focuses solely on the rhythm & blues that motivated Elvis’ early career. During the end of his first session with Sam Phillips, Elvis cut into an inspired rendition of a semi-forgotten Arthur Crudup gem and rock n’ roll was literally born. From the New Orleans R&B of Smiley Lewis, to the jump blues of Wynonie Harris, Elvis dug it all and made each song uniquely his own. He wasn’t copying his R&B idols, he was merely using their material as a springboard for his own blend of the White and the Black. Sam Phillips was right when he said that it would take a White cat with an African-American feel to propel this exciting R&B music into the mainstream and lucky for us, he found that in Elvis Presley. Matt The Cat presents many surprises in this week’s “Juke In The Back,” dedicated to Elvis’ strongest musical influence: Rhythm & Blues.

Episode #391 - Fats Domino, Pt. 1 - 1950-53

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The “Juke In The Back” is proud to feature Fats Domino, who passed away on October 24th at the age of 89. He was one of the most influential and popular recording stars of both Rhythm & Blues and Rock n’ Roll music. In part one of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from 1950 to 1953.

Jukelogolargeapple2_small Fats DominoFats Domino, Pt. 1 - 1950-53

The “Juke In The Back” is proud to feature Fats Domino, who passed away on October 24th at the age of 89. He was one of the most influential and popular recording stars of both Rhythm & Blues and Rock n’ Roll music. Fats’ streak of hit records was nearly unbroken from 1950-1963 and he did it without changing his core sound. He just kept on playin’ the New Orleans boogie woogie music that he grew up with. Antoine “Fats” Domino Jr. got his first recording contract in early December of 1949 as bandleader Dave Bartholomew introduced him to Lew Chudd, the head of LA’s Imperial Records. Within days, they were in Cosimo Matassa’s famous J&M studios cutting Fats’ first record, “The Fat Man,” which sold over one million copies and made him a star. In part one of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from 1950 to 1953. Part 2 will pick it up and spin the charting singles up through Domino’s big Pop crossover success with “Ain’t It A Shame” in 1955. We’re diggin’ on the R&B roots of the late, great Fats Domino, this week on the “Juke In The Back.” 

Episode #392 - Fats Domino, Pt. 2 - 1953-55

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The “Juke In The Back” is proud to feature Fats Domino, who passed away on October 24th at the age of 89. He was one of the most influential and popular recording stars of both Rhythm & Blues and Rock n’ Roll music. In part two of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from mid-1953 thru his enormous crossover success in 1955 with “Ain’t It A Shame.” This show will also feature some great non-charting records and fabulous instrumentals from this time period as well. So c’mon and dig the R&B roots of the late, great Fats Domino, this week on the “Juke In The Back.”

Jukelogolargeapple2_small Fats DominoFats Domino, Pt. 2 - 1953-55

The “Juke In The Back” is proud to feature Fats Domino, who passed away on October 24th at the age of 89. He was one of the most influential and popular recording stars of both Rhythm & Blues and Rock n’ Roll music. Fats’ streak of hit records was nearly unbroken from 1950-1963 and he did it without changing his core sound. He just kept on playin’ the New Orleans boogie woogie music that he grew up with. Antoine “Fats” Domino Jr. got his first recording contract in early December of 1949 as bandleader Dave Bartholomew introduced him to Lew Chudd, the head of LA’s Imperial Records. Within days, they were in Cosimo Matassa’s famous J&M studios cutting Fats’ first record, “The Fat Man,” which sold over one million copies and made him a star. In part two of this two part series, Matt The Cat will spin the A and B sides of EVERY Fats Domino R&B charting single from mid-1953 thru his enormous crossover success in 1955 with “Ain’t It A Shame.” That record not only spent 11 weeks on top of the R&B charts, but it also crossed over and hit #10 on the Pop charts. Pat Boone would take his cover version to #1, thus giving Fats Domino even more Pop exposure. This show will also feature some great non-charting records and fabulous instrumentals from this time period as well. So c’mon and dig the R&B roots of the late, great Fats Domino, this week on the “Juke In The Back.”

Episode #400 - Combo Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

"Juke In The Back" kicks off 2018 with a profile of Combo Records, a small, independent Los Angeles record label that only scored one national hit, but had a stellar roster full of the top R&B acts of its day. Matt The Cat digs deep into the Combo label and focuses on the early years of 1951-54 on this week's "Juke In The Back."

Jukelogolargeapple2_small Combo RecordsCombo Records

"Juke In The Back" kicks off 2018 with a profile of Combo Records, a small, independent Los Angeles record label that only scored one national hit, but had a stellar roster full of the top R&B acts of its day. Combo was formed in 1951 by trumpeter, bandleader and arranger Jake Porter. He kept the label up and running for ten years and released stellar records by some of his musician friends, honkin' sax cat Joe Houston, bandleader Jack McVea and Blues Shouter Gene Phillips. He recorded established blues stars Smokey Hogg and Betty Hall Jones. Vocal groups from The Squires to The Chanters also graced Combo's label. Gene & Eunice hit the top ten in late 1954 with their first version of the now-classic and oft-covered, "Ko Ko Mo." Matt The Cat digs deep into the Combo label and focuses on the early years of 1951-54 on this week's "Juke In The Back." 

Episode #401 - 1948: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The jukebox takes center stages as we travel back 70 years to dig on the hep sounds of 1948. This week, in part 1 of 2, the "Juke In The Back" features the biggest jukebox hits of the first half of 1948.

Jukelogolargeapple2_small 1948: Jukebox Rhythm Review1948: Jukebox Rhythm Review, Pt. 1

The jukebox takes center stages as we travel back 70 years to dig on the hep sounds of 1948. This week, in part 1 of 2, the "Juke In The Back" features the biggest jukebox hits of the first half of 1948. You'll jump to records by Wynonie Harris, Bull Moose Jackson, Nellie Lutcher, Camille Howard, Sonny Thompson and many more. Dig on the unique sound of the "Chee Chee Girl" as well as Nat "King" Cole's big crossover hit that actually did better on the Pop than R&B lists. We've got souring instrumentals, jump blues, crooners and vocal groups, so grab a fist full of nickels and get ready to celebrate part 1 of 1948 on this week's "Juke In The Back" with Matt The Cat. 

Episode #402 - 1948: Jukebox Rhythm Review, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The jukebox takes center stages as we travel back 70 years to dig on the hep sounds of 1948. This week, in part 2 of 2, the "Juke In The Back" features the biggest jukebox hits of the last half of 1948. You'll jump to records by Rosetta Howard, Memphis Slim, Pee Wee Crayton, Hal Singer, Sonny Thompson and many more. Grab a fist full of nickels and get ready to celebrate part 2 of 1948 on this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small 1948: Jukebox Rhythm Review1948: Jukebox Rhythm Review, Pt. 2

The jukebox takes center stages as we travel back 70 years to dig on the hep sounds of 1948. This week, in part 2 of 2, the "Juke In The Back" features the biggest jukebox hits of the last half of 1948. You'll jump to records by Rosetta Howard, Memphis Slim, Pee Wee Crayton, Hal Singer, Sonny Thompson and many more. Dig on early sides by Amos Milburn and The Orioles as well as Arbee Stidham's only chart hit. Plus, the bones, an ancient folk instrument is featured on one of the year's most enduring records. We've got souring instrumentals, jump blues, crooners and vocal groups, so grab a fist full of nickels and get ready to celebrate part 2 of 1948 on this week's "Juke In The Back" with Matt The Cat. 

Episode #405 - Cat Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Matt The Cat has a thing for record labels and he loves loading the "Juke In The Back" with 78s from one label. This week, we do it again as we feature Cat Records, the short-lived subsidiary of Atlantic Records. R&B greats Floyd Dixon, Jimmy Lewis, Margie Day and songwriter Rose Marie McCoy all stopped by Cat for one or two releases AND the first Mickey & Sylvia record was issued on Cat in 1954. So put your nickels to good use this week as we explore the brief history of Cat Records on the "Juke In The Back."

Jukelogolargeapple2_small Cat RecordsCat Records

Matt The Cat has a thing for record labels and he loves loading the "Juke In The Back" with 78s from one label. This week, we do it again as we feature Cat Records, the short-lived subsidiary of Atlantic Records. Atlantic set Cat up to be their Rock n' Roll label, but after only a year and a half and 18 single releases, they decided to disband it in favor of Atco Records. During those 18 78s and 45s, Cat issued some smokin' Rhythm & Blues, jivin' vocal groups as well as a few pop and novelty records. Cat Records only enjoyed one national hit, "Sh-Boom" by The Chords, but what a spectacular hit it was. It topped out at #2 on the R&B chart and crossed-over to an impressive #5 Pop. R&B greats Floyd Dixon, Jimmy Lewis, Margie Day and songwriter Rose Marie McCoy all stopped by Cat for one or two releases AND the first Mickey & Sylvia record was issued on Cat in 1954. So put your nickels to good use this week as we explore the brief history of Cat Records on the "Juke In The Back." 

Episode #408 - Mambo / Vita Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The Juke In The Back is jumpin' this week with records from the Vita Label and its direct predecessor, Mambo Records. Mambo hit the ground running with a roster of fantastic R&B cats, like Willie Egan (who's name always appeared on record as either Eggins or Egans), saxophonist Jackie Kelso and vocal groups the Squires and The Colts."Adorable" by The Colts was Vita's first hit record and The Colts only hit record. More Vita releases from The Colts, The Squires, Harmonic Slim, Ike Turner and The Titans followed. This week's Juke In The Back is a look into the musical legacy of Vita Records, another small West Coast label that made a significant contribute to Rhythm & Blues and the formation of Rock n' Roll.

Jukelogolargeapple2_small Vita RecordsMambo / Vita Records

The Juke In The Back is jumpin' this week with records from the Vita Label and its direct predecessor, Mambo Records. In 1955, record producer Mike Gradney got together with Larry Mead, who owned a record pressing plant in Pasadena, CA to form Mambo Records. They picked that name, because the Mambo was all the rage in '55. Mambo hit the ground running with a roster of fantastic R&B cats, like Willie Egan (who's name always appeared on record as either Eggins or Egans), saxophonist Jackie Kelso and vocal groups the Squires and The Colts. Just as Mambo issued The Colts, "Adorable," they decided that disc jockeys might get confused and think Mambo Records was a Latin label instead of an R&B label. They changed Mambo to Vita and reissued "Adorable" as Vita 112. "Adorable" was Vita's first hit record and The Colts only hit record. More Vita releases from The Colts, The Squires, Harmonic Slim, Ike Turner and The Titans followed. In late 1956, Vita had a huge hit on their hands when "Confidential" by Sonny Knight took off nationally. Vita couldn't handle the distribution of such a large seller, so they leased the record out to Dot Records. The tide started turning for Vita in 1957 and Gradney left Mead to form his own label, Spry Records. Unfortunately, he took some of Vita's best artists with him and by 1959, Mead decided to shut Vita down for good. This week's Juke In The Back is a look into the musical legacy of Vita Records, another small West Coast label that made a significant contribute to Rhythm & Blues and the formation of Rock n' Roll. 

Episode #411 - Jimmy Coe

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" is proud to feature Jimmy Coe, a great 1950s saxophonist, bandleader and session man that is often ignored today. His 3 singles for States are a shining example of great musicianship, a solid groove and comedic talking blues. This week, Matt The Cat moves the Jimmy Coe 78s from the back of the Juke and spotlights a true unsung hero of Rhythm & Blues.

Jukelogolargeapple2_small Jimmy CoeJimmy Coe

The "Juke In The Back" is proud to feature Jimmy Coe, a great 1950s saxophonist, bandleader and session man that is often ignored today. Coe came up in the 1940s playing in renown bands including the Jay McShann (at the same time as Charlie Parker) and the Tiny Bradshaw bands. After the war, he settled in Indianapolis, playing clubs until hooking up with vocalist Flo Garvin. He cut a record with her and one on his own for King Records in 1952. Even though King insisted as listing Coe as Jimmy Cole, he still caught the ear of The States Record Company. His 3 singles for States are a shining example of great musicianship, a solid groove and comedic talking blues. Coe and his group then played on records by The Students, Ronnie Haig and The Five Stars. This week, Matt The Cat moves the Jimmy Coe 78s from the back of the Juke and spotlights a true unsung hero of Rhythm & Blues. 

Episode #414 - John Lee Hooker: 1948-51

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

John Lee Hooker was one of the most influential and important musicians of the 20th Century. He single-handedly invented his own electric guitar boogie sound, which he let loose on the world with his first single, "Boogie Chillen'" in 1948. This week, Matt The Cat digs deep into John Lee Hooker's early work for the Modern, Sensation, King, Staff and Chess labels as we feature his most important records from 1948-51. This is where it all began for the consummate "boogie man." It's in 'em and it's got to come out, this week on the "Juke In The Back."

Jukelogolargeapple2_small

John Lee Hooker: 1948-51

John Lee Hooker was one of the most influential and important musicians of the 20th Century. He single-handedly invented his own electric guitar boogie sound, which he let loose on the world with his first single, "Boogie Chillen'" in 1948. By early 1949, it was a number one R&B hit and Hooker was on his way to infamy. He took the Delta Blues he had learned growing up from his step-father, William Moore and his sister's boyfriend, Tony Hollins and turned it upside down, creating his own distinct style. A style that was often copied, but never fully coped. Hooker knew that he wasn't going to make any money getting stuck in record company contracts, so he would record for any company that would pay him up front. He waxed for numerous labels during the late 1940s and early '50s and recorded under several pseudonyms, in order to protect himself from lawsuits. This week, Matt The Cat digs deep into John Lee Hooker's early work for the Modern, Sensation, King, Staff and Chess labels as we feature his most important records from 1948-51. This is where it all began for the consummate "boogie man." It's in 'em and it's got to come out, this week on the "Juke In The Back." 

Episode #417 - Jimmy Preston

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Jimmy Preston made a major contribution to early Rock n' Roll by ushering in the era of the screamin' sax. He is mostly remembered today for his original rendition of "Rock The Joint" in 1949, which is a contender for the first Rock n' Roll song. Matt The Cat has dug up many more noteworthy jump tunes to open your ears and tap your toe to. This week's "Juke In The Back" is jumpin' with some pristine shellac from the great and highly unappreciated Jimmy Preston. DIG!

Jukelogolargeapple2_small Jimmy Preston Rock The JointJimmy Preston

Jimmy Preston made a major contribution to early Rock n' Roll by ushering in the era of the screamin' sax. "Messin' With Preston," "Hucklebuck Daddy," "Hay Ride" and his other early sides for Gotham Records were highly influential in the new genre of Rhythm & Blues, but it's his original version of "Rock The Joint" that he will always be remembered for. "Rock The Joint" from 1949 is a definite contender for the first Rock n' Roll song, but since you can't pin an entire musical movement down to just one tune, let's just say that it was one of the first. It jumps, it wails, it swings and tells the story of how this music is really going to make them rock the joint. It was immediately covered by Chris Powell & The Five Blue Flames for Columbia, then Jimmy Cavallo, but most importantly, Bill Haley laid down a ground-breaking rockabilly version of "Rock The Joint" in 1952. So even though Jimmy Preston is mostly remembered for one major contribution, Matt The Cat has dug up many more noteworthy jump tunes to open your ears and tap your toe to. This week's "Juke In The Back" is jumpin' with some pristine shellac from the great and highly unappreciated Jimmy Preston. DIG! 

Episode #421 - Richard Barrett (The Valentines)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" honors one of the silent architects of Rock n' Roll, Richard Barrett. On the surface, he's known today to fans of vocal group music as the lead singer and chief songwriter for The Valentines. Matt The Cat fills the ol' Rockola "Juke In The Back" with Valentines records and sheds some light on the influence that Richard Barrett had on Rhythm & Blues and early Rock n' Roll.

Jukelogolargeapple2_small Richard Barrett & The ValentinesRichard Barrett (The Valentines)

This week, the "Juke In The Back" honors one of the silent architects of Rock n' Roll, Richard Barrett. On the surface, he's known today to fans of vocal group music as the lead singer and chief songwriter for The Valentines. They had a string of solid singles on George Goldner's Rama Records from 1955-57, but due to Rama's lack of promotion for the group, they never scored a national hit. When you dig a little deeper, you find that Barrett played a pivotal role in getting Frankie Lymon & The Teenagers, The Chantels and Little Anthony & the Imperials signed to Goldner's Gee and End Records, respectively. Barrett worked with the groups, including The Cleftones, to perfect their sound and produced many of their hit records. He was a immensely talented, driven man, who accomplished a lot more than he ever gets credit for. Matt The Cat fills the ol' Rockola "Juke In The Back" with Valentines records and sheds some light on the influence that Richard Barrett had on Rhythm & Blues and early Rock n' Roll. 

Episode #425 - Vocalese

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Vocalese is a musical sub-genre of Jazz and R&B that burst on the scene in 1952 and was practically gone by 1954. Before it departed, King Pleasure (real name Clarence Beeks) had managed to rack up 2 top 10 R&B hits in the style, which is a lyrical interpretation of an instrumental solo. Unlike scatting, which uses nonsense syllables to mimic an instrumental solo, Vocalese uses actual lyrics. This week, Matt The Cat shines the spotlight on this oft-forgotten, but incredible musical form on this week's "Juke In The Back."

Jukelogolargeapple2_small Vocalese (King Pleasure)Vocalese

Vocalese is a musical sub-genre of Jazz and R&B that burst on the scene in 1952 and was practically gone by 1954. Before it departed, King Pleasure (real name Clarence Beeks) had managed to rack up 2 top 10 R&B hits in the style, which is a lyrical interpretation of an instrumental solo. Unlike scatting, which uses nonsense syllables to mimic an instrumental solo, Vocalese uses actual lyrics. Eddie Jefferson is credited as its innovator, taking Coleman Hawkins' 1939 groundbreaking version of "Body & Soul" and setting Hawk's monumental improved sax solo to lyrics. That set the stage for the biggest record of the Vocalese sub-genre, "Moody's Mood For Love." King Pleasure took that record to #2 during the spring of 1952, though the lyrics were written by Jefferson. It was based on James Moody's 1950 rendition of "I'm In The Mood For Love." Moody would soon adopt the tune, "Moody's Mood For Love" as his theme song and play it until his death in 2010. Echoes of the original Vocalese movement were carried on by the trio Lambert, Hendricks and Ross in the late 1950s and revived again by the Manhattan Transfer in the '70s. This week, Matt The Cat shines the spotlight on this oft-forgotten, but incredible musical form on this week's "Juke In The Back." 

Episode #439 - Roy Milton

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" is proud to shine the spotlight on one of the granddads of Rock n' Roll, Roy Milton. His group, The Solid Senders, was composed of top-notch musicians, including Camille Howard, who was one of the greatest boogie woogie pianists of all-time. He was one of Specialty's biggest acts, remaining with the label from its inception until 1955 and scoring 17 charting singles along the way. Matt The Cat is going to make sure Roy Milton gets the respect he deserves on this week's "Juke In The Back."

Jukelogolargeapple2_small Roy MiltonRoy Milton

The "Juke In The Back" is proud to shine the spotlight on one of the granddads of Rock n' Roll, Roy Milton. His group, The Solid Senders, was composed of top-notch musicians, including Camille Howard, who was one of the greatest boogie woogie pianists of all-time. Milton, a drummer, songwriter, singer and bandleader who was part Native American and part African American. He was the first artist signed to Art Rupe's Juke Box Records in 1945 and after scoring an enormous hit in 1946 with "R.M. Blues," made the transition over to Rupe's next label, the trend-setting Specialty Records. Between Rupe's two labels, Milton started his own Miltone Records in order to showcase his recordings and those of his contemporaries. He was one of Specialty's biggest acts, remaining with the label until 1955 and scoring 17 charting singles along the way. Matt The Cat is going to make sure Roy Milton gets the respect he deserves on this week's "Juke In The Back." 

Episode #446 - Rhythm & Booze: Hey! Bartender

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" continues our sporadic series Rhythm & Booze with a tribute to bartenders, juke joints and barrel houses as well as a salute to beer and beer drinkin' women. This installment is called "Hey! Bartender" and it's sure to take away your blues. Matt The Cat also relates the intriguing story of Hadacol. So if your "Bartender's Juke Like A Mother," than you best be diggin' on this week's program and doing your mama proud.

Jukelogolargeapple2_small Hey! BartenderRhythm & Booze: Hey! Bartender

The "Juke In The Back" continues our sporadic series Rhythm & Booze with a tribute to bartenders, juke joints and barrel houses as well as a salute to beer and beer drinkin' women. This installment is called "Hey! Bartender" and it's sure to take away your blues. We'll raise a glass of "Pink Champagne" and "Vicious, Vicious Vodka" for good measure while Dave Bartholomew lets you know how upset he is that someone swiped his beer while he was in the rear. Jimmy Witherspoon and Roy Milton sing the praises of our favorite malty beverage while Amos Milburn doesn't leave anything to chance as the juke joint is closing by ordering "One Scotch, One Bourbon and One Beer." Matt The Cat also relates the intriguing story of Hadacol. So if your "Bartender's Juke Like A Mother," than you best be diggin' on this week's program and doing your mama proud. Catch Rhythm & Booze: Hey! Bartender on this week's "Juke In The Back." 

Episode #450 - Cool Yule: R&B Christmas, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" presents part 2 of our 2 part vintage Christmas Rhythm & Blues extravaganza that Matt The Cat is calling "Cool Yule." Dig on an hour's worth of vintage Rhythm & Blues Christmas records that you don't often hear from Solomon Burke's first record to a seldom heard Louis Jordan Christmas sound. We'll take a look at our New Year's plans and Miss Rosie provides a shopping guide for those near and dear or far and away. So grab the nog, light the tree and get ready to dig all the Cool Yule sounds on this week's holiday "Juke In The Back."

Jukelogolargeapple2_small Cool Yule: R&B ChristmasCool Yule: R&B Christmas, Pt. 2

The "Juke In The Back" presents part 2 of our 2 part vintage Christmas Rhythm & Blues extravaganza that Matt The Cat is calling "Cool Yule." Louis Armstrong presents the title song with a backing group that is often overlooked and we spin a Louis Jordan Christmas record that's hardly ever played. In-between, you'll find doo wop morsels from The Cameos, Marvin & The Chips, The Youngsters and a rare early Sun Ra release by The Qualities. Chuck Berry thanks his baby for a wonderful Christmas while Charles Brown asks his sweetheart to come home and Sister Rosetta Tharpe slays us with a traditional hymn. We'll take a look at our New Year's plans and Miss Rosie provides a shopping guide for those near and dear or far and away. So grab the nog, light the tree and get ready to dig all the Cool Yule sounds on this week's holiday "Juke In The Back." 

Episode #457 - Dave Bartholomew: Happy 100!

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" proudly celebrates the 100th birthday of Dave Bartholomew, one of the fathers of not only Rhythm & Blues, but also Rock n' Roll. Bartholomew grew up with the music of New Orleans, learning to play trumpet from Peter Davis, the same cat who taught Louis Armstrong to play. Though Dave Bartholomew is best remembered for who he recorded and discovered, Matt The Cat takes this week's program to showcase Bartholomew's own recordings for DeLuxe, Decca, King and Imperial Records. He unfortunately only had one nationally charting record during his entire career, but he was the New Orleans R&B sound of the 1950s. His band played on almost every important record to come out of the Crescent City during that time period. It's fitting that a man who did so much has lived so long and we're honored to dedicate an entire program to the GREAT Dave Bartholomew.

Jukelogolargeapple2_small Dave BartholomewDave Bartholomew: Happy 100!

The "Juke In The Back" proudly celebrates the 100th birthday of Dave Bartholomew, one of the fathers of not only Rhythm & Blues, but also Rock n' Roll. Bartholomew grew up with the music of New Orleans, learning to play trumpet from Peter Davis, the same cat who taught Louis Armstrong to play. He fortunately also learned how to read and write music at an early age, which would help him out later as a producer. In the studio, he could arrange the tunes on the spot as he worked with some of New Orleans' finest musicians. Bartholomew was hand-picked by Lew Chud, the owner of Imperial Records out of Los Angeles, to be his local New Orleans talent scout and producer. He discovered and recorded Fats Domino, The Hawks, The Spiders, Bobby Mitchell & The Toppers, Shirley & Lee, Lloyd Price (for Specialty) and so many more. Though Dave Bartholomew is best remembered for who he recorded and discovered, Matt The Cat takes this week's program to showcase Bartholomew's own recordings for DeLuxe, Decca, King and Imperial Records. He unfortunately only had one nationally charting record during his entire career, but he was the New Orleans R&B sound of the 1950s. His band played on almost every important record to come out of the Crescent City during that time period. It's fitting that a man who did so much has lived so long and we're honored to dedicate an entire program to the GREAT Dave Bartholomew. 

Episode #459 - 1949: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Once again, it's time to put the ol' Rockola Jukebox in the spotlight as we blast back 70 years on our annual Jukebox Rhythm Review. Matt The Cat loads up the Juke with the biggest jukebox hits of 1949. This week, in part one, we'll focus on the most requested records from the first half of 1949, so fill your pockets with nickels and get ready to jive n' wail to the biggest R&B tunes from the first half of 1949 on this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small 1949: Jukebox Rhythm Review1949: Jukebox Rhythm Review, Pt. 1

Once again, it's time to put the ol' Rockola Jukebox in the spotlight as we blast back 70 years on our annual Jukebox Rhythm Review. Matt The Cat loads up the Juke with the biggest jukebox hits of 1949. This week, in part one, we'll focus on the most requested records from the first half of 1949 and next week, we'll cover the second half of the year. 1949 was a big year for artists' debut records to go to #1, as exemplified in this week's program by John Lee Hooker and Big Jay McNeely. Amos Milburn scores the first #1 of the year, while Paul Williams and Charles Brown score 2 of the biggest sellers. Sister Rosetta Tharpe hears music in the air, while Julia Lee gets a little bit naughty and Dinah Washington compliments her man with "You Satisfy," a song she recorded in 1947, but not issued by Mercury until the spring of 1949. So fill your pockets with nickels and get ready to jive n' wail to the biggest R&B tunes from the first half of 1949 on this week's "Juke In The Back" with Matt The Cat. 

Episode #465 - Roy Byrd aka Professor Longhair

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

New Orleans has probably given birth to more musical geniuses than any other city in the world. So when you cite one particular artist from The Crescent City and say that they are the granddaddy of 'em all, that's something extra special. That, cats & kittens, is Henry Roeland Byrd, aka Roy Byrd, aka Professor Longhair. Atlantic was the first to issue a Professor Longhair record (January of 1950), but Mercury and Star Talent both issued singles the following month. For Mercury, he was known as Roy Byrd and he scored his only national hit during the summer of 1950 with "Bald Head." Still, the records he made for Atlantic are probably the best remembered today. On this week's "Juke In The Back," Matt The Cat shares an interview with Atlantic's co-founder Ahmet Ertegun on how he and partner Herb Abramson came to discover and sign Professor Longhair in 1949. So get ready to jump n' shout and knock it out as we feature the fantabulous Roy Byrd aka Professor Longhair.

Jukelogolargeapple2_small Roy Byrd aka Professor LonghairRoy Byrd aka Professor Longhair

New Orleans has probably given birth to more musical geniuses than any other city in the world. So when you cite one particular artist from The Crescent City and say that they are the granddaddy of 'em all, that's something extra special. That, cats & kittens, is Henry Roeland Byrd, aka Roy Byrd, aka Professor Longhair. Byrd's piano and singing style are like none that came before or since. He's influenced all the greats, from Fats Domino and Huey Smith to Allen Toussaint and Dr. John, yet none of them could copy his sound. Matt The Cat features the early and most influential records from Roy Byrd, who was also recording under the name Professor Longhair at the same time and had records out under 3 different record labels. His first recordings were made for the Star Talent label, but a union issue kept them from being released right away, so he then recorded for Mercury and Atlantic, holding recording sessions one month apart. Atlantic was the first to issue a Professor Longhair record (January of 1950), but Mercury and Star Talent both issued singles the following month. For Mercury, he was known as Roy Byrd and he scored his only national hit during the summer of 1950 with "Bald Head." Still, the records he made for Atlantic are probably the best remembered today. On this week's "Juke In The Back," Matt The Cat shares an interview with Atlantic's co-founder Ahmet Ertegun on how he and partner Herb Abramson came to discover and sign Professor Longhair in 1949. So get ready to jump n' shout and knock it out as we feature the fantabulous Roy Byrd aka Professor Longhair. 

Episode #472 - Christine Kittrell

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Nashville truly earned its nickname as "Music City" during the 1950s as it was not only the home of Country Music, but also a hotbed for a thriving Rhythm & Blues Scene. Vocalist Christine Kittrell is a great example of how wonderful and vibrant that R&B scene was. Matt The Cat digs up her jumpin' sides, along with a few smooth ballads and all that was in-between from this queen of the Nashville R&B scene. It's Christine Kittrell's Tennessee and Republic releases on this week's "Juke In The Back."

Jukelogolargeapple2_small Christine KittrellChristine Kittrell

Nashville truly earned its nickname as "Music City" during the 1950s as it was not only the home of Country Music, but also a hotbed for a thriving Rhythm & Blues Scene. Vocalist Christine Kittrell is a great example of how wonderful and vibrant that R&B scene was. She was born and raised in Nashville, getting her musical education from singing at her local Baptist Church. Once she hooked up with Louis Brooks' band during the mid-1940s, her star began to rise. Songwriter, arranger, producer and talent scout for Tennessee Records, Ted Jarrett signed her in 1951 and soon many markets throughout the South were hip to Kittrell's blues shoutin' style and Jarrett's top-notch arrangements. Her 2nd single, "Sittin' Here Drinkin'," gained her airplay around the South and holds up today as her best known record. She would re-record it for Republic Records, which is the label that Tennessee changed its name to in 1953 and again for Vee-Jay Records in the early 60s. She was friends with Little Richard, who had roots in the Nashville scene and he even stopped by for a recording session with Kittrell in 1954. Matt The Cat will dig up those jumpin' sides, along with a few smooth ballads and all that was in-between from this queen of the Nashville R&B scene. It's Christine Kittrell's Tennessee and Republic releases on this week's "Juke In The Back."

Episode #477 - Willie Mabon

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Willie Mabon scored 2 #1 R&B records with "I Don't Know" and "I'm Mad" in 1952 and '53 respectively. Having 2 #1s ensured that he would never be forgotten, BUT Matt The Cat believe that this piano playing, harp-blowin' blues cat should be better remembered and respected. So grab a pocket full of nickels for the ol' Rock-Ola juke and dig the sounds from Willie Mabon as we spin 'em 'round on this week's "Juke In The Back."

Jukelogolargeapple2_small Willie MabonWillie Mabon

Willie Mabon scored 2 #1 R&B records with "I Don't Know" and "I'm Mad" in 1952 and '53 respectively. Having 2 #1s ensured that he would never be forgotten, BUT Matt The Cat believe that this piano playing, harp-blowin' blues cat should be better remembered and respected. This week, the "Juke In The Back" takes a look at nearly all his recordings for Chess Records, covering his career from his first solo release on Parrot in '52 to his post-Chess single on Federal in '57. In-between, you find different variations on his smash hits along side some unique sounding compositions which remain interesting to listen to and dig on some 70 years later. So grab a pocket full of nickels for the ol' Rock-Ola juke and dig the sounds from Willie Mabon as we spin 'em 'round on this week's "Juke In The Back." 

Episode #491 - Swing Time Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Jack Lauderdale started Downbeat Records in 1947, making it one the first Black owned record companies in America. The jazz magazine Downbeat forced Lauderdale to consider alternate names for his label and so he issued a number of releases on Swing, Swing Beat and finally, Swing Time. This week, Matt The Cat will fill the "Juke In The Back" with great 78s by Lowell Fulson, Lloyd Glenn, Big Joe Turner and a very young Ray Charles.

Jukelogolargeapple2_small Swing Time RecordsSwing Time Records

Jack Lauderdale started Downbeat Records in 1947, making it one the first Black owned record companies in America. He wanted to focus on the growing jazz and R&B market, where other small, independent labels were thriving. Right off the bat, Lauderdale set up a distribution network and began leasing and buying material from other, smaller labels. This helped him get through the Recording Ban of 1948, since he had plenty of pre-recorded material to release while the union forbade musicians from playing on any sessions. The jazz magazine Downbeat forced Lauderdale to consider alternate names for his label and so he issued a number of releases on Swing, Swing Beat and finally, Swing Time. This week, Matt The Cat will fill the "Juke In The Back" with mostly original recordings that Lauderdale recorded and issued himself, instead of the reissued material from other labels. Classics like Ray Charles' first sides with the Maxin Trio, Lloyd Glenn's #1 record and Lowell Fulson's incredible, hit-laden run with the label. Swing Time is an oft-storied label that comes to life on this week's "Juke In The Back." 

Episode #499 - Earl Lewis & The Channels

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

The "Juke In The Back" is proud to feature The Channels, one of New York City's finest and most influential vocal groups of the mid-1950s. Earl Lewis joins Matt The Cat to tell his story in his own words. He sheds some light on a few long-standing questions and opens up about what it was like to lead a 1950s vocal group. Don't miss Earl Lewis and the Channels on this week's "Juke In The Back."

Jukelogolargeapple2_small Earl Lewis & The ChannelsEarl Lewis & The Channels

The "Juke In The Back" is proud to feature The Channels, one of New York City's finest and most influential vocal groups of the mid-1950s. At only 15 years, Earl Lewis fronted the group who recorded one of Doo Wop's most classic tunes, the self-penned, "The Closer You Are" for Bobby Robinson's Whirlin' Disc label out of Harlem. Earl Lewis joins Matt The Cat to tell his story in his own words. You'll hear The Channels classic Whirlin' Disc sides as well as the 2 singles they recorded for George Goldner's Gone Label in '57 a fantastic record cut for Robinson's Fury Records in '59. Earl Lewis sheds some light on a few long-standing questions and opens up about what it was like to lead a 1950s vocal group. Don't miss Earl Lewis and the Channels on this week's "Juke In The Back." 

Episode #500 - James Brown: 1956-58

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, the Juke In The Back celebrates its 500th episode. Matt The Cat marks the milestone with a very special show on one of R&B and Rock n' Roll's greatest acts, James Brown. As we'll hear on this week's program, Brown had to suffer through a mess of unsuccessful records, in order to find his "sound." Matt The Cat highlights James Brown and the Famous Flame's string of early singles for Federal as we bear witness to an artist trying to find himself. Along the way, we discover some pretty great and almost forgotten songs and performances. The early recordings of the "Godfather of Soul" are featured on this week's "Juke In The Back."

Jukelogolargeapple2_small James BrownJames Brown: 1956-58

This week, the Juke In The Back celebrates its 500th episode. Matt The Cat marks the milestone with a very special show on one of R&B and Rock n' Roll's greatest acts, James Brown. Born into a poor community in South Carolina, James Brown worked his way to the very top in the entertainment business, but it wasn't without a struggle. As we'll hear on this week's program, Brown had to suffer through a mess of unsuccessful records, in order to find his "sound." His first single for Federal Records, "Please, Please, Please" caught fire and shot into the R&B top 5 in 1956, but it was a blessing and a curse. He wouldn't make the charts again for almost 3 years. But once "Try Me" topped the R&B lists in early 1959, Brown was on a roll that would extend over the next 20 plus years. Matt The Cat highlights James Brown and the Famous Flame's string of early singles for Federal as we bear witness to an artist trying to find himself. Along the way, we discover some pretty great and almost forgotten songs and performances. The early recordings of the "Godfather of Soul" are featured on this week's "Juke In The Back." 

Episode #504 - The Cleftones (R.I.P. Herb Cox)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Herb Cox, the primary singer and songwriter for the Cleftones passed away on December 7, 2019 at the age of 80. Cox was a founding member of this unique sounding vocal group from Queens, NY. Matt The Cat features an interview with the late singer. This sprawling interview is littered with The Cleftones' greatest sides jumpin' out of the ol' Rockola on this week's "Juke In The Back."

Jukelogolargeapple2_small The CleftonesThe Cleftones (R.I.P. Herb Cox)

Herb Cox, the primary singer and songwriter for the Cleftones passed away on December 7, 2019 at the age of 80. Cox was a founding member of this unique sounding vocal group from Queens, NY. Started in 1955, The Cleftones enjoyed two national top 10 R&B records with "Little Girl Of Mine" in 1956 and "Heart & Soul" in 1961 and were one of the few vocal groups to score hits in two decades. Matt The Cat was fortunate enough to have interviewed Herb Cox and this week he shares that wonderful interview, packed with Herbie's remembrances of the early days of The Cleftones from the first records to the first package tours. This sprawling interview is littered with The Cleftones' greatest sides jumpin' out of the ol' Rockola on this week's "Juke In The Back." 

Episode #505 - The Hollywood Flames

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Hollywood Flames recorded for nearly 20 different record labels and had numerous personnel changes over their 18 year history, but they always remained popular in their native Southern California. Though they only touched the national chart in a big way with "Buzz-Buzz-Buzz" in 1957 for Ebb records, the Hollywood Flames cut some fantastic sides for Specialty (as the Four Flames), 7-11 (as the Jets), Money (as The Turks) and Class (as Bob & Earl and Bobby Day & The Satellites). This week, Matt The Cat tries to make sense of this group's very confusing and convoluted history and along the way, discovers some of the best West Coast R&B Vocal Group records every made.

Jukelogolargeapple2_small Hollywood FlamesThe Hollywood Flames

The Hollywood Flames recorded for nearly 20 different record labels and had numerous personnel changes over their 18 year history, but they always remained popular in their native Southern California. Formed in 1949 at a local talent show, David Ford was the only member of the group to remain for its entire existence. Bobby Byrd, who was there from the beginning, remained until he began to have solo hits as Bobby Day. Other notable R&B names, Curtis Williams, Earl Nelson and Gaynel Hodge, passed through the Hollywood Flames revolving door of vocalists and helped round out their sound. The name of the group changed almost as many times as the record labels and personnel, but there was a constant quality to the records they made. Though they only touched the national chart in a big way with "Buzz-Buzz-Buzz" in 1957 for Ebb records, the Hollywood Flames cut some fantastic sides for Specialty (as the Four Flames), 7-11 (as the Jets), Money (as The Turks) and Class (as Bob & Earl and Bobby Day & The Satellites). This week, Matt The Cat tries to make sense of this group's very confusing and convoluted history and along the way, discovers some of the best West Coast R&B Vocal Group records every made. 

Episode #508 - 1950: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" takes you back 70 years to the biggest jukebox hits of 1950 as we feature another Jukebox Rhythm Review. This week, in part 1, we'll focus on the top jukebox requests from the first half of 1950, including Fats Domino, Johnny Sparrow, Joe Turner, Joe Liggins and Dinah Washington. So have your nickels ready as Matt The Cat spins the jukebox jumpers from the first half of 1950 on this week's "Juke In The Back."

Jukelogolargeapple2_small 1950: Jukebox Rhythm Review1950: Jukebox Rhythm Review, Pt. 1

The "Juke In The Back" takes you back 70 years to the biggest jukebox hits of 1950 as we feature another Jukebox Rhythm Review. This week, in part 1, we'll focus on the top jukebox requests from the first half of 1950. We'll dig on Fats Domino's debut single, a seldom heard instrumental from saxophonist Johnny Sparrow and a jump blues raver from Tiny Bradshaw. Joe Liggins, who had been making hit records since 1945, scored the 2nd biggest hit of his career as well as the biggest record of the entire year in 1950. So have your nickels ready as Matt The Cat spins the jukebox jumpers from the first half of 1950 on this week's "Juke In The Back." 

Episode #508 - 1950: Jukebox Rhythm Review, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The "Juke In The Back" takes you back 70 years to the biggest jukebox hits of 1950 as we feature another Jukebox Rhythm Review. This week, in part 1, we'll focus on the top jukebox requests from the first half of 1950, including Fats Domino, Johnny Sparrow, Joe Turner, Joe Liggins and Dinah Washington. So have your nickels ready as Matt The Cat spins the jukebox jumpers from the first half of 1950 on this week's "Juke In The Back."

Jukelogolargeapple2_small 1950: Jukebox Rhythm Review1950: Jukebox Rhythm Review, Pt. 1

The "Juke In The Back" takes you back 70 years to the biggest jukebox hits of 1950 as we feature another Jukebox Rhythm Review. This week, in part 1, we'll focus on the top jukebox requests from the first half of 1950. We'll dig on Fats Domino's debut single, a seldom heard instrumental from saxophonist Johnny Sparrow and a jump blues raver from Tiny Bradshaw. Joe Liggins, who had been making hit records since 1945, scored the 2nd biggest hit of his career as well as the biggest record of the entire year in 1950. So have your nickels ready as Matt The Cat spins the jukebox jumpers from the first half of 1950 on this week's "Juke In The Back." 

Episode #515 - Jesse Belvin

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

"Juke In The Back" is proud to dedicate an entire show to Jesse Belvin, one of greatest talents to come out of LA in the 1950s. After meeting Marvin Phillips, whom he would collaborate with on and off for years, Belvin sang his first lead on record for Big Jay McNeely in 1951. From there, he recorded for Specialty Records with Marvin as Jesse & Marvin and scored a #2 hit with "Dream Girl." This week, Matt The Cat will focus on Jesse Belvin's greatest sides, released between 1951-56, so don't miss a single minute of the "Juke In The Back."

Jukelogolargeapple2_small Jesse BelvinJesse Belvin

"Juke In The Back" is proud to dedicate an entire show to Jesse Belvin, one of greatest talents to come out of LA in the 1950s. Belvin was born in Texas, but raised near Central Avenue in Los Angeles, where he soaked up the local R&B scene. After transferring to Jefferson High School, he fell in with Richard Berry, Gaynel Hodge and other budding vocal talents. After meeting Marvin Phillips, whom he would collaborate with on and off for years, Belvin sang his first lead on record for Big Jay McNeely in 1951. From there, he recorded for Specialty Records with Marvin as Jesse & Marvin and scored a #2 hit with "Dream Girl." He would cut sides for Recorded in Hollywood, Modern, Cash, Money, Tender, RCA and many other labels. Jesse Belvin was respected by his contemporaries and always showed a sophistication in his singing that was far beyond his years. His musical phrasing was impeccable. This week, Matt The Cat will focus on Jesse Belvin's greatest sides, released between 1951-56, so don't miss a single minute of the "Juke In The Back." 

Episode #518 - Tommy Brown

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Tommy Brown is one of the unsung blues shouters of the Rhythm & Blues Era. His only two charting records were done with the Griffin Brothers on Dot Records in 1951. He'll always be remembered for the #1 smash, "Weepin' & Cryin'," but Brown had so many tremendous records under his own name that Matt The Cat just had to feature an entire "Juke In The Back" program on Tommy Brown.

Jukelogolargeapple2_small Tommy BrownTommy Brown

Tommy Brown is one of the unsung blues shouters of the Rhythm & Blues Era. His only two charting records were done with the Griffin Brothers on Dot Records in 1951. He'll always be remembered for the #1 smash, "Weepin' & Cryin'," but Brown had so many tremendous records under his own name that Matt The Cat just had to feature an entire "Juke In The Back" program on Tommy Brown. Raised in a small Georgia town, Brown took to performing at an early age and was soon headlining clubs in Atlanta. In 1950, he got a contract with Savoy Records and recorded his first record, "Atlanta Boogie." After his 2 hits with the Griffin Brothers in '51, Brown jumped around, working with all-star bands and recording for United, Pearl, King and Imperial. This week, Matt The Cat shines a light on Brown's fantastic career, so come along for the ride and bring your your V-8, baby! 

Episode #526 - King Records, Pt. 1: Queen Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, we begin a multi-part feature on the great King Record Label, out of Cincinnati. In part one, Matt The Cat will look at King's short-lived R&B subsidiary, Queen Records. Queen got King into the R&B field, before it was folded into the parent label in 1947. Queen's top artists moved over to King as it established itself as one of the premiere R&B labels of the 1940s-70s.

Jukelogolargeapple2_small King Records Pt. 1: Queen RecordsKing Records, Pt. 1: Queen Records

This week, we begin a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After a rough start, he relaunched King in 1944 with investment from his various family members. As King began to make a dent in the hillbilly field, he recognized that it would be more cost effective to offer other musical genres to clients who were already buying the hillbilly music from him. Not wanting to confuse King's intention to be a hillbilly label, Nathan launched a rhythm & blues subsidiary that he named Queen Records. Nathan admitted that he did not have an ear for R&B, so he bought at least one third of the Queen releases from other producers, most notably, African American producer Mayo Williams. Queen only scored one national R&B hit during its 2 years of existence, Bull Moose Jackson's "I Know Who Threw The Whiskey In The Well" in 1946. By mid-1947, Syd Nathan felt that King had properly established itself as a hillbilly label and now he was comfortable going after other genres with King. There was no need for Queen Records any longer, so he closed the subsidiary and moved many of Queen's artists over to King. Now King would take on the R&B market and prove super successful at it. Matt The Cat digs up Queen's finest releases this week as we feature part 1 of King Records. So drop a nickel in for Bull Moose and let's go! 

Episode #527 - King Records, Pt. 2: 1947-48

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 2 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. He started the Queen subsidiary in 1945 as an R&B imprint and in '47 folded Queen's R&B roster into King Records. King kicked off 1948 with a #1 smash with Bull Moose Jackson's, "I Love You, Yes I Do." Jackson would score a 2nd #1 later in the year with "i Can't Go On With Out You." Matt The Cat dusts off King's biggest R&B records from 1947 and '48 on part 2 in this week's "Juke In The Back."

Jukelogolargeapple2_small King Records, Pt. 2: 1947-48King Records, Pt. 2: 1947-48

This week, it's part 2 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After a rough start, he relaunched King in 1944 with investment from his various family members. As King began to make a dent in the hillbilly field, he recognized that it would be more cost effective to offer other musical genres to clients who were already buying the hillbilly music from him. Not wanting to confuse King's intention to be a hillbilly label, Nathan launched a rhythm & blues subsidiary that he named Queen Records. By 1947, King had fully established itself as a hillbilly label, so Nathan felt it was time to take on the R&B market and so he folded the Queen label into King and moved many of the R&B artist over to the parent label. King kicked off 1948 with a #1 smash with Bull Moose Jackson's, "I Love You, Yes I Do." Jackson would score a 2nd #1 later in the year with "i Can't Go On With Out You." Wynonie Harris also put up big numbers in 1948 with the chart-topper, "Good Rockin' Tonight" and Ivory Joe Hunter scored several top 10 records for King that year. The King roster was full of veteran artists from jazzer Todd Rhodes to bluesman Lonnie Johnson, who's version of "Tomorrow Night" also topped the charts for King. So get your hands on some nickels as we salute King Records with part 2: 1947-48. 

Episode #528 - King Records, Pt. 3: 1948-49

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 3 of a multi-part feature on the great King Record Label, out of Cincinnati. In part 3, we take a look at King's spectacular releases at the end of 1948 and through most of '49. Wynonie Harris, Bull Moose Jackson, Ivory Joe Hunter and Lonnie Johnson all score enormous hits in 1949. Joe Thomas and Todd Rhodes provide some groovy instrumentals while Gospel and lady blues shouters are also represented. So get ready to groove as we continue our salute to King Records in part 3 on this week's "Juke In The Back."

Jukelogolargeapple2_small King Records, Pt. 3: 1948-49King Records, Pt. 3: 1948-49

This week, it's part 3 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After a rough start, he relaunched King in 1944 with investment from his various family members. Nathan, seeing sales potential in the Rhythm & Blues market, launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. King established itself in the R&B field with Bull Moose Jackson, Ivory Joe Hunter, Wynonie Harris and Lonnie Johnson all scoring enormous hit records. This week in part 3, we take a look at King's spectacular releases at the end of 1948 and through most of '49. Wynonie Harris would score his biggest hit in '49 with the multi-week chart-topper "All She Wants To Do Is Rock," while both Lonnie Johnson and Ivory Joe Hunter would have records stall at #2 on the chart. Bull Moose Jackson continues to score hits while King finds major success with a few instrumentals by Joe Thomas and Todd Rhodes. So get ready to groove as we continue our salute to King Records in part 3 on this week's "Juke In The Back."

Episode #529 - King Records, Pt. 4: 1949-50

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 4 of a multi-part feature on the great King Record Label, out of Cincinnati. Matt The Cat fills the ol' Rockola Jukebox with King's spectacular releases at the end of 1949 through '50. Wynonie Harris racks up more hits along with Bull Moose Jackson and Ivory Joe Hunter, while Tiny Bradshaw and Sonny Thompson both release their debut discs for King. Jump n' jive with part 4 of King Records on this week's "Juke In The Back."

Jukelogolargeapple2_small King Records, Pt. 4: 1949-50King Records, Pt. 4: 1949-50

This week, it's part 4 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After a rough start, he relaunched King in 1944 with investment from his various family members. Nathan, seeing sales potential in the Rhythm & Blues market, launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. King established itself in the R&B field with Bull Moose Jackson, Ivory Joe Hunter, Wynonie Harris and Lonnie Johnson all scoring enormous hit records. This week in part 4, we take a look at King's spectacular releases at the end of 1949 through '50. Bull Moose Jackson racks up another hit record with a big #2 charter, "Why Don't You Haul Off And Love Me," which originally hit #1 for hillbilly singer Wayne Raney. In early 1950, Ivory Joe Hunter had already moved on to MGM Records, but King continued to release singles by him and "I Quit My Pretty Mama" hit big for the label in the wake of his #1 for MGM, "I Almost Lost My Mind." Wynonie Harris continued to rack up hits for King in 1950 and Sonny Thompson and Tiny Bradshaw both made their King Records debuts that year. Matt The Cat's got the ol' Rockola Juke full of those records, plus a few surprises, so get ready to groove on part 4 of King Records on this week's "Juke In The Back." 

Episode #530 - King Records, Pt. 5: 1951

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, it's part 5 of a multi-part feature on the great King Record Label, out of Cincinnati. We take a look at King's spectacular releases during 1951. Wynonie Harris scores his last 2 career charting records, while fellow blues shouter Tiny Bradshaw continued his hit streak. Earl Bostic scores a #1 record with "Flamingo," a tune made popular ten years earlier by Duke Ellington. In 1951, King Records continued selling millions of 78s and this week, Matt The Cat stocks the "Juke In The Back" with the best of them.

Jukelogolargeapple2_small King Records, Pt. 5: 1951King Records, Pt. 5: 1951

This week, it's part 5 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After seeing the sales potential in the Rhythm & Blues market, Nathan launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. King established itself in the R&B field with Bull Moose Jackson, Ivory Joe Hunter, Wynonie Harris and Lonnie Johnson all scoring enormous hit records. This week in part 5, we take a look at King's spectacular releases during 1951. Wynonie Harris scores his last 2 career charting records, while fellow blues shouter Tiny Bradshaw continued his hit streak. Earl Bostic scores a #1 record with "Flamingo," a tune made popular ten years earlier by Duke Ellington. Bull Moose Jackson becomes Moose Jackson and Sonny Thompson starts scoring hits for King. In 1951, King Records continued selling millions of records and this week, Matt The Cat stocks the "Juke In The Back" with the best of them. 

Episode #531 - King Records, Pt. 6: 1952

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 6 of a multi-part feature on the great King Record Label, out of Cincinnati. In part 6, we take a look at King's spectacular releases during 1952. The great Sonny Thompson has his final 2 career charting singles in '52 and Bill Doggett begins his long stint with King, though he wouldn't have a hit until '56. Wynonie Harris, Moose Jackson, Todd Rhodes and Dave Bartholomew all release risque records this year and we'll hear some great vocal group sounds from the Swallows and the Checkers. Matt The Cat's got 'em all and he's loading those blue label King Records into this week's "Juke In The Back."

Jukelogolargeapple2_small King Records, Pt. 6: 1952King Records, Pt. 6: 1952

This week, it's part 6 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After seeing the sales potential in the Rhythm & Blues market, Nathan launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. King established itself in the R&B field with Bull Moose Jackson, Ivory Joe Hunter, Wynonie Harris and Lonnie Johnson all scoring enormous hit records. This week in part 6, we take a look at King's spectacular releases during 1952. The great Sonny Thompson has his final 2 career charting singles in '52 and Bill Doggett begins his long stint with King, though he wouldn't have a hit until '56. Even though Todd Rhodes didn't have a hit this year, he is all over this week's "Juke" with a risque number, "Rocket 69" with Connie Allen on lead and "Trying" with LaVern Baker on lead. Rhodes also backs up Wynonie Harris on "Keep on Churnin'" and Moose Jackson on "Big Ten Inch Record." We'll also dig on 2 tunes that would become much bigger hits for other artists later; The Swallows' version of "I Only Have Eyes For You" and Dave Bartholomew's original "My Ding-A-Ling." Matt The Cat's got 'em all and he's loading those blue label King Records into this week's "Juke In The Back." 

Episode #532 - King Records, Pt. 7: 1953

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 7 of a multi-part feature on the great King Record Label, out of Cincinnati. Matt The Cat takes a look at King's spectacular releases during 1953, including some stellar records from Wynonie Harris, Annisteen Allen and Tiny Bradshaw. Vocal group records began to take hold in '53 and King Records was right there with the Checkers, the Orchids, the Strangers, the Dominoes and the Ink Spots. Don't miss King Records, part 7 on this week's "Juke In The Back."

Jukelogolargeapple2_small King Records, Pt. 7: 1953King Records, Pt. 7: 1953

This week, it's part 7 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After seeing the sales potential in the Rhythm & Blues market, Nathan launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. King established itself in the R&B field with Bull Moose Jackson, Ivory Joe Hunter, Wynonie Harris and Lonnie Johnson all scoring enormous hit records. This week in part 7, we take a look at King's spectacular releases during 1953. Though Wynonie Harris stopped having national hits back in '52, he still has some strong releases in '53. Annisteen Allen, who had been with King since 1945 finally has a hit under her own name with an answer record to the "5" Royales' "Baby Don't Do It" called "Baby, I'm Doing It" and there are plenty of beautiful vocal group records released on King this year. Matt The Cat's got 'em all and he's loading those jumpin' and swooning sides into this week's "Juke In The Back." 

Episode #533 - King Records, Pt. 8: 1954-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 8 of a multi-part feature on the great King Record Label, out of Cincinnati. Matt The Cat takes a look at King's spectacular releases during 1954-56. The first 2 years were a dry time for hit records at King, but in 1956, the label came roaring back with major hits from Little Willie John and Bill Doggett, who scored his first hit since 1945. "Honk Tonk" was the biggest R&B record of the year and it reestablished Doggett, who would have several more hits on King extending to 1959. This will be the final part of the series on King. Next week, we'll take a look at King's highly successful R&B subsidiary label, Federal Records. So don't miss a beat on this week's "Juke In The Back."

Jukelogolargeapple2_small King Records, Pt. 8: 1954-56King Records, Pt. 8: 1954-56

This week, it's part 8 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After seeing the sales potential in the Rhythm & Blues market, Nathan launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. King established itself in the R&B field with Bull Moose Jackson, Ivory Joe Hunter, Wynonie Harris and Lonnie Johnson all scoring enormous hit records. This week in part 8, we take a look at King's spectacular releases during 1954-56. The first 2 years were a dry time for hit records at King, but in 1956, the label came roaring back with major hits from Little Willie John and Bill Doggett, who scored his first hit since 1945. "Honk Tonk" was the biggest R&B record of the year and it reestablished Doggett, who would have several more hits on King extending to 1959. Vocal Groups were big during this time as Rock n' Roll was being born and King was there with The Checkers, The Ink Spots, The Admirals, The Dominoes and The "5" Royales. This will be the final part of the series on King. Next week, we'll take a look at King's highly successful R&B subsidiary label, Federal Records. Matt The Cat makes sure you don't miss a beat on this week's "Juke In The Back." 

Episode #534 - King Records, Pt. 9: Federal Records, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, it's part 9 of a multi-part feature on the great King Record Label, out of Cincinnati. At the end of 1950, King launched a new R&B subsidiary called Federal Records. King owner Syd Nathan chose Ralph Bass to head up this new venture. Federal's first R&B release, "Do Something For Me" by a new group from New York called the Dominoes, immediately made the national top 10. Federal was off and running with more hits from the Dominoes, including the biggest R&B record of 1951 ("Sixty Minute Man") and 1952 ("Have Mercy Baby"). This week's program will also feature The Royals, who would soon become The Midnighters as well as Little Esther, Little Willie Littlefield, Big Jay McNeely and many more.

Jukelogolargeapple2_small Federal Records, Pt. 1King Records, Pt. 9: Federal Records, Pt. 1

This week, it's part 9 of a multi-part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After seeing the sales potential in the Rhythm & Blues market, Nathan launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. At the end of 1950, King launched a new R&B subsidiary called Federal Records. Nathan chose Ralph Bass to head up this new venture. Bass had already proven himself a great talent scout, first with Black & White Records in the mid-'40s and then with Savoy Records. Earlier in 1950, under Bass' watch, Savoy scored 3 #1 records with the Johnny Otis Orchestra. Federal's first R&B release, "Do Something For Me" by a new group from New York called the Dominoes, immediately made the national top 10. Federal was off and running with more hits from the Dominoes, including the biggest R&B record of 1951 ("Sixty Minute Man") and 1952 ("Have Mercy Baby"). Another vocal group on Federal at the time was The Royals. Though their early output were mostly chart sleepers, in 1953 with Hank Ballard on vocals, their "Get It" made the national top 10 and set the stage for what was coming. Soon, the Royals would become the Midnighters and "Work With Me Annie" would be the top R&B single in America. Matt The Cat digs up the essential Federal Records releases from 1951-54 in part 1 of 2 on this week's "Juke In The Back." 

Episode #535 - King Records, Pt. 10: Federal Records, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, it's part 10 of a 10 part feature on the great King Record Label, out of Cincinnati. At the end of 1950, King launched a new R&B subsidiary called Federal Records. Nathan chose Ralph Bass to head up this new venture. Bass kicked off 1954 with a smash, "WorK With Me Annie" by The Midnighters, who were formally known as the Royals. "Annie" spent 7 weeks at #1 and sparked a myriad of sequels and answer records. This week, in part 10 of our behemoth series on King Records, we'll feature the biggest and best releases from King's subsidiary label from 1954-56.

Jukelogolargeapple2_small King Records, Pt. 10: Federal Records, Pt. 2King Records, Pt. 10: Federal Records, Pt. 2

This week, it's part 10 of a 10 part feature on the great King Record Label, out of Cincinnati. Syd Nathan, who began putting out records under the King logo in 1943, developed King as a hillbilly music label. After seeing the sales potential in the Rhythm & Blues market, Nathan launched the Queen Records subsidiary in 1945, but folded it into King in 1947 and transferred his R&B acts over. At the end of 1950, King launched a new R&B subsidiary called Federal Records. Nathan chose Ralph Bass to head up this new venture. Bass had already proven himself a great talent scout, first with Black & White Records in the mid-'40s and then with Savoy Records. Bass kicked off 1954 with a smash, "WorK With Me Annie" by The Midnighters, who were formally known as the Royals. "Annie" spent 7 weeks at #1 and sparked a myriad of sequels and answer records. One of those sequels, "Annie Had A Baby," also by The Midnighters spent 2 weeks at #1, later in the year. This week, in part 10 of our behemoth series on King Records, we'll feature the biggest and best releases from King's subsidiary label from 1954-56. The Federal catalog is plentiful with vocal group releases during this time and we'll hear some of the finest and rarest from The Platters, The Lamplighters, The Tune Blenders, The Californians and The Sheiks. Plus, James Brown and the Famous Flames get their start at the beginning of 1956 AND we'll hear early R&B records from a future comedian and a future Broadway performer. Matt The Cat is full of surprises and the "Juke In The Back" is loaded with Federal 78s as we present the final part of our 10 part series on King Records. 

Episode #541 - The Heartbeats

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

With so many wonderful vocal groups present during the 1950s, it took a few distinct ones to lead the pack and blaze the trail. The Heartbeats are always right up there with The Clovers, Harptones, Moonglows, Flamingos and the other leaders who carried the torch lit by the Orioles and Ravens during the late '40s. Mostly known for their big top 5 R&B hit, "A Thousand Miles Away" from the end of 1956, The Heartbeats were an important part of not only the New York vocal group scene, but influential on a national level as well. Matt The Cat presents The Heartbeats' story and their fantastic music on this week's "Juke In The Back."

Jukelogolargeapple2_small HeartbeatsThe Heartbeats

With so many wonderful vocal groups present during the 1950s, it took a few distinct ones to lead the pack and blaze the trail. The Heartbeats are always right up there with The Clovers, Harptones, Moonglows, Flamingos and the other leaders who carried the torch lit by the Orioles and Ravens during the late '40s. The Heartbeats began as the Hearts in 1953, but before making their first record in 1955, changed their name after a female group called The Hearts scored a big hit with "Lonely Nights." Their first record came out in mid-1955 on Network Records. Although it was not successful, it gave them something to interest Hull Records, a tiny startup looking to enter the vocal group scene. Their first few records for Hull got regional airplay and made the charts in New York, Philadelphia and Baltimore. It was "A Thousand Miles Away," their 4th Hull single that really took off nationally. Knowing the record would do better on a label with greater distribution and push, they jumped over to George Goldner's storied Rama Records and "A Thousand Miles Away" went top 5 R&B and #53 Pop. Now one of the biggest vocal groups in the country, they continued to release slightly more polished songs for Rama and Gee, before falling apart by the end of 1959. Matt The Cat presents The Heartbeats' story and their fantastic music on this week's "Juke In The Back." 

Episode #545 - R.I.P. - Gaynel Hodge & Hal Singer

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

This week, "Juke In The Back" honors two unsung R&B heroes who passed away over the past six months. Vocal group leader and songwriter Gaynel Hodge died at age 83 on June 2, 2020 and sax honker Hal Singer left us on August 18, 2020 at the age of 100. Dig on the jumpin' sounds of Hal Singer and the smooth vocals of Gaynel Hodge as we honor two recently departed giants of Rhythm & Blues on this week's "Juke In The Back" with Matt The Cat.

Jukelogolargeapple2_small Gaynel Hodge & Hal SingerR.I.P. - Gaynel Hodge & Hal Singer

This week, "Juke In The Back" honors two unsung R&B heroes who passed away over the past six months. Vocal group leader and songwriter Gaynel Hodge died at age 83 on June 2, 2020 and sax honker Hal Singer left us on August 18, 2020 at the age of 100. During the first half of the program, we'll take a look at Hodge, who was a legendary West Coast vocal group singer. He spent time in The Platters, The Hollywood Flames and The Turks, sometimes handling lead vocals. As a songwriter, his biggest accomplishment was co-writing "Earth Angel" with Jesse Belvin and Curtis Williams as well as many of the Turks best songs. On the second half of the program, we'll dig into some of the best jump blues instrumentals ever recorded with tenor saxophonist and bandleader, Hal Singer. Born in the Greenwood section of Tulsa, he survived the Greenwood Massacre and came up working in some of the top bands of the day, from Ernie Fields and Jay McShann to Duke Ellington and Hot Lips Paige. In 1948, he formed his own combo and scored a national #1 R&B hit with "Corn Bread." Dig on the jumpin' sounds of Hal Singer and the smooth vocals of Gaynel Hodge as we honor two recently departed giants of Rhythm & Blues on this week's "Juke In The Back" with Matt The Cat. 

Episode #547 - NEW Halloween Rhythm & Blues Special

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Halloween has always been a frightfully good time of the year for the "Juke In The Back." This year, Matt The Cat, along with Miss Rosie and Bobby The Bobcat bring you a completely new cauldron of ghoulishly spooky tunes from the 1940s and '50s. So keep your spooks close, but your records closer and dig on some rarely heard haunted tunes on this week's Halloween "Juke In The Back."

Jukelogolargeapple2_small NEW Halloween Rhythm & Blues Special

Halloween has always been a frightfully good time of the year for the "Juke In The Back." This year, Matt The Cat, along with Miss Rosie and Bobby The Bobcat bring you a completely new cauldron of ghoulishly spooky tunes from the 1940s and '50s. The program is heavy with devilish doo wop delights from The Cadillacs, The Del Vikings, The Verdicts, The Coasters, The Checkers and The Daylighters. There are tunes by Chuck Berry, Mad Man Jones and Louis Armstrong that will make your skin crawl, while Eugene Fox lays a cautionary tale on our ears about the dead returning to keep the living in line. So keep your spooks close, but your records closer and dig on some rarely heard haunted tunes on this week's Halloween "Juke In The Back." 

Episode #552 - The Larks, Pt. 1 - 1950-52

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Larks are one of the most influential and best sounding vocal groups of the early 1950s and yet, they are never remembered quite as well as many of their contemporaries. That might be because they only had 2 charting singles and neither record sold well after its initial release. Matt The Cat presents part one of a two-parter on The Larks on this week's "Juke In The Back." This week, we'll focus on the group's gospel roots, their charting records and the very start of the original group falling apart.

Jukelogolargeapple2_small Larks 1st GroupThe Larks, Pt. 1 - 1950-52

The Larks are one of the most influential and best sounding vocal groups of the early 1950s and yet, they are never remembered quite as well as many of their contemporaries. That might be because they only had 2 charting singles and neither record sold well after its initial release. But don't let the numbers fool you, the Larks were a top-notch group with outstanding leads provided by Eugene Mumford, Allen Bunn and David McNeil, who occasionally sang a solid bass lead. Matt The Cat presents part one of a two-parter on The Larks on this week's "Juke In The Back." This week, we'll focus on the group's gospel roots, their charting records and the very start of the original group falling apart. Along the way, they recorded "Eyesight To The Blind," "Little Side Car," "When I Leave These Prison Walls," "My Reverie" and many other standouts. You won't want to miss the tremendous music and eye-opening stories of one of R&B's greatest vocal groups. 

Episode #553 - The Larks, Pt. 2 - 1952-55

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The Larks are one of the most influential and best sounding vocal groups of the early 1950s and yet, they are never remembered quite as well as many of their contemporaries. This week in part 2, we pick it back up in 1952 as the original Larks group disintegrates and members go off on their own. Gene Mumford formed a new Larks group in 1954 after he spent a year singing with the Golden Gate Quartet. This new Larks group bears little resemblance to the original, but they are loaded with talent. Matt The Cat presents part 2 of the Larks interesting story on this week's "Juke In The Back."

Jukelogolargeapple2_small The Larks 2nd GroupThe Larks, Pt. 2 - 1952-55

The Larks are one of the most influential and best sounding vocal groups of the early 1950s and yet, they are never remembered quite as well as many of their contemporaries. Last week in part 1 of our 2 part series, we showcased The Larks' early recordings from 1950-52, including their only 2 charting singles, "Eyesight To The Blind" and "Little Side Car." This week, as we pick it back up in 1952, the original Larks group disintegrates and members go off on their own. Allen Bunn leaves to pursue a solo career and will soon be know as Tarheel Slim. Bass singer David McNeil joins The Dominoes and Eugene Mumford joins the Golden Gate Quartet. In less than a year, Gene Mumford would return to secular music and form a few group out of members of the Golden Gate Quartet and beyond, calling it The Larks. This new Larks group bears little resemblance to the original, but they are loaded with talent. However, Bess Berman at Apollo Records was looking for more of a pop group, so the material the new Larks were presented with wasn't very strong and they failed to score any hits. Still the music is captivating and worth hearing as Matt The Cat presents The Larks, Pt. 2 - 1952-55 on this week's "Juke In The Back." 

Episode #557 - Boogie Woogie Rhythm & Blues

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Let's begin 2021 with a solid hour of Boogie Woogie Rhythm & Blues. The blues style of Boogie Woogie piano features a strong left hand, playing repeated bass lines, leaving the right hand free to improvise around the keys. This produces an uptempo, rollicking feel with a solid groove that makes you want to get up and dance. Men such as Pete Johnson, Albert Ammon, Meade "Lux" Lewis and Fats Domino dominated the field, but some of the best Boogie Woogie you're ever going to hear was played by women. Hadda Brooks, Camille Howard, Dorothy Donegan and others not only held their own, but in many cases surpassed the men in their playing ability. So get ready to welcome the New Year with a smile as the "Juke In The Back" kicks off 2021 with some Boogie Woogie Rhythm & Blues!

Jukelogolargeapple2_small Boogie Woogie Albert AmmonsBoogie Woogie Rhythm & Blues
 
Let's begin 2021 with a solid hour of Boogie Woogie Rhythm & Blues. Boogie Woogie has the natural ability to make you wanna tap your toes, shake your hips and just all around feel good! The blues style of Boogie Woogie piano features a strong left hand, playing repeated bass lines, leaving the right hand free to improvise around the keys. This produces an uptempo, rollicking feel with a solid groove that makes you want to get up and dance. Men such as Pete Johnson, Albert Ammon, Meade "Lux" Lewis and Fats Domino dominated the field, but some of the best Boogie Woogie you're ever going to hear was played by women. Hadda Brooks, Camille Howard, Dorothy Donegan and others not only held their own, but in many cases surpassed the men in their playing ability. Don't let the piano fool ya, Boogie Woogie can also be played on other instruments as Matt The Cat features a few guitar and saxophone boogies to round out the program. So get ready to welcome the New Year with a smile as the "Juke In The Back" kicks off 2021 with some Boogie Woogie Rhythm & Blues! 

Episode #561 - Atlantic Records, Pt. 1 - 1947-49

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part one, we'll look at Atlantic's first recordings from 1947-49, which mostly feature Jazz and Jazz-inspired Rhythm & Blues. This program is highlighted by excerpts of an interview Matt The Cat conducted with Atlantic's co-founder Ahmet Ertegun, a few years before his death in 2006. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 1 - 1947-49Atlantic Records, Pt. 1 - 1947-49

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part one, we'll look at Atlantic's first recordings from 1947-49, which mostly feature Jazz and Jazz-inspired Rhythm & Blues. Joe Morris had a killer group, highlighted by future jazz legends Johnny Griffin, Elmo Hope, Percy Heath and Philly Joe Jones. Tiny Grimes' outfit rounded out Atlantic's early instrumental offering, before "Stick" McGhee gave Atlantic its first hit record with his big #2 smash "Drinkin' Wine Spo-Dee-O-Dee" in 1949. With the addition of Ruth Brown and her #4 hit, "So Long," Atlantic was on its way in establishing itself as a Rhythm & Blues powerhouse. This program is highlighted by excerpts of an interview Matt The Cat conducted with Atlantic's co-founder Ahmet Ertegun, a few years before his death in 2006. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #562 - Atlantic Records, Pt. 2 - 1949-50

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part two, we'll see how Atlantic continued its sporadic hit streak with a few charting instrumentals from saxophonist Frank "Floorshow" Culley as well as Professor Longhair's debut record for the label. Ruth Brown, who had a pretty quiet start to 1950, ends the year with the biggest hit of her career and one of Atlantic's best selling records of all-time. This program is highlighted by excerpts of an interview Matt The Cat conducted with Atlantic's co-founder Ahmet Ertegun, a few years before his death in 2006. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 2 - 1949-50Atlantic Records, Pt. 2 - 1949-50

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part two, we'll see how Atlantic continued its sporadic hit streak with a few charting instrumentals from saxophonist Frank "Floorshow" Culley as well as Professor Longhair's debut record for the label. Ruth Brown, who had a pretty quiet start to 1950, ends the year with the biggest hit of her career and one of Atlantic's best selling records of all-time. "Teardrops From My Eyes" hit #1 in early December and remained there for 11 weeks, carrying it deep into 1951. This was the beginning of Brown's decade-long reign that earned Atlantic the nickname, "The House That Ruth Built." This program is highlighted by excerpts of an interview Matt The Cat conducted with Atlantic's co-founder Ahmet Ertegun, a few years before his death in 2006. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #564 - Atlantic Records, Pt. 4 - 1952

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part four, we'll focus on 1952 and dig not only the hits Atlantic scored that year, but also on a few of the should-have-been-hits. The Clovers scored 2 more #1 records with "Fool, Fool, Fool," their 2nd release and "Ting-A-Ling," their 3rd and final career #1 record. Ruth Brown continued her hit streak as "5-10-15 Hours" topped the national charts and "Daddy Daddy" made it to #3. We'll also hear some gems from Odelle Turner and Lil Green that didn't chart, but are equally as compelling as Atlantic's hit material. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 4 - 1952Atlantic Records, Pt. 4 - 1952

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part four, we'll focus on 1952 and dig not only the hits Atlantic scored that year, but also on a few of the should-have-been-hits. The Clovers scored 2 more #1 records with "Fool, Fool, Fool," their 2nd release and "Ting-A-Ling," their 3rd and final career #1 record. Ruth Brown continued her hit streak as "5-10-15 Hours" topped the national charts and "Daddy Daddy" made it to #3. Big Joe Turner followed up "Chains Of Love," his debut release for Atlantic with the massively successful "Chains Of Love" and "Don't You Cry." We'll also hear some gems from Odelle Turner and Lil Green that didn't chart, but are equally as compelling as Atlantic's hit material. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #565 - Atlantic Records, Pt. 5 - 1952-53

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part five, we'll pick up in late 1952 and hear Ray Charles' first release for Atlantic, "The Midnight Hour." The Clovers continue to score huge records as we make our way into 1953. Along with more hits from Ruth Brown, we'll also dig up a few one-off singles that have been lost to history from The Tilters, Eunice Davis and guitarist Chuck Norris. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 5 - 1952-53Atlantic Records, Pt. 5 - 1952-53

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part five, we'll pick up in late 1952 and hear Ray Charles' first release for Atlantic, "The Midnight Hour." It didn't chart, but it marks a very important time for both the singer, who would soon find his voice and style and begin racking up hits, and the label, who bought his contract from SwingTime Records and invested in his development. The Clovers continue to score huge records as we make our way into 1953. Along with more hits from Ruth Brown, we'll also dig up a few one-off singles that have been lost to history from The Tilters, Eunice Davis and guitarist Chuck Norris. This program is highlighted by an excerpt from an interview Matt The Cat conducted with Atlantic's co-founder Ahmet Ertegun, a few years before his death in 2006. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #566 - Atlantic Records, Pt. 6 - 1953

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part six, the entire program is immersed in 1953. The Clovers and Ruth Brown continue to rack up the hits, while Joe Turner enjoys the biggest hit of his career with "Honey Hush." Atlantic introduces two singers that had been around for a while: LaVern Baker and Clyde McPhatter. As always, Matt The Cat has thrown in some records that you don't hear much anymore from Carmen Taylor, Choker Campbell, The Diamonds and Tommy Ridgley. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 6 - 1953Atlantic Records, Pt. 6 - 1953

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part six, the entire program is immersed in 1953. The Clovers and Ruth Brown continue to rack up the hits, while Joe Turner enjoys the biggest hit of his career with "Honey Hush." Atlantic introduces two singers that had been around for a while: LaVern Baker and Clyde McPhatter. Baker had been making records since 1949 with Eddie Penigar, Maurice King and Todd Rhodes, under the names Little Miss Sharecropper and Bea Baker. McPhatter began recording with Billy Ward and the Dominoes in 1950 as their lead tenor and had already racked up several #1 records. Both singers became huge solo artists on Atlantic and their tenures began in '53. As always, Matt The Cat has thrown in some records that you don't hear much anymore from Carmen Taylor, Choker Campbell, The Diamonds and Tommy Ridgley. This program is highlighted by an excerpt from an interview Matt The Cat conducted with Atlantic's co-founder Ahmet Ertegun, a few years before his death in 2006. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #567 - Atlantic Records, Pt. 7 - 1954, Pt. 1

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part seven, we take a look at the first half of 1954, one of the biggest years in Atlantic's storied history. The Clovers and Clyde McPhatter & The Drifters continued to rack up best-sellers while The Diamonds, Professor Longhair and Hal Paige should've had hits this year. Big Joe Turner took a somewhat risque jump blues called "Shake, Rattle & Roll" and turned it into an early Rock n' Roll anthem. Next week, we'll look at the second half of Atlantic's great releases from 1954. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 7 - 1954, Pt. 1Atlantic Records, Pt. 7 - 1954, Pt. 1

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part seven, we take a look at the first half of 1954, one of the biggest years in Atlantic's storied history. It was this year that Ray Charles scored his first hit for Atlantic with "It Should've Been Me." It was his first hit after a 2 year dry spell. The Clovers and Clyde McPhatter & The Drifters continued to rack up best-sellers while The Diamonds, Professor Longhair and Hal Paige should've had hits this year. Big Joe Turner took a somewhat risque jump blues called "Shake, Rattle & Roll" and turned it into an early Rock n' Roll anthem. At 43, Turner was the oldest Rock Idol. Next week, we'll look at the second half of Atlantic's great releases from 1954. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #568 - Atlantic Records, Pt. 8 - 1954, Pt. 2

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part eight, we take a look at the last half of 1954, one of the biggest years in Atlantic's storied history. It was during the last six months of the year that Ruth Brown scored her 4th and 5th #1 records with "Oh What A Dream" and "Mambo Baby" respectively. LaVern Baker and Ray Charles released career defining records at the very end of 1954 that would make an even greater impact in 1955, just as Rock n' Roll was beginning to enter the mainstream. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 8 - 1954, Pt. 2Atlantic Records, Pt. 8 - 1954, Pt. 2

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part eight, we take a look at the last half of 1954, one of the biggest years in Atlantic's storied history. It was during the last six months of the year that Ruth Brown scored her 4th and 5th #1 records with "Oh What A Dream" and "Mambo Baby" respectively. "Mambo Baby" would end up being Brown's final #1, though she would still rack up hit records over the next 5 years. LaVern Baker and Ray Charles released career defining records at the very end of 1954 that would make an even greater impact in 1955, just as Rock n' Roll was beginning to enter the mainstream. We'll also dig on a killer New Orleans instrumental from Tommy Ridgley and Ivory Joe Hunter's first release for Atlantic. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #569 - Atlantic Records, Pt. 9 - 1955

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part nine, we'll focus on 1955, one of the biggest years in Atlantic's storied history. Ruth Brown, Joe Turner and LaVern Baker continue to score solid hits, but the real story of 1955 is Ray Charles. He has two #1 records this year with "I've Got A Woman," heard at the end of last week's program and "A Fool For You," which topped the charts in early August. We'll also hear some important vocal group records from The Clovers, The Cardinals and The Regals. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 9 - 1955Atlantic Records, Pt. 9 - 1955

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part nine, we'll focus on 1955, one of the biggest years in Atlantic's storied history. Ruth Brown, Joe Turner and LaVern Baker continue to score solid hits, but the real story of 1955 is Ray Charles. He has two #1 records this year with "I've Got A Woman," heard at the end of last week's program and "A Fool For You," which topped the charts in early August. Brotha Ray was knocked out of the top spot by Chuck Berry's "Maybellene." We'll also hear some important vocal group records from The Clovers, The Cardinals and The Regals. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #570 - Atlantic Records, Pt. 10 - 1955-56

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part ten, we'll focus on the last half of 1955 and the beginning of 1956. Ruth Brown continued to rack up the hits, including one with her then flame, McPhatter called "Love Has Joined Us Together." During this time, Ray Charles scores another #1, giving him 3 #1 singles in just over a year. The Clovers, Joe Turner and LaVern Baker continue their hit-streaks, while Atlantic takes very few chances on new, unproven artists. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 10 - 1955-56Atlantic Records, Pt. 10 - 1955-56

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part ten, we'll focus on the last half of 1955 and the beginning of 1956. Clyde McPhatter officially left the Drifters in July of '55, but his first solo record, "Everyone's Laughing," was indeed a Drifters record from their last recording session together. McPhatter would have to wait until early 1956 to have his first solo hit with "Seven Days." Ruth Brown continued to rack up the hits, including one with her then flame, McPhatter called "Love Has Joined Us Together." During this time, Ray Charles scores another #1, giving him 3 #1 singles in just over a year. The Clovers, Joe Turner and LaVern Baker continue their hit-streaks, while Atlantic takes very few chances on new, unproven artists. They do groom The Cookies as backup singers to their stars as well as releasing singles on their own. "In Paradise" turns out to be a surprise hit of early 1956. They would soon embark on a new career singing backup for Ray Charles. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #571 - Atlantic Records, Pt. 11 - 1956

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part eleven, we'll focus on 1956. Joe Turner scored his only pop hit with "Corrine Corrina," which hit #41 Pop and #2 R&B and The Drifters continued to chart without Clyde McPhatter as "Ruby Baby" and "I Got To Get Myself A Woman" feature Johnny Moore handing the lead. Chuck Willis makes his Atlantic debut this year with "It's Too Late," while Ivory Joe Hunter scores his 4th and final #1 single as an Atlantic artist. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Jukelogolargeapple2_small

Atlantic Records, Pt. 11 - 1956Atlantic Records, Pt. 11 - 1956

Atlantic Records was the most influential, significant and important independent record label to come out of the late-1940s, during a time when there were many great, small indie labels being born. What gave Atlantic the advantage over Specialty, Chess, Modern, Vee-Jay, Exclusive, King, etc is the breadth of material, variety of music styles and the sheer number of hit records that led to the Rock n' Roll explosion of the mid-1950s. Matt The Cat and the "Juke In The Back" present this behemoth series celebrating the first 10 years of Atlantic's existence: 1947-57. This week in part eleven, we'll focus on 1956. It's the first year that Rock n' Roll was solidly placed in the mainstream of popular music. Atlantic began to soften and smooth out its rough R&B sound a bit during 1956 and onward, in order to appeal to the new Rock n' Roll audience. Joe Turner scored his only pop hit with "Corrine Corrina," which hit #41 Pop and #2 R&B and The Drifters continued to chart without Clyde McPhatter as "Ruby Baby" and "I Got To Get Myself A Woman" feature Johnny Moore handing the lead. Chuck Willis makes his Atlantic debut this year with "It's Too Late," while Ivory Joe Hunter scores his 4th and final #1 single as an Atlantic artist. His 3 previous chart-toppers were waxed for MGM and Pacific Records. Clyde McPhatter and Ray Charles also top the charts this year, while Ruth Brown has a very quiet 1956, chart-wise. So buckle in and prepare yourself for an in-depth, multi-part look at the history of Atlantic Records, which could also be described as a look at the history of American Music itself.

Episode #579 - R&B Car Songs

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

The juke is jumpin' with records focusing on classic R&B songs about cars. Musicologists Billy Vera and Steve Propes drop by the "Juke In The Back" to make their cases that the first rock n' roll song might have been about a car.

Jukelogolargeapple2_small

R&B Car SongsR&B Car Songs

The juke is jumpin' with records focusing on classic R&B songs about cars. The automobile is a "road tested" symbol of the American Dream. We have all this land and the car gives us the freedom to get from one place to another. We'll dig on some tunes about Cadillacs, Buicks, Mercurys and Model Ts. Chuck Berry, who made his early career on youth-oriented car songs will make a few appearances. Plus, musicologists Billy Vera and Steve Propes drop by the "Juke In The Back" to make their cases that the first rock n' roll song might have been about a car. So grab your keys and prepare to be taken for a ride on this week's "Juke In The Back" with Matt The Cat.

Episode #599 - Spooky Halloween Rhythm & Blues

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the ol' Rockola Jukebox is haunted by a strange spirit of rhythm & ghouls. Dig on some of your old favorites by Screamin' Jay Hawkins, LaVern Baker and The Hollywood Flames, while also getting a good fright off of seldom heard records by Mad Man Jones, The Sly Fox and Chuck Berry. Plus, a rare 1937 test pressing from Victoria Spivey makes its "Juke" debut with "Witchcraft Blues." So hang on to your souls as the haunted jukebox presents Spooky Halloween Rhythm & Blues.

Jukelogolargeapple2_small

Spooky Halloween Rhythm & BluesSpooky Halloween Rhythm & Blues

This week, the ol' Rockola Jukebox is haunted by a strange spirit of rhythm & ghouls. Where is Matt The Cat? We don't know, but the spirit tells us he will return next week. In his absence, the "Juke In The Back" still fulfills the weekly promise of delivering a solid hour of 1940s and '50s Rhythm & Blues, but with a Halloween theme this week. Dig on some of your old favorites by Screamin' Jay Hawkins, LaVern Baker and The Hollywood Flames, while also getting a good fright off of seldom heard records by Mad Man Jones, The Sly Fox and Chuck Berry. Plus, a rare 1937 test pressing from Victoria Spivey makes its "Juke" debut with "Witchcraft Blues." Also, Bobby The Bobcat returns with another spooky Halloween tale from his incredible imagination. So hang on to your souls as the haunted jukebox presents Spooky Halloween Rhythm & Blues.

Episode #605 - R&B Influences: The Mills Brothers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, Matt The Cat begins a sporadic series on the music that influenced the R&B that we love so dearly. What better way to begin such a series than with a program highlighting the granddaddy of vocal groups and doo wop music: The Mills Brothers. The four brothers (John Jr., Herbert, Harry and Donald) were born in Piqua, OH in the early Twentieth Century and began singing tight barbershop harmonies. They became the first African-Americans to host a national radio show in 1930, largely based on their ability to imitate musical instruments with their mouths along with their close harmonies. Their group harmony set a new standard, picked up by the Ink Spots, Ravens, Orioles and later the Flamingos, Clovers, Moonglows, Cadillacs and countless other rock n' roll doo wop groups. The Mills Brothers are the launching pad for nearly every vocal group the followed and it's a great pleasure and honor to feature their incredible sound on this week's Juke In The Back.

Jukelogolargeapple2_small

Mills BrothersR&B Influences: The Mills Brothers

On a weekly basis, Juke In The Back consistently points out how the Rhythm & Blues music played on the program influenced those that came later, mostly in the Rock n' Roll genre. What about the music the influenced and inspired the highly influential records played each week on our ol' Rockola Juke? This week, Matt The Cat begins a sporadic series on the music that influenced the R&B that we love so dearly. What better way to begin such a series than with a program highlighting the granddaddy of vocal groups and doo wop music: The Mills Brothers. The four brothers (John Jr., Herbert, Harry and Donald) were born in Piqua, OH in the early Twentieth Century and began singing tight barbershop harmonies. They became the first African-Americans to host a national radio show in 1930, largely based on their ability to imitate musical instruments with their mouths along with their close harmonies. This led to a record deal with Brunswick and their first hit, "Tiger Rag." More hit records, radio show appearances, movie cameos and shows followed through the early 1980s, making them one of the longest running groups of all-time. Their group harmony set a new standard, picked up by the Ink Spots, Ravens, Orioles and later the Flamingos, Clovers, Moonglows, Cadillacs and countless other rock n' roll doo wop groups. The Mills Brothers are the launching pad for nearly every vocal group the followed and it's a great pleasure and honor to feature their incredible sound on this week's Juke In The Back.

Episode #611 - R&B Influences: The Ink Spots

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Air Week: January 17-23, 2022
The Ink Spots, along with the Mills Brothers, Delta Rhythm Boys and Golden Gate Quartet built the musical bridge from the vaudevillian barber shop quartets of the early 20th Century to the post WWII vocal groups. This week, Matt The Cat loads the ol' Juke with 78s from the Ink Spots' beginnings in the mid-1930s up to right before lead tenor, Bill Kenny disbanded the group in 1954. Find out where it all began, this week on the Juke In The Back.

Jukelogolargeapple2_small

Ink SpotsAir Week: January 17-23, 2022

R&B Influences: The Ink Spots

The Ink Spots, along with the Mills Brothers, Delta Rhythm Boys and Golden Gate Quartet built the musical bridge from the vaudevillian barber shop quartets of the early 20th Century to the post WWII vocal groups. These quartets modernized the singing style and even came up with singing innovations of their own. Bill Kenny, the high tenor singing leader of the Ink Spots invented what he called the "Top & Bottom" formula. That's where he would sing a few verses in his high tenor or "top" and then Hoppy Jones would talk a verse in his bass voice, providing the "bottom." This formula, begun in 1938, became an integral part of the Ink Spots success. Though they began recording in 1935, the world wouldn't really take notice until "If I Didn't Care" in 1939. From there, the hits just kept on comin' with "Address Unknown," "My Prayer," "Maybe," "I Don't Want To Set The World On Fire," "Into Each Life Some Rain Must Fall" (with Ella Fitzgerald) and "To Each His Own." The Ink Spots dominated the 1940s and paved the way for the Orioles, Ravens, Flamingos and Moonglows to pick up the torch and carry it into the 1950s and a new genre; Rock n' Roll. This week, Matt The Cat loads the ol' Juke In The Back with 78s from the Ink Spots' beginnings in the mid-1930s up to right before Bill Kenny disbanded the group in 1954. Find out where it all began, this week on the Juke In The Back.

Episode #613 - Gene Phillips

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Air Week: January 31-February 6, 2022
This week, the "Juke In The Back" is proud to shine the spotlight on guitarist Gene Phillips, one of the unsung heroes of the 1940s Los Angeles Rhythm & Blues scene. He never scored a national hit, but he released some great and worthy R&B records and Matt The Cat is filling the "Juke In The Back" with the upbeat jive of Gene Phillips on this week's program.

Jukelogolargeapple2_small

Air Week: January 31-February 6, 2022

Gene Phillips & His Rhythm AcesGene Phillips

This week, the "Juke In The Back" is proud to shine the spotlight on guitarist Gene Phillips, one of the unsung heroes of the 1940s Los Angeles Rhythm & Blues scene. Born in St. Louis in 1915, Gene came out to LA as part of the Mills Brothers ensemble in 1941. He remained in LA and made a name for himself as a local guitarist. After befriending trumpeter Jake Porter, who was doing some session work for the Bihari Brothers at their new label, Modern Records, Phillips began getting session gigs at Modern. Soon he was part of their house band, eventually landing his own session as a leader in 1946. This led to a string of mostly jump tunes, done in the Louis Jordan style. However, unlike Jordan, Gene Phillips failed to storm the national charts. He released some great and worthy R&B records and Matt The Cat is filling the "Juke In The Back" with the upbeat jive of Gene Phillips on this week's program.

Episode #619 - R&B of Decca Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, Matt The Cat spotlights the fantastic R&B that was coming out of Decca Records in the late '40s and early '50s. As you'll hear, many major stars of the day, made a stop at Decca before moving on. Decca would soon help usher in a new musical era with the release of "Rock Around The Clock," but before that would happen, they were knee-deep in rhythm & blues. Dig on the R&B of Decca Records on this week's "Juke In The Back."

Jukelogolargeapple2_small

R&B of Decca RecordsR&B of Decca Records

In the 1940s and '50s, the major record labels didn't lead the way when it came to releasing Rhythm & Blues, Blues and Rock n' Roll, but they all did participate in what was known unfortunately as "Race Music" back then. Columbia, Victor and Decca all had major black artists on their roster, but it was the independent labels that broke the new music and usually had the most influential releases. This week, Matt The Cat spotlights the fantastic R&B that was coming out of Decca Records in the late '40s and early '50s. As you'll hear, many major stars of the day, made a stop at Decca before moving on. When Dave Bartholomew was on hiatus from Imperial, he made a few records for Decca as did Little Esther, Margie Day, Billy Ward & The Dominoes and Cecil Gant. Decca would soon help usher in a new musical era with the release of "Rock Around The Clock," but before that would happen, they were knee-deep in rhythm & blues. Dig on the R&B of Decca Records on this week's "Juke In The Back."

Episode #621 - Jack McVea

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Jack McVea is an integral part of the Los Angeles Rhythm & Blues scene of the 1940s. He's best remembered today as the originator of the recorded version of the "Open The Door, Richard!" routine, scoring a #2 R&B and #3 pop hit with the tune in 1947, setting off a "Richard" craze. There is so much more to McVea's contribution to Rhythm & Blues beyond, "Richard" and Matt The Cat will showcase his great 1940s sides for the Black & White label as well as his early '50s discs with Jake Porter's Combo Records. So open the door to the Juke In The Back and dig the "soul that came before rock n' roll."

Jukelogolargeapple2_small

Jack McVeaJack McVea

Jack McVea is an integral part of the Los Angeles Rhythm & Blues scene of the 1940s. He came up playing banjo in his father's band, before touring the country on baritone saxophone with Lionel Hampton's Band. After leaving Hamp in late 1943, McVea spearheaded the idea that the big bands were on their way out and formed his first R&B combo. Soon, the big bands would disappear and the combos would rule the stage and McVea was ahead of the curve. He's best remembered today as the originator of the recorded version of the "Open The Door, Richard!" routine, scoring a #2 R&B and #3 pop hit with the tune in 1947, setting off a "Richard" craze. There is so much more to McVea's contribution to Rhythm & Blues beyond, "Richard" and Matt The Cat will showcase his great 1940s sides for the Black & White label as well as his early '50s discs with Jake Porter's Combo Records. So open the door to the Juke In The Back and dig the "soul that came before rock n' roll."

Episode #626 - Art Rupe and Specialty Records, Pt. 1 - 1945-50

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, the "Juke In The Back" pays our respects to one of the great record men of the 1940s and 50s; Art Rupe. Rupe passed away on April 15, 2022 at the age of 104! His label, Specialty Records, became one of the most important independent labels of Rhythm & Blues and early Rock n' Roll. Part 1 of this 3 part series will focus on Specialty's early years, featuring not only the enormous hits from Roy Milton & His Solid Senders, Jimmy Liggins, Camille Howard and Joe Liggins, but also the lesser known releases by The Sepia Tones, The Blues Woman, Big Maceo and more.

Jukelogolargeapple2_small

Art Rupe & Specialty RecordsArt Rupe & Specialty Records, Pt. 1 - 1945-50

This week, the "Juke In The Back" pays our respects to one of the great record men of the 1940s and 50s; Art Rupe. Rupe passed away on April 15, 2022 at the age of 104! He started Juke Box Records in 1945, which would become Specialty Records in '47 and go on to become one of the most important independent labels of Rhythm & Blues and early Rock n' Roll. Part 1 of this 3 part series will focus on Specialty's early years, featuring not only the enormous hits from Roy Milton & His Solid Senders, Jimmy Liggins, Camille Howard and Joe Liggins, but also the lesser known releases by The Sepia Tones, The Blues Woman, Big Maceo and more. Find out how this great label began on this week's "Juke In The Back" with Matt The Cat.

Episode #655 - Pookie Hudson (The Spaniels)

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Pookie Hudson spent his entire life close to the music he loved. In high school, he began to develop his own style using his falsetto with just a touch of quiver to drive the girls crazy. Soon, he and his new group, The Spaniels were in the studio cutting a record for the newly formed Gary-based Vee-Jay label, owned by DJ Vivian Carter and her soon-to-be husband Jimmy Bracken. Matt The Cat had the pleasure of interviewing the great Pookie Hudson in July, 2006, just six month before his death at the age of 72. On this week's special "Juke In The Back," Matt features clips from that interview to shed some light on the man, the group and the circumstances that made those songs so memorable.

Jukelogolargeapple2_small

Pookie Hudson of The SpanielsPookie Hudson (The Spaniels)

Pookie Hudson spent his entire life close to the music he loved. Growing up in Gary, Indiana, he spent his younger days trying to emulate the sound of BIlly Williams, the leader of the Charioteers. In high school, he began to develop his own style using his falsetto with just a touch of quiver to drive the girls crazy. Soon, he and his new group, The Spaniels were in the studio cutting a record for the newly formed Gary-based Vee-Jay label, owned by DJ Vivian Carter and her soon-to-be husband Jimmy Bracken. "Baby It's You," heavily based on Shirley & Lee's "I'm Gone" started getting local radio play and began to take off nationally. Vee-Jay couldn't handle the early distribution, so they leased it out to Chance Records in Chicago. When Chance folded soon after, Vee-Jay managed to get the single to #10 R&B nationally. Quite a success for a young label and group from Indiana. Unlike many vocal groups of this era, The Spaniels were able to match their vocal greatness with chart success and sales. "Goodnite, Sweetheart, Goodnite," "You Painted Pictures" and "Everyone's Laughing" would grace the charts between 1953-58. Matt The Cat had the pleasure of interviewing the great Pookie Hudson in July, 2006, just six month before his death at the age of 72. On this week's special "Juke In The Back," Matt features clips from that interview to shed some light on the man, the group and the circumstances that made those songs so memorable.

Episode #657 - Down Beat Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, "Juke In The Back" focuses on Down Beat Records, another of the early, small, independent R&B record labels. Afro-American businessman Jack Lauderdale founded the label in Los Angeles in 1947, after working the market as a small distributer. Right off the bat, he had jazz tenor great, Lucky Thompson and a very promising young bluesman, Lowell Fulson. Throw in a few seldom heard bluesmen; Felix Gross and Sylvester Mike and the legendary team of Joe Turner and Pete Johnson and you've got the building blocks for a spectacular R&B record label. Matt The Cat explores the history and music of this influential label on this week's "Juke In The Back."

Jukelogolargeapple2_small

Down Beat RecordsDown Beat Records

This week, "Juke In The Back" focuses on Down Beat Records, another of the early, small, independent R&B record labels. Afro-American businessman Jack Lauderdale founded the label in Los Angeles in 1947, after working the market as a small distributer. He built a roster of artists along with aquiring the rights to masters from other little labels that were going out of business. He could cut costs by reissuing those sides with better distribution than the original labels had. Right off the bat, he had jazz tenor great, Lucky Thompson and a very promising young bluesman, Lowell Fulson. Soon, Jay McShann's group would be Down Beat's house band and McShann would bring his current vocalist, Jimmy Witherspoon with him. Throw in a few seldom heard bluesmen; Felix Gross and Sylvester Mike and the legendary team of Joe Turner and Pete Johnson and you've got the building blocks for a spectacular R&B record label. Lauderdale was fortunate enough to discover and record a young Ray Charles and his group, The Maxim Trio. Their, "Confession Blues" hit #2 in the spring of 1949, giving Down Beat a tremendous hit record. In October, Lauderdale was forced to rename the label after DownBeat, the popular jazz magazine, threatened a lawsuit. In a future "Juke In The Back," Matt The Cat will explore Lauderdale's Swing Beat and Swing Time record labels, but this week we focus on where it all began with Down Beat Records.

Episode #673 - DooTone Records

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:01

Matt The Cat takes a look at another Black-owned, independent, LA-based record label that contributed greatly to the birth of Rock n' Roll and the popularity of R&B Vocal Groups during the 1950s. This week, the "Juke In The Back" puts Dootsie Williams' little label, DooTone Records into the spotlight for a solid hour of stunning Rhythm & Blues from the '40s and '50s. DooTone Records became famous for releasing discs from LA's emerging vocal group scene. The Medallions, Don Julian & The Meadowlarks and DooTone's only huge national hit, The Penguins' "Earth Angel" were issued by the end of 1954. This week, we take a snap-shot of a regional sound being discovered by a nation who's musical tastes were changing as young people were buying records and Rock n' Roll was emerging. It's a piece of history that sounds best when played on the "Juke In The Back."

Jukelogolargeapple2_small

DooTone RecordsDooTone Records

Matt The Cat takes a look at another Black-owned, independent, LA-based record label that contributed greatly to the birth of Rock n' Roll and the popularity of R&B Vocal Groups during the 1950s. This week, the "Juke In The Back" puts Dootsie Williams' little label, DooTone Records into the spotlight for a solid hour of stunning Rhythm & Blues from the '40s and '50s. We'll dig on Dootsie's first label Blue Records, which was born out of the Musicians Union Strike of '48. Dootsie, a big band trumpeter had been in the business since 1930 and saw there was a profit to be made of lewd party records as well as Blues and R&B. He expanded his enterprise in 1951 by starting DooTone Records and began releasing records from LA's emerging vocal group scene. The Medallions, Don Julian & The Meadowlarks and DooTone's only huge national hit, The Penguins' "Earth Angel" were issued by the end of 1954. He continued into '55 and '56 with The Dootones, The Pipes, The Cuff-Links, The Calvanes and a slew of great Los Angeles R&B, before deciding that the independent record business wasn't going to get any better. This week, we take a snap-shot of a regional sound being discovered by a nation who's musical tastes were changing as young people were buying records and Rock n' Roll was emerging. It's a piece of history that sounds best when played on the "Juke In The Back."

Episode #687 - Frankie Lymon & The Teenagers

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

We throw the word "influential" around a lot on the Juke In The Back, but very few groups can actually claim to have started a sub-genre based on their lead singer. The Teenagers Feat. Frankie Lymon were the first of the "kiddie" lead groups to sing for a teenaged audience. Their tunes had teen themes and when mixed with Lymon's vocals, a brand-new Rock n' Roll vocal group sound was created. The Teenagers only lasted for around 18 months, but during that short time, they racked up 9 R&B charting hits, including the #1 smash "Why Do Fools Fall In Love," which crossed over to a respectable #6 on the Pop Chart. There's a lot more to this story and on this week's program,Matt The Cat tries his best to tell it. Matt's interview with the late Herbie Cox of the Cleftones helps to shed some light as Herbie was in record label owner George Goldner's office on the very day that the Teenagers came in to audition for him. So don't miss this exciting Juke In The Back on the unforgettable Frankie Lymon & The Teenagers.

Jukelogolargeapple2_small

The Teenagers feat. Frankie LymonFrankie Lymon & The Teenagers

We throw the word "influential" around a lot on the Juke In The Back, but very few groups can actually claim to have started a sub-genre based on their lead singer. The Teenagers Feat. Frankie Lymon were the first of the "kiddie" lead groups to sing for a teenaged audience. Their tunes had teen themes and when mixed with Lymon's vocals, a brand-new Rock n' Roll vocal group sound was created. Copycat groups hit the scene quick with The Juniors, The Kodaks, The Youngsters, The Students and The Schoolboys all trying to ride on Lymon's coattails, but there was only one. The Teenagers only lasted for around 18 months, but during that short time, they racked up 9 R&B charting hits, including the #1 smash "Why Do Fools Fall In Love," which crossed over to a respectable #6 on the Pop Chart. Record man George Goldner and Valentines' leader Richard Barrett guided and shaped the Teenagers sound while Jimmy Wright's incredible band provided exciting musical backing to create hit after hit, until the overall sound of Rock n' Roll began to change. Lymon's voice was maturing and he was pushed into the Pop field, leaving the Teenagers behind. There's a lot more to this story and on this week's program, Matt The Cat tries his best to tell it. Matt's interview with the late Herbie Cox of the Cleftones helps to shed some light as Herbie was in Goldner's office on the very day that the Teenagers came in to audition for him. So don't miss this exciting Juke In The Back on the unforgettable Frankie Lymon & The Teenagers.

Episode #723 - Slim Gaillard

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

This week, we honor the "Prince Of Vout," Mr. McVouty himself, Slim Gaillard. He was a one-of-a-kind-o-reenee as he spoke 7 languages including his own language of Vout, played guitar, piano, drums and several other instruments, wrote off-beat tunes that were always drenched in rhythm and jive and appeared on TV and in several motion pictures. From "Flat Foot Floogee" to "Yep-Roc Heresay", there is only one Slim Gaillard and you've got to dig his amazing story, this week on the "Juke In The Back" with Matt The Cat-o-roonee.

Jukelogolargeapple2_small Juke In The Back - Slim GaillardSlim Gaillard

This week, we honor the "Prince Of Vout," Mr. McVouty himself, Slim Gaillard. He was a one-of-a-kind-o-reenee as he spoke 7 languages including his own language of Vout, played guitar, piano, drums and several other instruments, wrote off-beat tunes that were always drenched in rhythm and jive and appeared on TV and in several motion pictures. Slim Gaillard's beginnings are shrouded in mystery, but we know he burst on the scene with Slam Stewart in 1938 with the classic "Flat Feet Floogee," which was an international hit. In the '40s, he worked with bop cats, Dodo Marmarosa, Dizzy Gillespie and Charlie Parker. He sang songs about Armenian menus, groove juice cocktails, cement mixers and poodles, jumping back and forth from English to Vout. There is only one Slim Gaillard and you've got to dig his amazing story, this week on the "Juke In The Back" with Matt The Cat-o-roonee. 

Episode #725 - Guitar Slim

From Matt "The Cat" Baldassarri | Part of the Juke In The Back With Matt The Cat series | 59:00

Eddie Jones grew up in Hollandale, MS, pickin' cotton and dreaming of a better life when ambition and musical talent plucked him from his situation, christened him Guitar Slim and made him a star. He scored a monster hit with "The Things That I Used To Do," which topped the national R&B lists and became the biggest R&B hit of 1954. That success would never be topped or matched, but Guitar Slim tried and this week, Matt The Cat fills the "Juke In The Back" with Slim's fantastic recordings for Imperial, J-B, Specialty and Atco.

Jukelogolargeapple2_small Guitar Slim

EGuitar Slimddie Jones grew up in Hollandale, MS, pickin' cotton and dreaming of a better life when ambition and musical talent plucked him from his situation, christened him Guitar Slim and made him a star. After moving to New Orleans and befriending Huey "Piano" Smith, the two became a sensation at the hep Tiajuana Club, landing them a deal with Imperial Records. The two singles released by the label failed to chart and they were dropped, but then serendipitously found themselves in Nashville cutting a record for Jim Bulleit's J-B Records. "Feelin' Sad" b/w "Certainly All" got some airplay in major cities and hit #1 on the local New Orleans chart, but failed to hit nationally. That was enough to get bookings at NOLA's premier club, The Dew Drop Inn, where Slim drove crowds into a frenzy with his stage antics. Johnny Vincent at Specialty Records hounded Guitar Slim until he signed with the label, initially beating out Atlantic Records. Right out of the gate, Guitar Slim scored a monster hit with "The Things That I Used To Do," which topped the national R&B lists and became the biggest R&B hit of 1954. That success would never be topped or matched, but Guitar Slim tried and this week, Matt The Cat fills the "Juke In The Back" with Slim's fantastic recordings for Imperial, J-B, Specialty and Atco.